Artworks · Omar Rayo

6ta Bienal de San Juan del Grabado Latinoamericano

1983 · Color screenprint on white wove paper

71.8 × 50.8 cm (28 1/4 × 20 in.)

Art Institute of Chicago

Quiet (Tranquilo) from AGPA 73: Pan American Graphic Arts (AGPA 73: Artes gráficas panamericanas)

1973 · Screenprint from a portfolio of 11 screenprints (one with embossing), seven etchings (three with aquatint, one with embossing), six lithographs (one with etching), five linoleum cuts (one with embossing), one engraving, and one intaglio with embossing

composition (irreg.): 23 5/8 × 11 13/16" (60 × 30 cm); sheet: 30 5/16 × 22 7/16" (77 × 57 cm)

Museum of Modern Art

Free-Fall

1966 · Charcoal and ink on paper

30 5/8 x 22 1/4" (77.5 x 56.3 cm)

Museum of Modern Art

Untitled

1965 · Inkless intaglio and stencil

Sheet and comp. 30 1/4 x 22 1/4" (77.0 x 56.5 cm)

Museum of Modern Art

Calendario (Calendar)

1964 · Uninked intaglio

Sheet 30 3/16 x 22 1/8" (76.6 x 56.1 cm)Comp. 16 5/8 x 12 1/4" (42.2 x 31.2) cm)(irreg.)

Museum of Modern Art

Pop Top from Made in USA

1963 · Inkless intaglio from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 18 1/2 × 18 1/2" (47 × 47 cm); sheet: 30 1/8 × 21 15/16" (76.5 × 55.8 cm)

Museum of Modern Art

Handle with Care from Made in USA

1963 · Inkless intaglio from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 27 × 15 3/4" (68.6 × 40 cm); sheet: 30 1/8 × 21 15/16" (76.5 × 55.8 cm)

Museum of Modern Art

White Tubes from Made in USA

1963 · Inkless intaglio from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 14 7/8 × 17" (37.8 × 43.2 cm); sheet: 30 3/16 × 22" (76.7 × 55.9 cm)

Museum of Modern Art

The White Dress (La Bata Blanca) from Made in USA

1963 · Inkless intaglio from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 28 × 16" (71.1 × 40.6 cm); sheet: 30 × 21 7/8" (76.2 × 55.6 cm)

Museum of Modern Art

Don't Touch from Made in USA

1963 · Inkless intaglio from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 24 1/2 × 15" (62.2 × 38.1 cm); sheet: 30 × 21 15/16" (76.2 × 55.8 cm)

Museum of Modern Art

American Food No. 2 from Made in USA

1963 · Inkless intaglio from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 21 7/16 × 17 5/16" (54.5 × 44 cm); sheet: 30 1/8 × 21 15/16" (76.5 × 55.8 cm)

Museum of Modern Art

For Mr. Y.A. from Made in USA

1963 · Inkless intaglio from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 27 1/2 × 21" (69.9 × 53.3 cm); sheet: 30 1/8 × 21 13/16" (76.5 × 55.4 cm)

Museum of Modern Art

Only for Men from Made in USA

1963 · Inkless intaglio from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 16 1/2 × 27 7/8" (41.9 × 70.8 cm); sheet: 22 1/8 × 30" (56.2 × 76.2 cm)

Museum of Modern Art

Greek Tragedy from Made in USA

1963 · Inkless intaglio from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 22 1/8 × 16" (56.2 × 40.7 cm); sheet: 29 3/4 × 20 13/16" (75.5 × 52.8 cm)

Museum of Modern Art

Madison Ave from Made in USA

1963 · Inkless intaglio from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 26 7/8 × 14" (68.3 × 35.6 cm); sheet: 30 × 22 1/16" (76.2 × 56 cm)

Museum of Modern Art

Do It Yourself from Made in USA

1963 · Inkless intaglio from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 27 × 15 3/4" (68.6 × 40 cm); sheet: 30 1/8 × 21 15/16" (76.5 × 55.8 cm)

Museum of Modern Art

Cooperation from Made in USA

1963 · Inkless intaglio from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 25 1/4 × 18 1/4" (64.1 × 46.4 cm); sheet: 30 1/8 × 22" (76.5 × 55.9 cm)

Museum of Modern Art

Last Night at Marienbad from Made in USA

1963 · Inkless intaglio from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 25 × 16 5/16" (63.5 × 41.4 cm); sheet: 30 3/8 × 22 1/4" (77.2 × 56.5 cm)

Museum of Modern Art

Only for Winter from Made in USA

1963 · Intaglio with synthetic polymer paint from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 28 1/2 × 11 1/2" (72.4 × 29.2 cm); sheet: 30 × 21 15/16" (76.2 × 55.8 cm)

Museum of Modern Art

The Little Machine

1963 · Uninked embossing

composition: 16 5/16 × 7" (41.5 × 17.8 cm); sheet: 21 3/8 × 15" (54.3 × 38.1 cm)

Museum of Modern Art

Manhattan King Size from Made in USA

1962 · Inkless intaglio from a portfolio of fifteen inkless intaglios, one with synthetic polymer paint

composition: 26 3/16 × 18 7/8" (66.5 × 48 cm); sheet: 30 3/16 × 21 5/8" (76.7 × 55 cm)

Museum of Modern Art

Made in USA

1962 · Fifteen inkless intaglios, one with synthetic polymer paint

various composition and sheet dimensions

Museum of Modern Art

American Food

1962 · Uninked embossed print

composition: 22 1/16 × 10 3/4" (56 × 27.3 cm); sheet: 22 1/16 × 30 3/16" (56 × 76.6 cm)

Museum of Modern Art

Bodegón I (Still Life I)

1961 · Embossing

composition: 9 7/8 x 12 1/2" (25.1 x 31.8 cm); sheet: 13 1/8 x 15 7/16" (33.4 x 39.2 cm)

Museum of Modern Art

Papel Doblado (Folded Paper)

1961 · Uninked embossed print

composition: 14 1/4 × 12 3/16" (36.2 × 31 cm); sheet: 30 7/16 × 22 7/16" (77.3 × 57 cm)

Museum of Modern Art

Last Light

1948 · Relief intaglio on ivory wove paper

77 × 56.5 cm (30 3/8 × 22 1/4 in.)

Art Institute of Chicago

Only for Winter

1948 · Relief intaglio on ivory wove paper

76.8 × 56.3 cm (30 1/4 × 22 3/16 in.)

Art Institute of Chicago

Metal Structure No. 2

1943 · Embossed print, rubbed with ink

Sheet 15 x 22 3/16" (38.0 x 56.3 cm)Backing 17 3/4 x 25" (45.0 x 63.5 cm)

Museum of Modern Art