Artworks · Nancy Spero

Maypole-War from Femfolio

2009 · Digital print with lithograph from a portfolio of nineteen digital prints (twelve with lithograph, one with pochoir, one with hand coloring, and one with gold dusting) and one lithograph

composition (irreg.): 11 7/16 x 9 1/4" (29 x 23.5 cm); sheet: 12 1/16 x 12" (30.6 x 30.5 cm)

Museum of Modern Art

Airborne from Exit 8

1998 · Screenprint with collage additions from a portfolio of seven screenprints (two with collage additions, two with water color additions), one lithograph, and screenprinted cover

composition (irreg.): 26 5/16 x 20 13/16" (66.9 x 52.9 cm); sheet: 29 3/4 x 22 1/16" (75.5 x 56 cm)

Museum of Modern Art

Tattoo

1996 · Screenprint

Museum of Modern Art

To the Revolution from ACT UP Art Box

1994 · Multiple of wooden box with stamped ink and paint additions

overall (closed): 5 1/8 × 24 × 13 15/16" (13 × 60.9 × 35.4 cm)

Museum of Modern Art

Ballade von der Judenhure Marie Sanders

1991 · Lithograph

composition and sheet: 21 1/16 x 48 1/8" (53.5 x 122.2 cm)

Museum of Modern Art

Thou Shalt Not Kill, plate VI from the portfolio The Ten Commandments

1987 · Lithograph and letterpress

composition and sheet: 23 11/16 × 17 13/16" (60.1 × 45.3 cm)

Museum of Modern Art

Themis

1979 · Collage composed of cut and pasted papers with brush and black ink, metallic paints, and scraping, over traces of graphite, on off-white wove paper and printing in black ink on white wove paper, laid down on cream laid paper (pieced)

52 × 62.3 cm (20 1/2 × 24 9/16 in.)

Art Institute of Chicago

Woman Breathing

1978 · Hand printing in blue ink on pieced cream wove paper

50.8 × 411.5 cm (20 × 162 in.)

Art Institute of Chicago

Codex Artaud XXIII

1972 · Cut-and-pasted paper, printed text, gouache, metallic paint, ink, stamped ink, and pencil on paper

24 x 115" (61 x 292.3 cm)

Museum of Modern Art

Untitled (Cette chair qui se touche...)

1970 · Gouache and ink with collage on off-white Japanese paper

61 × 49 cm (24 1/16 × 19 5/16 in.)

Art Institute of Chicago

Untitled, (Il renonce au coit...)

1970 · Blue chalk, with wet brush, and collage of brush and black ink with gold and gray metallic paint on ivory wove paper, cut and pasted, on Japanese paper

64 × 54.9 cm (25 1/4 × 21 5/8 in.)

Art Institute of Chicago

Untitled (Avec quels impossible...)

1970 · Gouache and ink with collage on off-white Japanese paper

61 × 50 cm (24 1/16 × 19 11/16 in.)

Art Institute of Chicago

Lovers

1962 · Oil paint on canvas

support: 1635 x 2040 mm

Tate

Untitled

1955 · Color lithograph from two stones on cream wove paper

Image/sheet: 50.2 × 62.9 cm (19 13/16 × 24 13/16 in.)

Art Institute of Chicago