Artworks · Odilon Redon

. . . And Eyes without Heads Were Floating like Mollusks (. . . Et que des yeux sans tête flottait comme des mollusques) (plate XX) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 12 1/16 × 8 13/16" (30.7 × 22.4 cm); page: 17 3/16 × 13" (43.6 × 33 cm)

Museum of Modern Art

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) (plate VII) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 10 3/8 × 8 3/8" (26.3 × 21.3 cm); page: 17 3/16 × 12 15/16" (43.6 × 32.9 cm)

Museum of Modern Art

Here Is the Good Goddess, the Idaean Mother of the Mountains (Voici la bonne-déesse, l'idéenne des montagnes) (plate XIII) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 5 7/8 × 5 1/16" (14.9 × 12.9 cm); sheet: 16 15/16 × 12 7/8" (43 × 32.7 cm)

Museum of Modern Art

He Falls Head Foremost into the Abyss (Il tombe dans l'abîme, la tête en bas) (plate XV) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 10 13/16 × 8 1/4" (27.5 × 21 cm); page: 17 1/4 × 13" (43.8 × 33 cm)

Museum of Modern Art

La Tentation de Saint-Antoine

1896 · Illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

page (each approx.): 17 5/16 × 13" (44 × 33 cm); overall (closed): 17 11/16 × 13 9/16 × 2 5/8" (45 × 34.5 × 6.7 cm)

Museum of Modern Art

The Old Woman: What Are You Afraid of? A Wide Black Hole! It Is Empty, Perhaps? (La Vieille: Que crains-tu? Un large trou noir! Il est vide, peut-être?) (plate XVII) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 6 3/8 × 4 3/16" (16.2 × 10.6 cm); page: 17 1/4 × 13" (43.8 × 33 cm)

Museum of Modern Art

Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Forms (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régler les formes) (plate XII) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 10 7/8 × 8 1/2" (27.7 × 21.6 cm); page: 17 1/4 × 13" (43.8 × 33 cm)

Museum of Modern Art

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voutes) (plate V) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 9 9/16 × 7 1/2" (24.3 × 19.1 cm); page: 17 1/16 × 13" (43.4 × 33 cm)

Museum of Modern Art

. . . I Plunged into Solitude. I Dwelt in the Tree behind Me (. . . Je me suis enfoncé dans la solitude. J'habitais l'arbre derrière moi) (plate VIII) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 11 5/8 × 8 3/4" (29.5 × 22.2 cm); page: 17 1/8 × 12 15/16" (43.5 × 32.8 cm)

Museum of Modern Art

Helen (Ennoia) (Hélène [Ennoia]) (plate IX) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 3 11/16 × 3 1/4" (9.3 × 8.3 cm); page: 17 5/16 × 13 1/8" (44 × 33.3 cm)

Museum of Modern Art

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) (plate VI) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 10 3/16 × 7 13/16" (25.9 × 19.8 cm); page: 17 1/16 × 13" (43.3 × 33 cm)

Museum of Modern Art

Day Appears at Last, . . . and in the Very Disk of the Sun Shines the Face of Jesus Christ (Le Jour enfin paraît, . . . et dans le disque même du soleil, rayonne la face de Jésus-Christ) (plate XXII) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 10 5/16 × 8" (26.2 × 20.3 cm); page: 17 5/16 × 13 1/16" (43.9 × 33.1 cm)

Museum of Modern Art

I Am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Fruit Is the Sun! (Je suis toujours la grande Isis! Nul n'a encore soulevé mon voile! Mon fruit est le soleil!) (plate XIV) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 11 × 8" (28 × 20.3 cm); page: 17 1/4 × 13" (43.8 × 33 cm)

Museum of Modern Art

Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) (plate XI) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 12 3/8 × 8 9/16" (31.5 × 21.7 cm); page: 17 3/16 × 13" (43.7 × 33 cm)

Museum of Modern Art

Saint Anthony: Help Me, O My God! (Saint-Antoine: Au secours mon dieu!) (plate II) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 8 7/16 × 5 1/8" (21.5 × 13 cm); page: 17 3/16 × 13" (43.7 × 33 cm)

Museum of Modern Art

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le goût d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) (plate IV) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 7 3/4 × 6 5/16" (19.7 × 16 cm); page: 17 3/16 × 13" (43.6 × 33 cm)

Museum of Modern Art

Different Peoples Dwell in the Countries of the Ocean (Des peuples divers habitent les pays de l'océan) (plate XIX) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 12 × 9" (30.5 × 22.8 cm); page: 17 3/16 × 13" (43.7 × 33 cm)

Museum of Modern Art

Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) (plate X) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 9 × 6 7/16" (22.8 × 16.4 cm); page: 17 1/8 × 13" (43.5 × 33 cm)

Museum of Modern Art

. . . The Beasts of the Sea, Round like Leather Bottles (. . . Les Bêtes de la mer rondes comme des outres) (plate XXI) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 8 9/16 × 7 1/2" (21.7 × 19 cm); page: 17 1/16 × 13 1/16" (43.3 × 33.2 cm)

Museum of Modern Art

Le Mouvement idéaliste en peinture

1896 · Illustrated book with one lithograph

composition: 53/8 x 67/8" (13.7 x 17.5 cm); page (each): 7 13/16 x 5 1/2" (19.8 x 14 cm)

Museum of Modern Art

Centaur visant les Nues (Centaur aiming at the Clouds)

1895 · lithograph on chine appliqué

image: 31.6 x 24.7 cm (12 7/16 x 9 3/4 in.) sheet: 59.8 x 42.8 cm (23 9/16 x 16 7/8 in.)

National Gallery of Art

Le Buddha

1895 · lithograph

image: 31.7 × 24.8 cm (12 1/2 × 9 3/4 in.) sheet: 60 × 42.8 cm (23 5/8 × 16 7/8 in.)

National Gallery of Art

Profile of a Woman with a Vase of Flowers

1895 · Oil paint on canvas

support: 655 x 505 mm FD: 855x715x70mm

Tate

The Buddha

1895 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image: 32.5 × 24.5 cm (12 13/16 × 9 11/16 in.); Sheet: 45.2 × 34.8 cm (17 13/16 × 13 3/4 in.)

Art Institute of Chicago

Centaur Taking Aim at the Clouds

1895 · Lithograph in black on light gray wove paper

Image: 20.8 × 23.6 cm (8 1/4 × 9 5/16 in.); Irregular sheet: 42.8 × 30 cm (16 7/8 × 11 13/16 in.)

Art Institute of Chicago

Vision

1895 · Black pastel, with charcoal and black chalk, stumping, scraping and erasing, on ivory wove paper with blue fibers (discolored to cream)

52.6 × 37.7 cm (20 3/4 × 14 7/8 in.)

Art Institute of Chicago

The Buddha

1895 · Lithograph in black on cream China paper laid down on ivory wove paper

Image: 31.5 × 25 cm (12 7/16 × 9 7/8 in.); Stone: 33 × 26.1 cm (13 × 10 5/16 in.); Sheet: 44.1 × 34.8 cm (17 3/8 × 13 3/4 in.)

Art Institute of Chicago

Centaur Aiming at the Clouds

1895 · Lithograph in black ink on light gray China paper laid down on ivory China paper

Chine: 31.5 × 24.7 cm (12 7/16 × 9 3/4 in.); Sheet: 45.4 × 34.7 cm (17 7/8 × 13 11/16 in.)

Art Institute of Chicago

Centaur Aiming at the Clouds

1895 · Lithograph printed in green on cream China paper laid down on ivory wove paper

Chine: 31.4 × 25 cm (12 3/8 × 9 7/8 in.); Sheet: 45.2 × 35 cm (17 13/16 × 13 13/16 in.)

Art Institute of Chicago

The Buddha

1895 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image/chine: 31.4 × 25 cm (12 3/8 × 9 7/8 in.); Sheet: 44 × 35 cm (17 3/8 × 13 13/16 in.)

Art Institute of Chicago

The Centaur

1895 · Pastel with graphite on blue paper altered to a blue-gray tone on board

28 1/2 x 19 1/2" (72.4 x 49.5 cm)

Museum of Modern Art

Profile

1895 · Oil on paper mounted on canvas

19 7/8 x 15 1/8" (50.5 x 38.4 cm)

Museum of Modern Art

The Buddha (Le Buddha) from the portfolio The Original Print (L'Estampe originale), no. VIII

1895 · Lithograph with chine appliqué

composition: 12 5/16 x 9 3/4" (31.2 x 24.7 cm); sheet: 20 5/16 x 15 1/2" (51.6 x 39.3 cm)

Museum of Modern Art

The Apparition

1895 · Pastel and charcoal on colored paper

20 1/4 x 12 1/4" (51.4 x 31.1 cm)

Museum of Modern Art

Christ

1895 · Charcoal, chalk, pastel, and pencil on paper

17 3/4 x 14 5/8" (45.1 x 37.1 cm)

Museum of Modern Art

Nude Woman Seen from Behind

1895 · Charcoal and chalk on paper on cardstock

20 1/4 x 12 3/8" (51.4 x 31.4 cm)

Museum of Modern Art

Cellule Auriculaire

1894 · lithograph on wove paper

image: 26.9 x 24.9 cm (10 9/16 x 9 13/16 in.) sheet: 57 x 34.8 cm (22 7/16 x 13 11/16 in.)

National Gallery of Art

Le Coursier (The Race Horse)

1894 · lithograph on chine applique; laid down on heavy wove paper

sheet: 24.1 x 19.6 cm (9 1/2 x 7 11/16 in.) support: 60.7 x 40.1 cm (23 7/8 x 15 13/16 in.)

National Gallery of Art

Cheval aile (Winged Horse)

1894 · lithograph

National Gallery of Art

Brunnhilde

1894 · lithograph

National Gallery of Art

L'Art Celeste (The Celestial Art)

1894 · lithograph

image: 31.5 x 25.9 cm (12 3/8 x 10 3/16 in.) sheet: 50.8 x 39.6 cm (20 x 15 9/16 in.)

National Gallery of Art

Hantise (Obsession)

1894 · lithograph

National Gallery of Art

Cellule Auriculaire (Auricular Cell)

1894 · lithograph

National Gallery of Art

Obsession

1894 · Lithograph in black on light gray China paper laid down on ivory wove paper

Image: 36.4 × 22.8 cm (14 3/8 × 9 in.); Chine: 36.5 × 22.9 cm (14 3/8 × 9 1/16 in.); Sheet: 49.5 × 34.7 cm (19 1/2 × 13 11/16 in.)

Art Institute of Chicago

The Celestial Art

1894 · Lithograph in black on off-white loose chine

31.6 × 25.8 cm (12 1/2 × 10 3/16 in.)

Art Institute of Chicago

Brünnhilde

1894 · Lithograph in black on heavy cream wove paper

Image: 37.9 × 29.4 cm (14 15/16 × 11 5/8 in.); Irregular sheet: 52.2 × 37 cm (20 9/16 × 14 5/8 in.)

Art Institute of Chicago

The Celestial Art

1894 · Lithograph in black on off-white China paper laid down on ivory wove paper

Image/chine: 31 × 14.1 cm (12 1/4 × 5 9/16 in.); Sheet: 45.2 × 34.7 cm (17 13/16 × 13 11/16 in.)

Art Institute of Chicago

Auricular Cell

1894 · Lithograph, with scraping on stone, in black on tan Japanese paper

Image: 26.9 × 25.1 cm (10 5/8 × 9 15/16 in.); Sheet: 45.3 × 34.9 cm (17 7/8 × 13 3/4 in.)

Art Institute of Chicago