Artworks · Marc Chagall

1,300 artworks · page 2 of 28

FOR THE CLOUDE OF THE LORDE WAS UPON THE TABERNACLE BY DAY, AND FIRE WAS IN IT BY NIGHT, IN THE SIGHT OF ALL THE HOUSE OF ISRAEL THOROWOUT ALL THEIR JOURNEYS (double page plate, pages 106 and 107) from THE STORY OF THE EXODUS

1966

irreg. composition 18 3/16 x 27 3/16" (46.2 x 69 cm)

Museum of Modern Art

THE STORY OF THE EXODUS

1966 · 24 lithographs, printed in color

page 19 7/8 x 14 9/16" (50 x 37 cm)

Museum of Modern Art

THEN ALL THE PEOPLE PLUCKT FROM THEMSELVES THE GOLDEN EARERINGS, AND THEY BROUGHT THEM UNTO AARON WHO RECEIVED THEM AT THEIR HANDES, AND FASHIONED IT, AND MADE OF IT A MOLTEN CALFE (plate, page 75) from THE STORY OF THE EXODUS

1966

irreg. composition 17 15/16 x 13 1/8" (45.6 x 33.3 cm)

Museum of Modern Art

BEZALEEL MADE TWO CHERUBIMS OF GOLDE, AND THE CHERUBIMS SPREAD OUT THEIR WINGS, THEIR FACES WERE ONE TOWARDS ANOTHER. LIKEWISE HE MADE THE CANDLESTICKE OF PURE GOLDE (plate, page 91) from THE STORY OF THE EXODUS

1966

irreg. composition 18 9/16 x 13 15/16" (47.1 x 35.5 cm)

Museum of Modern Art

HE CAST THE RODDE ON THE GROUND, AND IT WAS TURNED INTO A SERPENT, AND MOSES FLED FROM IT (plate, page 27) from THE STORY OF THE EXODUS

1966

irreg. composition 17 15/16 x 13 3/16" (45.5 x 33.5 cm)

Museum of Modern Art

MOREOVER THEY MADE GARMENTS OF MINISTRATION TO MINISTER IN THE SANCTUARIE; THEY MADE ALSO THE HOLY GARMENTS FOR AARON, AS THE LORDE HAD COMMANDED MOSES (plate, page 95) from THE STORY OF THE EXODUS

1966

irreg. composition 18 1/16 x 13 1/8" (45.9 x 33.4 cm)

Museum of Modern Art

HE GAVE HIM TWO TABLES OF THE TESTIMONIE, EVEN TABLES OF STONE, WRITTEN WITH THE FINGER OF GOD (plate, page 71) from THE STORY OF THE EXODUS

1966

irreg. composition 18 1/8 x 13 3/16" (46.1 x 33.5 cm)

Museum of Modern Art

THEN CAME AMALEK AND FOUGHT WITH ISRAEL IN REPHIDIM. AND MOSES SAYDE TO IOSHUA, "CHUSE US OUR MEN, AND GOE FIGHT WITH AMALEK" (plate, page 59) from THE STORY OF THE EXODUS

1966

irreg. composition 17 3/4 x 13 1/8" (45.1 x 33.3 cm)

Museum of Modern Art

MOSES THEN CAME AND CALLED FOR THE ELDERS OF THE PEOPLE, AND PROPOSED UNTO THEM ALL THESE THINGS, WHICH THE LORDE COMMANDED HIM (plate, page 63) from THE STORY OF THE EXODUS

1966

irreg. composition 17 15/16 x 13 3/16" (45.6 x 33.5 cm)

Museum of Modern Art

AND MOSES BEHELD ALL THE WORKE, AND BEHOLDE, THEY HAD DONE IT AS THE LORDE HAD COMMANDED; AND MOSES BLESSED THEM (plate, page 99) from THE STORY OF THE EXODUS

1966

irreg. composition 18 3/8 x 13 5/16" (46.7 x 33.8 cm)

Museum of Modern Art

THOU SHALT ALSO ANOINT AARON AND HIS SONNES, AND SHALT CONSECRATE THEM THAT THEY MAY MINISTER UNTO ME IN THE PRIESTS OFFICES (plate, page 67) from THE STORY OF THE EXODUS

1966

irreg. composition 18 x 13 9/16" (45.8 x 34.5 cm)

Museum of Modern Art

THEN MOSES STRETCHED FOORTH HIS HANDE TOWARDE HEAVEN, AND THERE WAS A BLACKE DARKENESSE IN ALL THE LANDE OF EGYPT (plate, page 43) from THE STORY OF THE EXODUS

1966

irreg. composition 17 13/16 x 13 1/8" (45.2 x 33.4 cm)

Museum of Modern Art

AND MIRIAM THE PROPHETESSE, SISTER OF AARON, TOOKE A TIMBRELL IN HER HANDE, AND ALL THE WOMEN CAME OUT AFTER HER WITH TIMBRELLS AND DANCES (plate, page 51) from THE STORY OF THE EXODUS

1966

irreg. composition 18 11/16 x 13 7/16" (47.5 x 34.2 cm)

Museum of Modern Art

Captain Bryaxis's Dream, from Daphnis and Chloe

1960 · Lithograph on ivory wove paper

Image: 42.2 × 64.5 cm (16 5/8 × 25 7/16 in.); Sheet: 54.2 × 76 cm (21 3/8 × 29 15/16 in.)

Art Institute of Chicago

Plate 9 (page 47) from DE MAUVAIS SUJETS

1958 · Lift ground aquatint, aquatint, etching, and soft ground etching, relief and intaglio printed in color

plate 14 9/16 x 10 11/16" (37 x 27.2 cm)

Museum of Modern Art

Plate 3 (page 17) from DE MAUVAIS SUJETS

1958 · Lift ground aquatint and etching, printed in color

plate 14 1/2 x 10 3/4" (36.8 x 27.3 cm)

Museum of Modern Art

Plate 8 (page 41) from DE MAUVAIS SUJETS

1958 · Lift ground aquatint and etching, printed in color

plate 14 9/16 x 10 7/8" (37 x 27.7 cm)

Museum of Modern Art

Plate 7 (page 37) from DE MAUVAIS SUJETS

1958 · Lift ground aquatint, etching, and soft ground etching, relief and intaglio printed in color

plate 13 11/16 x 10 5/8" (34.7 x 27 cm)

Museum of Modern Art

Plate 1 (page 7) from DE MAUVAIS SUJETS

1958 · Lift ground aquatint, printed in color

plate 13 11/16 x 10 1/2" (34.7 x 26.6 cm)

Museum of Modern Art

DE MAUVAIS SUJETS

1958 · 10 lift ground aquatints (with etching, soft ground etching, aquatint, engraving, and/or roulette), printed (some relief and intaglio printed) in color

page 17 1/8 x 12 7/8" (43 x 32.7 cm)

Museum of Modern Art

Plate 5 (page 27) from DE MAUVAIS SUJETS

1958 · Lift ground aquatint, etching, and engraving with roulette, relief and intaglio printed in color

plate 13 3/4 x 10 1/2" (35 x 26.6 cm)

Museum of Modern Art

Plate 4 (page 21) from DE MAUVAIS SUJETS

1958 · Lift ground aquatint and soft ground etching, relief and intaglio printed in color

plate 14 1/2 x 10 5/8" (36.8 x 27 cm)

Museum of Modern Art

Plate 2 (page 11) from DE MAUVAIS SUJETS

1958 · Lift ground aquatint and soft ground etching, printed in color

plate 13 7/16 x 10 7/16" (34.2 x 26.5 cm)

Museum of Modern Art

Plate 10 (page 51) from DE MAUVAIS SUJETS

1958 · Lift ground aquatint and etching, printed in color

plate 14 13/16 x 10 5/8" (37.7 x 27 cm)

Museum of Modern Art

Plate 6 (page 31) from DE MAUVAIS SUJETS

1958 · Lift ground aquatint and soft ground etching, relief and intaglio printed in color

plate 14 3/4 x 10 3/4" (37.4 x 27.4 cm)

Museum of Modern Art

The Green Eiffel Tower

1957 · Color lithograph on ivory wove paper

Image: 28.8 × 20.3 cm (11 3/8 × 8 in.); Sheet: 37.6 × 28.3 cm (14 13/16 × 11 3/16 in.)

Art Institute of Chicago

Plate Eleven, from The Bible

1956 · Etching on ivory wove paper

Image/plate: 29.3 × 24.1 cm (11 9/16 × 9 1/2 in.); Sheet: 44.1 × 33.1 cm (17 3/8 × 13 1/16 in.)

Art Institute of Chicago

At Night

1956 · Lithograph on cream wove paper

Image: 35 × 27 cm (13 13/16 × 10 11/16 in.); Sheet: 39.9 × 28 cm (15 3/4 × 11 1/16 in.)

Art Institute of Chicago

Bible

1956 · 105 etching, soft ground etching, and engravings (some with roulette and/or drypoint), printed in black; and 2 preliminary folios embellished by the artist with pastel in 1957

irreg. page 17 1/2 x 13 3/16" (44 x 33.5 cm)

Museum of Modern Art

Bible, Marc Chagall, Verve 33-34

1956 · Auto lithograph in six colors

25 x 16 1/4" (63.5 x 41.2 cm)

Museum of Modern Art

The Bible: Elijah's Vision

1956 · etching and aquatint

Cleveland Museum of Art

The Monsters of Notre-Dame

1954 · Color lithograph on ivory wove paper

Image: 46 × 31.5 cm (18 1/8 × 12 7/16 in.); Sheet: 53 × 34.5 cm (20 7/8 × 13 5/8 in.)

Art Institute of Chicago

The Lover (L'Amoureuse) (double page plate) from Un Poème dans chaque livre

1954 · Etching and aquatint from an illustrated book with seven etchings (three with aquatint, one with aquatint, drypoint, engraving, and roulette), three drypoints (one with engraving), two aquatints, two woodcuts, one engraving, and one lithograph

composition (irreg.): 7 1/2 × 14" (19 × 35.5 cm); page (each): 7 1/2 × 7 1/16" (19 × 18 cm)

Museum of Modern Art

Figures and Flowers

1953 · Lithograph

composition: 17 7/8 x 23 1/16" (45.4 x 58.5 cm); sheet: 22 1/8 x 26 1/16" (56.2 x 66.2 cm)

Museum of Modern Art

The Sorrel Horse

1952 · Lithograph on ivory wove paper

Image: 37.5 × 54 cm (14 13/16 × 21 5/16 in.); Sheet: 37.7 × 55.7 cm (14 7/8 × 21 15/16 in.)

Art Institute of Chicago

Plate 82, from The Fables of La Fontaine

1952 · Etching and drypoint on white wove paper

Image/plate: 29.3 × 24 cm (11 9/16 × 9 1/2 in.); Sheet: 39.3 × 30 cm (15 1/2 × 11 13/16 in.)

Art Institute of Chicago

Plate 55, from The Fables of La Fontaine

1952 · Etching with hand-coloring on white wove paper

Image/plate: 30 × 23.7 cm (11 13/16 × 9 3/8 in.); Sheet: 38.6 × 30 cm (15 1/4 × 11 13/16 in.)

Art Institute of Chicago

The Eiffel Tower

1952 · Lithograph on cream wove paper

Image: 33.5 × 26 cm (13 1/4 × 10 1/4 in.); Sheet: 38 × 28.5 cm (15 × 11 1/4 in.)

Art Institute of Chicago

Black Sun over Paris

1952 · Lithograph on ivory wove paper

Image: 33.8 × 26.3 cm (13 5/16 × 10 3/8 in.); Sheet: 38.2 × 28 cm (15 1/16 × 11 1/16 in.)

Art Institute of Chicago

Couple in Ocher

1952 · Color lithograph on tan wove paper

Image: 63.7 × 50.3 cm (25 1/8 × 19 13/16 in.); Sheet: 74.7 × 54.6 cm (29 7/16 × 21 1/2 in.)

Art Institute of Chicago

Lovers Under the Bough

1952 · Lithograph

composition: 13 7/16 x 21 5/8" (34.1 x 55 cm); sheet: 14 15/16 x 22 1/4" (38 x 56.5 cm)

Museum of Modern Art

The Hen with the Golden Eggs

1952 · Etching and engraving over photogravure

Museum of Modern Art

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