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Artists›Nicolas Le Sueur

Nicolas Le Sueur

Nicolas Le Sueur

French, 1691–1764

Printmaking

Representation

None documented

0

Institutional Exhibitions

5

Works in Collection

6

Assets Indexed

1

Authority-backed Facts

0

Publications Referenced

50%

Profile Completeness

Cultural Positioning

Movements

No movements recorded

Related Artists

No edges recorded

Influence Graph

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About

Why this artist matters now

No biography available for Nicolas Le Sueur yet.

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Printmaking

Related Artists

6 in graph

Institutional

Museum Collections

The Metropolitan Museum of Art Art Institute of Chicago National Gallery of Art

Canonical record

Artworks (5)

The Rape of Europa, from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)

The Rape of Europa, from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)

1742 · Chiaroscuro woodcut from four blocks in green and brown on ivory laid paper

Image: 42.5 × 28 cm (16 3/4 × 11 1/16 in.); sheet: 54 × 39.5 cm (21 5/16 × 15 9/16 in.)

Art Institute of Chicago

Diana and Endymion

Diana and Endymion

1724 · chiaroscuro woodcut printed in green and black on laid paper

image: 44.4 × 31.4 cm (17 1/2 × 12 3/8 in.) sheet: 54.9 × 38.4 cm (21 5/8 × 15 1/8 in.)

National Gallery of Art

Saint Philip Neri, kneeling at left, with the Virgin and child appearing at upper right

Saint Philip Neri, kneeling at left, with the Virgin and child appearing at upper right

1724 · Etching and aquatint in blue-gray

Plate: 15 3/16 × 10 1/16 in. (38.5 × 25.6 cm) Sheet: 21 in. × 15 1/4 in. (53.3 × 38.7 cm)

The Metropolitan Museum of Art

Assumption of the Virgin; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giuseppe Passeri

Assumption of the Virgin; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giuseppe Passeri

1724 · Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching

Sheet: 21 in. × 15 1/4 in. (53.3 × 38.8 cm) Plate: 11 11/16 × 9 3/8 in. (29.7 × 23.8 cm)

The Metropolitan Museum of Art

The invention of the cross; three men lifting a cross from a trench; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pinturicchio

The invention of the cross; three men lifting a cross from a trench; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pinturicchio

1724 · Etching and aquatint with tone woodblock

Sheet: 20 7/8 × 15 1/16 in. (53.1 × 38.3 cm) Plate: 16 1/8 × 12 3/8 in. (41 × 31.5 cm)

The Metropolitan Museum of Art

Record

Images

The Rape of Europa, from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat) (Art Institute of Chicago)

Art Institute of Chicago

Related artists

Adjacent in the graph

Christopher Williams

Christopher Williams

Also printmaking

Also printmaking

Also printmaking

Also printmaking

Also printmaking

Also printmaking

Record

Movements and affiliations

No movements linked yet

Institutional

Representation & Collections

In collection

The Metropolitan Museum of Art

In collection

Art Institute of Chicago

In collection

National Gallery of Art

Record

Exhibitions and timeline

No exhibitions or timeline entries yet