Artworks · Nathaniel Hone

Portrait of a Lady in a Blue Dress, possibly Mrs Mary Barnardiston

1779 · Oil paint on canvas

support: 762 x 635 mm frame: 910 x 780 x 70 mm

Tate

Sketch for ‘The Conjuror’

1775 · Oil paint on wood

support: 575 x 819 mm frame: 765 x 940 x 70 mm

Tate

Portrait of Sarah Sophia Banks

1768 · Gouache on ivory

4.6 × 3.7 cm (1 13/16 × 1 7/16 in.); Framed: 7 × 5.6 cm (2 3/4 × 2 3/16 in.)

Art Institute of Chicago

Portrait of George Colman (1732-1794)

1761 · Watercolor on ivory

3.2 × 2.7 cm (1 1/4 × 1 1/16 in.); Framed: 3.7 × 3.3 cm (1 7/16 × 1 5/16 in.)

Art Institute of Chicago

Mary Hone, the Artist’s Wife

1760 · Oil paint on canvas

support: 289 x 219 mm

Tate

Portrait of Lady Hampden

1755 · Enamel on copper

Framed: 6.4 × 4.1 cm (2 1/2 × 1 5/8 in.)

Art Institute of Chicago

Portrait of a Man

1755 · Enamel

Oval, 1 1/8 x 1 in. (30 x 25 mm)

The Metropolitan Museum of Art

Portrait of a Gentleman

1750 · Enamel on copper

3.5 × 2.9 cm (1 3/8 × 1 1/8 in.); Framed: 13.3 × 8.3 cm (5 1/4 × 3 1/4 in.)

Art Institute of Chicago

Portrait of Frances, Countess of Essex

1684 · Enamel on copper

3.9 × 4.8 cm (1 1/2 × 1 7/8 in.); Framed: 5.1 × 4 cm (2 × 1 9/16 in.)

Art Institute of Chicago

A Seapiece

Watercolour on paper

support: 121 x 203 mm

Tate