Artworks · Matthew Barney

Guardian of the Veil: Imperial Trans Am

2007 · Graphite and silver leaf on paper in polyethylene frame

10 3/4 x 12 3/4 x 1" (27.3 x 32.4 x 2.5 cm)

Museum of Modern Art

Guardian of the Veil: Sekhu

2007 · Graphite, gold leaf, silver leaf ,and ink on paper in polyethene frame

12 3/4 x 10 3/4 x 1" (32.4 x 27.3 x 2.5 cm)

Museum of Modern Art

Guardian of the Veil: Adoration of Norman Mailer

2007 · Graphite on paper in polyethylene frame

10 3/4 x 12 3/4 x 1" (27.3 x 32.4 x 2.5 cm)

Museum of Modern Art

The Deportment of the Host

2006 · Cast polycaprolactone thermoplastic and self-lubricating plastic

Dimensions variable, approximately 8' 8" x 20' 3" x 30" (264.2 x 617.2 x 76.2 cm)

Museum of Modern Art

DRAWING RESTRAINT 9

2005 · 35mm film transferred to video (color, sound), polycaprolactone thermoplastic, aquaplast, and self-lubricating plastic. 145 min.

36 1/2 x 114 x 80" (92.7 x 289.6 x 203.2 cm)

Museum of Modern Art

DRAWING RESTRAINT 9

2005 · Polycaprolactone thermoplastic, aquaplast, and self-lubricating plastic

36 1/2 x 114 x 80" (92.7 x 289.6 x 203.2 cm)

Museum of Modern Art

Drawing Restraint 9: Shimenawa

2005 · Chromogenic print in self-lubricating plastic frame

43 × 43" (109.2 × 109.2 cm)

Museum of Modern Art

De Lama Lamina: A Danca De Lama Lamina

2004 · Two chromogenic prints in self-lubricating plastic frames

Each 33 1/4 × 27 3/8 × 1 3/4" (84.5 × 69.5 × 4.4 cm)

Museum of Modern Art

DRAWING RESTRAINT 8: CONDITION 2003

2003 · Graphite, watercolor and petroleum jelly on paper in rotomolded polycarbonate frames with nylon fiber, acrylic and Vivak

36 1/4 x 62 x 41" (92.1 x 157.5 x 104.1 cm)

Museum of Modern Art

Oonagh MacCumhail: The Case of the Entered Novitiate

2002 · Internally lubricated plastic, cast urethane, cast thermoplastic, prosthetic plastic, stainless steel, acrylic, earth, and potatoes in polyethylene and acrylic vitrine

152 × 185 × 201 cm (60 × 73 × 79 in.)

Art Institute of Chicago

Cremaster 3: The Dance of Hiram Abiff

2002 · Four chromogenic prints in acrylic frames

Panels 1,2,4: 107.6 × 86.4 cm (42 3/8 × 34 in.); Panel 3: 137.2 × 111.8 cm (54 × 44 in.); Installed: 137.2 × 386.1 cm (54 1/16 × 152 1/16 in.); 137.2 × 386.1 cm (54 × 152 in.)

Art Institute of Chicago

The First Degree

2002 · Lambskin, satin ribbon, sterling silver, prosthetic plastic, petroleum jelly, and self-lubricating plastic with graphite in acrylic case

38 x 48 x 36" (96.5 x 121.9 x 91.4 cm)

Museum of Modern Art

Cremaster 3: Gary Gilmore

2002 · Chromogenic print in plastic frame

53 1/2 × 43 1/2" (135.9 × 110.5 cm)

Museum of Modern Art

The Cabinet of Baby Fay La Foe

2000 · Polycarbonate honeycomb, cast stainless steel, nylon, solar salt cast in epoxy resin, top hat, and beeswax in nylon and plexiglass vitrine

59" x 7' 11 1/2" x 38 1/4" (149.8 x 242.6 x 97.2 cm)

Museum of Modern Art

The Man in Black/Drone Harness

2000 · Multiple of vinyl record and folio jacket

Sheet (cover): 12 3/8 x 12 5/16" (31.4 x 31.3 cm)

Museum of Modern Art

Cremaster 2: Deseret

1999 · Four chromogenic prints in acrylic frames; edition number three of three

Panels 1 : 69.2 × 59.1 cm (27 1/4 × 23 5/16 in.); panel 2: 69.2 × 84.5 cm (27 1/4 × 33 5/16 in.); panel 3: 69.2 × 191.1 cm (27 1/4 × 75 1/4 in.); panel 4: 69.2 × 59.1 cm (27 1/4 × 23 5/16 in.); installed, framed: 69.2 × 409.6 cm (27 1/4 × 161 5/16 in.)

Art Institute of Chicago

C5: Elbocsatas

1998 · Pencil and synthetic polymer paint, and petroleum jelly on paper sewn with thread to Acrylic and Vivak frame

14 x 12 x 1 1/4" (35.6 x 30.5 x 3.2 cm)

Museum of Modern Art

Cremaster 5

1997 · Film, 35 mm, shown as video, high definition, 2 flat screens, colour and sound, metal, Perspex, plastic pillow, velvet p

unconfirmed: 1160 x 1210 x 915 mm duration: 54 min., 12 sec.

Tate

Cremaster 5: The Queen of Chain

1997 · Gelatin silver print in acrylic frame; edition number five of six

104.8 × 87 × 2.5 cm (41 1/4 × 34 1/4 × 1 in.)

Art Institute of Chicago

Cremaster 5: Her Magician

1997 · Gelatin silver print in self-lubricating acrylic frame

27 1/4 × 23 1/4 × 1" (69.2 × 59.1 × 2.5 cm)

Museum of Modern Art

Cremaster 5

1997 · Photolithograph, screenprint, hot stamp, and embossing

Sheet: 33 x 23" (83.8 x 58.4 cm)

Museum of Modern Art

Cremaster 4: Loughton Manual

1994 · Chromogenic print in self-lubricating acrylic frame

25 × 21 × 1" (63.5 × 53.3 × 2.5 cm)

Museum of Modern Art

Cremaster 4

1994 · Plastic, satin fabric, silkscreened laser disc in silkscreened onionskin sleeve

5 x 33 1/4 x 23 3/4" (12.7 x 84.4 x 60.3 cm)

Museum of Modern Art

DRAWING RESTRAINT 7

1993 · Three-channel video (color, no sound), video monitors, steel, and internally lubricated plastic, and fluorescent light fixtures

Dimensions variable

Museum of Modern Art

Home Gown: JIM BLIND (fem.)

1991 · Evening gown, prosthetic plastic locker, leather punching pads, speculums, and salt water pearls

7' 9" x 26" x 23 1/2" (236.2 x 66 x 59.7 cm)

Museum of Modern Art

Program: Houdini, O'Williams, Otto (HO2)

1991 · Pencil with petroleum jelly on paper sewn with thread to prosthetic plastic

24 x 19 x 1" (61 x 48.3 x 2.5 cm)

Museum of Modern Art

Cover-cadence

1991 · Multiple of Oakland Raiders' tabloid, plastic, velcro, and vinyl

overall: 17 1/2 x 15 x 2" (44.5 x 38.1 x 5.1 cm)

Museum of Modern Art

Delay of Game (Manual) B

1991 · Gelatin silver print in prosthetic plastic frame

14 5/8 × 13 × 1/4" (37.2 × 33 × 0.6 cm)

Museum of Modern Art

Anabol(A): PACE CAR for the HUBRIS PILL

1991 · Internally lubricated plastic, Teflon fabric, and cast glucose capsule, and cast sucrose wedge

53 1/4" x 6' 4 1/2" x 48" (135.2 x 194.3 x 121.9 cm)

Museum of Modern Art

Drawing Restraint Archive

1987 · Various mediums

Museum of Modern Art