Artworks · Max Slevogt

Section of Crewel Embroidery on Border of Petticoat

1935 · watercolor and graphite on paper

overall: 23.1 x 79 cm (9 1/8 x 31 1/8 in.)

National Gallery of Art

Self-Portrait (Selbstbildnis) from the exhibition catalogue Max Slevogt. Gemälde, Aquarelle, Pastelle, Zeichnungen zu seinem 60. Geburtstage (Max Slevogt. Paintings, Watercolors, Pastels, Drawings on the Occasion of his 60th Birthday)

1928 · Lithograph

Sheet 10 x 6 7/8" (25.3 x 17.4 cm) Comp. 8 3/4 x 6 7/16" (22.2 x 16.3 cm)

Museum of Modern Art

Menu in honor of Max Lieberman

1927 · Hektograph on ivory wove paper

25.9 × 20.5 cm (10 1/4 × 8 1/8 in.)

Art Institute of Chicago

Menu in Honor of Max Lieberman

1927 · Hektograph on ivory wove paper

23.4 × 18.7 cm (9 1/4 × 7 3/8 in.)

Art Institute of Chicago

Faust

1925

Man toont prenten op een markt

1918

Signs of the Times VIII: Xerxes Grew Angry (Symbole der Zeit VIII: Xerxes ergrimmte) (plate, folio 27) from the periodical Der Bildermann, vol. 1, no. 13 (Oct 1916)

1916 · Lithograph

composition (irreg.): 9 3/16 x 13 1/8" (23.4 x 33.3 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times IV: Pax Vobiscum (Symbole der Zeit IV: Pax Vobiscum) (plate, folio 11 verso) from the periodical Der Bildermann, vol. 1, no. 2 (Jun 1916)

1916 · Lithograph

composition (irreg.): 8 3/8 x 11" (21.2 x 28 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times IX (Symbole der Zeit IX) (plate, folio 35 verso) from the periodical Der Bildermann, vol. 1, no. 17 (Dec 1916)

1916 · Lithograph

composition (irreg.): 9 5/16 x 13 11/16" (23.7 x 34.8 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times II: Mars Rules the Hour (Symbole der Zeit II: Mars regiert die Stunde) (plate, folio 5 verso) from the periodical Der Bildermann, vol. 1, no. 2 (Apr 1916)

1916 · Lithograph

composition (irreg.): 12 1/2 x 8 1/16" (31.8 x 20.5 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Untitled: Fear of the Average German [O(hne) T(itel). (Furcht vor dem deutschen Michel)] (folio 6) from the periodical Der Bildermann, vol. 1, no. 3 (May 1916)

1916 · Lithograph

composition (irreg.): 6 1/2 x 8 7/16" (16.5 x 21.5 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Untitled, illustration to Heinrich Heine's poem "Where?" ("Wo?") (border, 5th song, folio 43) from the periodical Der Bildermann, supplement to vol. 1, no. 9 (Aug 1916)

1916 · Lithograph

composition (irreg.): 11 7/16 x 8 1/4" (29 x 21 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times X (Symbole der Zeit X) (plate, folio 37) from the periodical Der Bildermann, vol. 1, no. 18 (Dec 1916)

1916 · Lithograph

composition (irreg.): 12 1/16 x 9 3/4" (30.7 x 24.7 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times I (Symbole der Zeit I) (plate, folio 3 verso) from the periodical Der Bildermann, vol. 1, no. 1 (Apr 1916)

1916 · Lithograph

composition (irreg.): 12 3/16 x 8 5/16" (31 x 21.1 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times VII (Symbole der Zeit VII: Über die Grenzen in weiten Land Unendlicher Schmerz die Flügel spannt.) (plate, folio 23) from the periodical Der Bildermann, vol. 1, no. 11 (Sep 1916)

1916 · Lithograph

composition (irreg.): 11 1/4 x 8 1/2" (28.5 x 21.6 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times VI: God Shall Bestow Victory on Everyone (Symbole der Zeit VI: Jedem soll er den Sieg verliehen) (plate, folio 17 verso) from the periodical Der Bildermann, vol. 1, no. 8 (Jul 1916)

1916 · Lithograph

composition (irreg.): 11 1/4 x 8 1/16" (28.6 x 20.4 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times V: Into Dust with All Enemies (Symbole der Zeit V: In Staub mit allen Feinden) (plate, folio 13 verso) from the periodical Der Bildermann, vol. 1, no. 6 (Jun 1916)

1916 · Lithograph

composition (irreg.): 9 1/16 x 10 15/16" (23 x 27.8 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times III (Symbole der Zeit III) (plate, folio 9 verso) from the periodical Der Bildermann, vol. 1, no. 4 (May 1916)

1916 · Lithograph

composition (irreg.): 8 11/16 x 11 1/2" (22 x 29.2 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Benvenuto Punishes Paul and Katharine (Benvenuto bestraft Paul und Katharine) for the illustrated book Benvenuto Cellini

1913 · Lithograph

composition (irreg.): 2 5/16 x 4 7/16" (5.8 x 11.2 cm); sheet: 10 7/16 x 9 5/8" (26.5 x 24.5 cm)

Museum of Modern Art

Somali Warrior

1912 · Drypoint on cream wove paper

Plate: 9.6 × 6.8 cm (3 13/16 × 2 11/16 in.); Sheet: 21.2 × 18.3 cm (8 3/8 × 7 1/4 in.)

Art Institute of Chicago

Self-Portrait (sketching in his studio)

1911 · etching with drypoint on wove paper

plate: 17.5 × 11.2 cm (6 7/8 × 4 7/16 in.) sheet: 40 × 28.8 cm (15 3/4 × 11 5/16 in.)

National Gallery of Art

Trotting

1911 · Lithograph on ivory Japanese paper

Image: 21 × 32 cm (8 5/16 × 12 5/8 in.); Sheet: 33 × 44.5 cm (13 × 17 9/16 in.)

Art Institute of Chicago

Self-Portrait, Seated in Chair, Sketching

1911 · Drypoint on ivory wove paper

Image: 17.5 × 11.5 cm (6 15/16 × 4 9/16 in.); Plate: 18 × 12 cm (7 1/8 × 4 3/4 in.); Sheet: 38 × 30 cm (15 × 11 13/16 in.)

Art Institute of Chicago

The Murderess (Die Mörderin)

1911 · Drypoint

plate: 2 3/4 x 2 3/16" (7 x 5.6 cm); sheet: 9 1/8 x 5 13/16" (23.2 x 14.8 cm)

Museum of Modern Art

Self-Portrait,Etching in the Studio (Selbstbildnis, im Atelier radierend)

1911 · Drypoint

plate: 7 1/16 x 4 5/8" (17.9 x 11.8 cm); sheet: 15 11/16 x 11" (39.8 x 27.9 cm)

Museum of Modern Art

Kerkdienst van Georgiritter

1911

Zelfportret, graverend

1911

Victorius Indians Dancing around a Fire

1910 · Lithograph on ivory wove paper

Image: 34.5 × 26.7 cm (13 5/8 × 10 9/16 in.); Sheet: 47 × 33.5 cm (18 9/16 × 13 1/4 in.)

Art Institute of Chicago

Panther Springing out of a Tree

1910 · Lithograph on ivory wove paper

Image: 33.5 × 27 cm (13 1/4 × 10 11/16 in.); Sheet: 46.7 × 33 cm (18 7/16 × 13 in.)

Art Institute of Chicago

Magna Choking Uncas

1910 · Lithograph on ivory wove paper

Image: 34.5 × 26 cm (13 5/8 × 10 1/4 in.); Sheet: 47.8 × 33 cm (18 7/8 × 13 in.)

Art Institute of Chicago

Indians Attacking at Harry Harry

1910 · Lithograph on ivory wove paper

Image: 34.5 × 27 cm (13 5/8 × 10 11/16 in.); Sheet: 46.2 × 33.2 cm (18 1/4 × 13 1/8 in.)

Art Institute of Chicago

Tomahawks Thrown at a Dead Person Chained to a Tree

1910 · Lithograph on ivory wove paper

Image: 34.4 × 24.4 cm (13 9/16 × 9 5/8 in.); Sheet: 47.4 × 34 cm (18 11/16 × 13 7/16 in.)

Art Institute of Chicago

Self-Portrait, Profile to the Right

1910 · Lithograph on cream wove paper

Image: 20 × 16.5 cm (7 7/8 × 6 1/2 in.); Sheet: 43 × 33 cm (16 15/16 × 13 in.)

Art Institute of Chicago

Battle of Mounted Men

1909 · Lithograph on cream laid paper

Image: 9.2 × 25.5 cm (3 5/8 × 10 1/16 in.); Sheet: 25 × 33 cm (9 7/8 × 13 in.)

Art Institute of Chicago

Self-Portrait with Hat and Cane (Selbstbildnis mit Hut und Stock)

1908 · Lithograph

composition (irreg.): 7 3/16 x 7 5/16" (18.2 x 18.5 cm); sheet: 11 3/4 x 9 1/16" (29.9 x 23 cm)

Museum of Modern Art

Unca Jumps Down to Save Cora (Unkas springt herab um Cora zu retten) from the supplementary suite accompanying the illustrated book Lederstrumpf-Erzählungen (The Leatherstocking Tales)

1908 · Lithograph

composition (irreg.): 14 5/16 x 10 1/16" (36.3 x 25.6 cm); sheet: 19 x 13 5/16" (48.3 x 33.8 cm)

Museum of Modern Art

The Disturbed Camp (Das aufgestörte Lager) from the supplementary suite accompanying the illustrated book Lederstrumpf-Erzählungen (The Leatherstocking Tales)

1908 · Lithograph

composition (irreg.): 12 13/16 x 9 15/16" (32.5 x 25.2 cm); sheet: 19 x 13 1/8" (48.3 x 33.3 cm)

Museum of Modern Art

Grotesque Dance

1906 · Lithograph on ivory wove paper

Image: 13 × 15 cm (5 1/8 × 5 15/16 in.); Sheet: 30 × 40.5 cm (11 13/16 × 16 in.)

Art Institute of Chicago

Penthesilea (Penthesilea)

1905 · Lithograph

composition (irreg.): 10 5/8 x 14 3/4" (27 x 37.5 cm); sheet: 11 7/16 x 16 7/16" (29 x 41.8 cm)

Museum of Modern Art

Duel (Zweikampf) (plate 5) for the portfolio Black Scenes (Schwarze Szenen)

1904 · Etching

plate: 12 1/2 x 9 5/8" (31.7 x 24.4 cm); sheet: 15 3/8 x 11 3/4" (39 x 29.8 cm)

Museum of Modern Art

Untitled

1888 · Etching and drypoint on ivory laid paper

Plate: 13.8 × 24.6 cm (5 7/16 × 9 11/16 in.); Sheet: 22.2 × 32.1 cm (8 3/4 × 12 11/16 in.)

Art Institute of Chicago

Untitled

1888 · Etching and drypoint on cream wove paper

Plate: 24.9 × 23 cm (9 13/16 × 9 1/16 in.); Sheet: 32 × 28 cm (12 5/8 × 11 1/16 in.)

Art Institute of Chicago

Untitled

1888 · Etching and drypoint on cream wove paper

Plate: 29.7 × 24.5 cm (11 3/4 × 9 11/16 in.); Sheet: 44 × 30.8 cm (17 3/8 × 12 3/16 in.)

Art Institute of Chicago

Self-Portrait, Bust Facing Front

1888 · Drypoint on ivory wove paper

Image: 25 × 20 cm (9 7/8 × 7 7/8 in.); Sheet: 40 × 32.5 cm (15 3/4 × 12 13/16 in.)

Art Institute of Chicago

Horse and Rider Attacked by Tiger

1888 · Drypoint on cream wove paper

Image/plate: 11.8 × 18.7 cm (4 11/16 × 7 3/8 in.); Sheet: 24.2 × 37.1 cm (9 9/16 × 14 5/8 in.)

Art Institute of Chicago

Ex libris van Alfred Guttmann

1878

7 auf einen Streich

1878