Artworks · Odilon Redon

Intelligence was Mine! I Became the Buddha, plate 12 of 24

1896 · Lithograph in black on light gray China paper laid down on ivory wove paper

Image: 31.4 × 21.6 cm (12 3/8 × 8 9/16 in.); Chine: 31.6 × 22 cm (12 1/2 × 8 11/16 in.); Sheet: 45.2 × 34.9 cm (17 13/16 × 13 3/4 in.)

Art Institute of Chicago

Frontispiece for Le mouvement idéaliste en peinture (The Idealistic Movement in Painting) by André Mellerio

1896 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image: 8.2 × 8.6 cm (3 1/4 × 3 7/16 in.); Chine: 13.7 × 17.5 cm (5 7/16 × 6 15/16 in.); Sheet: 31.3 × 44.5 cm (12 3/8 × 17 9/16 in.)

Art Institute of Chicago

The Width and Flatness of [the] Frontal [Bone], plate 6 of 6

1896 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image: 14.1 × 9.5 cm (5 9/16 × 3 3/4 in.); Chine: 22.6 × 16.9 cm (8 15/16 × 6 11/16 in.); Sheet: 38.4 × 27.9 cm (15 1/8 × 11 in.)

Art Institute of Chicago

Larvae So Bloodless and So Hideous, plate 5 of 6

1896 · Lithograph on ivory chine laid down on white wove paper

Image/chine: 17.8 × 16.9 cm (7 1/16 × 6 11/16 in.); Sheet: 43.7 × 31.5 cm (17 1/4 × 12 7/16 in.)

Art Institute of Chicago

It Was a Hand, Seemingly as Much of Flesh and Blood as My Own, plate 4 of 6

1896 · Lithograph in black on ivory China paper laid down on white wove paper

Image/chine: 24.5 × 17.8 cm (9 11/16 × 7 1/16 in.); Sheet: 44.4 × 31.2 cm (17 1/2 × 12 5/16 in.)

Art Institute of Chicago

Larvae So Bloodless and So Hideous, plate 5 of 6

1896 · Lithograph in black on ivory China paper laid down on white wove paper

Image/chine: 18 × 17.1 cm (7 1/8 × 6 3/4 in.); Sheet: 42.9 × 31.2 cm (16 15/16 × 12 5/16 in.)

Art Institute of Chicago

The Width and Flatness of [the] Frontal [Bone], plate 6 of 6

1896 · Lithograph in black on cream China paper laid down on white wove paper

Image: 14.1 × 9.5 cm (5 9/16 × 3 3/4 in.); Chine: 22.7 × 15.3 cm (8 15/16 × 6 1/16 in.); Sheet: 43.3 × 31.2 cm (17 1/16 × 12 5/16 in.)

Art Institute of Chicago

It Was a Hand, Seemingly as Much of Flesh and Blood as My Own, plate 4 of 6

1896 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image/chine: 24.5 × 17.8 cm (9 11/16 × 7 1/16 in.); Sheet: 43.8 × 31.3 cm (17 1/4 × 12 3/8 in.)

Art Institute of Chicago

He [The Narrator's Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6

1896 · Lithograph in black on light gray China paper laid down on ivory wove paper

Chine: 22.7 × 15.3 cm (8 15/16 × 6 1/16 in.); Sheet: 42.9 × 31.6 cm (16 15/16 × 12 1/2 in.)

Art Institute of Chicago

I Continued to Gaze on the Chair, and Fancied I saw on It a Pale Blue Misty Outline of a Human Figure, plate 1 of 6

1896 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image/chine: 25.2 × 18 cm (9 15/16 × 7 1/8 in.); Sheet: 44.9 × 31.1 cm (17 11/16 × 12 1/4 in.)

Art Institute of Chicago

Title plate for La Maison Hantée

1896 · Lithograph in black on off-white chine

44.6 × 31.8 cm (17 9/16 × 12 9/16 in.)

Art Institute of Chicago

He [The Narrator's Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6

1896 · Lithograph in black on light gray China paper laid down on ivory wove paper

Chine: 22.8 × 15.3 cm (9 × 6 1/16 in.); Sheet: 42.3 × 31.6 cm (16 11/16 × 12 1/2 in.)

Art Institute of Chicago

We Both Saw a Large Pale Light, plate 2 of 6

1896 · Lithograph in black on off-white China paper laid down on ivory wove paper

Image/chine: 22.9 × 17 cm (9 1/16 × 6 3/4 in.); Sheet: 43.1 × 31.4 cm (17 × 12 3/8 in.)

Art Institute of Chicago

Old Knight

1896 · Lithograph in black on cream China paper laid down on ivory wove paper

Image/chine: 29.8 × 23.6 cm (11 3/4 × 9 5/16 in.); Sheet: 45.2 × 34.9 cm (17 13/16 × 13 3/4 in.)

Art Institute of Chicago

Frontispiece for Le mouvement idéaliste en peinture (The Idealist Movement in Painting) by André Mellerio

1896 · Lithograph in black on cream Japanese paper

Image: 8.2 × 8.6 cm (3 1/4 × 3 7/16 in.); Sheet: 16.2 × 22.8 cm (6 7/16 × 9 in.)

Art Institute of Chicago

Frontispiece for Le mouvement idéaliste en peinture (The Idealist Movement in Painting) by André Mellerio

1896 · Lithograph in black on off-white China paper laid down on cream wove paper

Image: 8 × 8.7 cm (3 3/16 × 3 7/16 in.); Chine: 13.8 × 17.5 cm (5 7/16 × 6 15/16 in.); Sheet: 31.4 × 45.2 cm (12 3/8 × 17 13/16 in.)

Art Institute of Chicago

I Continued to Gaze on the Chair, and Fancied I Saw on It a Pale Blue Misty Outline of a Human Figure, plate 1 of 6

1896 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image/chine: 25.2 × 18 cm (9 15/16 × 7 1/8 in.); Sheet: 44.5 × 31.3 cm (17 9/16 × 12 3/8 in.)

Art Institute of Chicago

Old Knight

1896 · Lithograph in black on cream China paper laid down on ivory wove paper

Image/chine: 29.6 × 23.5 cm (11 11/16 × 9 5/16 in.); Sheet: 53.2 × 34.9 cm (21 × 13 3/4 in.)

Art Institute of Chicago

Helen - Ennoia, plate 10 of 24

1896 · Lithograph in gray-green on heavy ivory wove paper

Image: 9.3 × 8.3 cm (3 11/16 × 3 5/16 in.); Sheet: 26.1 × 17.8 cm (10 5/16 × 7 1/16 in.)

Art Institute of Chicago

Helen - Ennoia, plate 10 of 24

1896 · Lithograph in black on cream China paper laid down on ivory wove paper

Image, irregular: 9.3 × 8.3 cm (3 11/16 × 3 5/16 in.); Chine: 9.3 × 8.4 cm (3 11/16 × 3 5/16 in.); Sheet: 45.2 × 34.7 cm (17 13/16 × 13 11/16 in.)

Art Institute of Chicago

Immediately Three Goddesses Arise, plate 11 of 24

1896 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image: 17 × 13.3 cm (6 3/4 × 5 1/4 in.); Chine: 21.8 × 16.6 cm (8 5/8 × 6 9/16 in.); Sheet: 45.2 × 34.7 cm (17 13/16 × 13 11/16 in.)

Art Institute of Chicago

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24

1896 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image/chine: 19.4 × 15.5 cm (7 11/16 × 6 1/8 in.); Sheet: 45.3 × 34.5 cm (17 7/8 × 13 5/8 in.)

Art Institute of Chicago

I Plunged into Solitude. I Dwelt in the Tree behind Me, plate 9 of 24

1896 · Lithograph in black on light gray China paper laid down on ivory wove paper

Image/chine: 29.9 × 22.6 cm (11 13/16 × 8 15/16 in.); Sheet: 45.2 × 34.9 cm (17 13/16 × 13 3/4 in.)

Art Institute of Chicago

Helen - Ennoia, plate 10 of 24

1896 · Lithograph in black on cream China paper laid down on ivory wove paper

Image/chine: 9.8 × 8.4 cm (3 7/8 × 3 5/16 in.); Sheet: 45 × 34.7 cm (17 3/4 × 13 11/16 in.)

Art Institute of Chicago

I Plunged into Solitude. I Dwelt in the Tree behind Me, plate 9 of 24

1896 · Lithograph in black on light gray China paper laid down on ivory wove paper

Image: 30 × 22.7 cm (11 13/16 × 8 15/16 in.); Chine: 30.1 × 22.5 cm (11 7/8 × 8 7/8 in.); Sheet: 52 × 34.8 cm (20 1/2 × 13 3/4 in.)

Art Institute of Chicago

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24

1896 · Lithograph in black on light gray China paper laid down on ivory wove paper

Image: 19.3 × 15.6 cm (7 5/8 × 6 3/16 in.); Chine, irregular: 19.8 × 15.7 cm (7 13/16 × 6 3/16 in.); Sheet: 45.2 × 34.5 cm (17 13/16 × 13 5/8 in.)

Art Institute of Chicago

And He Discerns an Arid, Knoll-Covered Plain, plate 7 of 24

1896 · Lithograph in black on cream China paper laid down on ivory wove paper

Image/chine: 24.8 × 19.8 cm (9 13/16 × 7 13/16 in.); Sheet: 45.3 × 34.8 cm (17 7/8 × 13 3/4 in.)

Art Institute of Chicago

And He Discerns an Arid, Knoll-Covered Plain, plate 7 of 24

1896 · Lithograph in black on light gray China paper laid down on ivory wove paper

Image: 26.3 × 21.5 cm (10 3/8 × 8 1/2 in.); Sheet: 45 × 34.6 cm (17 3/4 × 13 5/8 in.)

Art Institute of Chicago

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24

1896 · Lithograph in black on light gray China paper laid down on ivory wove paper

Image: 19.2 × 15.6 cm (7 9/16 × 6 3/16 in.); Chine: 19.7 × 15.6 cm (7 13/16 × 6 3/16 in.); Sheet: 45 × 36 cm (17 3/4 × 14 3/16 in.)

Art Institute of Chicago

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24

1896 · Lithograph in black on light gray loose chine

Image: 19.4 × 15.5 cm (7 11/16 × 6 1/8 in.); Sheet: 22 × 18.2 cm (8 11/16 × 7 3/16 in.)

Art Institute of Chicago

Flowers Fall and the Head of a Python Appears, plate 5 of 24

1896 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image/chine: 26.1 × 19.8 cm (10 5/16 × 7 13/16 in.); Sheet: 45.3 × 34.8 cm (17 7/8 × 13 3/4 in.)

Art Institute of Chicago

Flowers Fall and the Head of a Python Appears, plate 5 of 24

1896 · Lithograph in black on cream China paper laid down on ivory wove paper

Image: 25.9 × 19.8 cm (10 1/4 × 7 13/16 in.); Chine: 26.3 × 19.9 cm (10 3/8 × 7 7/8 in.); Sheet: 45 × 34.6 cm (17 3/4 × 13 5/8 in.)

Art Institute of Chicago

In the Shadow Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them, plate 6 of 24

1896 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image/chine: 26.3 × 21.5 cm (10 3/8 × 8 1/2 in.); Sheet: 45 × 34.6 cm (17 3/4 × 13 5/8 in.)

Art Institute of Chicago

In the Shadow Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them, plate 6 of 24

1896 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image/chine: 26.3 × 21.5 cm (10 3/8 × 8 1/2 in.); Sheet: 45 × 34.6 cm (17 3/4 × 13 5/8 in.)

Art Institute of Chicago

My Kisses Have the Taste of Fruit Which Would Melt in Your Heart!, plate 4 of 24

1896 · Lithograph in black on ivory China paper laid down on ivory wove paper

Chine: 20 × 16.3 cm (7 7/8 × 6 7/16 in.); Sheet: 45.3 × 34.7 cm (17 7/8 × 13 11/16 in.)

Art Institute of Chicago

And On Every Side Are Columns of Basalt,...the Light Falls From the Vaulted Roof, plate 3 of 24

1896 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image, overlaps chine: 24.2 × 18.9 cm (9 9/16 × 7 1/2 in.); Sheet: 45.1 × 34.7 cm (17 13/16 × 13 11/16 in.)

Art Institute of Chicago

My Kisses Have the Taste of Fruit Which Would Melt in Your Heart!...You Disdain Me! Farewell!, plate 4 of 24

1896 · Lithograph in black on gray China paper laid down on ivory wove paper

Image/chine: 20.3 × 16.5 cm (8 × 6 1/2 in.); Sheet: 45 × 34.6 cm (17 3/4 × 13 5/8 in.)

Art Institute of Chicago

And On Every Side Are Columns of Basalt,...the Light Falls From the Vaulted Roof, plate 3 of 24

1896 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image/chine, irregular: 24.3 × 19.2 cm (9 5/8 × 7 9/16 in.); Sheet: 52.7 × 34.7 cm (20 3/4 × 13 11/16 in.)

Art Institute of Chicago

Saint Anthony: "Help Me, O My God!", plate 2 of 24

1896 · Lithograph in black on light gray China paper laid down on ivory wove paper

Image/chine: 21.7 × 13.2 cm (8 9/16 × 5 1/4 in.); Sheet: 45.1 × 34.7 cm (17 13/16 × 13 11/16 in.)

Art Institute of Chicago

Saint Anthony: "Help Me, O My God!", plate 2 of 24

1896 · Lithograph in black on light gray China paper laid down on ivory wove paper

Image: 21.4 × 13 cm (8 7/16 × 5 1/8 in.); Chine: 21.5 × 13.1 cm (8 1/2 × 5 3/16 in.); Sheet: 43.3 × 34.7 cm (17 1/16 × 13 11/16 in.)

Art Institute of Chicago

St. Anthony: "Help me, O my God!", plate 2 of 24

1896 · Lithograph in black on light gray China paper laid down on ivory wove paper

Image/chine: 21.6 × 13.2 cm (8 9/16 × 5 1/4 in.); Sheet: 57.1 × 40.4 cm (22 1/2 × 15 15/16 in.)

Art Institute of Chicago

Frontispiece/Title Plate for the Tentation de St. Antoine

1896 · Lithograph printed in orange on cream Japanese paper

Image: 24 × 16.5 cm (9 1/2 × 6 1/2 in.); Sheet: 45.3 × 35 cm (17 7/8 × 13 13/16 in.)

Art Institute of Chicago

Frontispiece/Title Plate for the Tentation de St. Antoine

1896 · Lithograph printed in green on buff Japanese paper

Image: 24 × 16.5 cm (9 1/2 × 6 1/2 in.); Sheet: 52.9 × 35 cm (20 7/8 × 13 13/16 in.)

Art Institute of Chicago

Frontispiece/Title Plate for the Tentation de St. Antoine

1896 · Lithograph printed in violet ink on buff Japanese paper

Image: 24 × 16.5 cm (9 1/2 × 6 1/2 in.); Sheet: 45.3 × 35 cm (17 7/8 × 13 13/16 in.)

Art Institute of Chicago

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 10 3/8 x 8 7/16" (26.3 x 21.5 cm); sheet: 20 7/8 x 15 7/16" (53 x 39.2 cm)

Museum of Modern Art

. . . I Have Sometimes Seen in the Sky What Seemed like Forms of Spirits (. . . J'ai quelquefois aperçu dans le ciel comme des formes d'esprits) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 10 7/16 x 7 3/16" (26.5 x 18.2 cm); sheet: 20 3/16 x 15 3/4" (51.2 x 40 cm)

Museum of Modern Art

She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 7 5/8 x 6 1/16" (19.3 x 15.4 cm); sheet: 20 5/8 x 15 13/16" (52.4 x 40.2 cm)

Museum of Modern Art

Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 12 5/16 x 8 7/16" (31.2 x 21.5 cm); sheet: 20 11/16 x 15 5/8" (52.6 x 39.7 cm)

Museum of Modern Art