Artworks · Marc Chagall

Eiffel Tower from VVV Portfolio

1942 · Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print

plate: 10 13/16 x 7 7/8" (27.5 x 20 cm); sheet: 17 7/8 x 13 7/8" (45.4 x 35.2 cm)

Museum of Modern Art

White Crucifixion

1938 · Oil on canvas

154.6 × 140 cm (60 7/8 × 55 1/16 in.)

Art Institute of Chicago

Bouquet with Flying Lovers

1934 · Oil paint on canvas

support: 1305 x 975 x 23 mm frame: 1545 x 1215 x 126 mm

Tate

Plate Nineteen, from The Bible

1931 · Etching on white wove paper

Image/plate: 29.7 × 24.7 cm (11 3/4 × 9 3/4 in.); Sheet: 43.8 × 32.6 cm (17 1/4 × 12 7/8 in.)

Art Institute of Chicago

Plate 26, from The Bible

1931 · Etching and drypoint on ivory wove paper

Image/plate: 28.5 × 23 cm (11 1/4 × 9 1/16 in.); Sheet: 44 × 33 cm (17 3/8 × 13 in.)

Art Institute of Chicago

Plate 34, from The Bible

1931 · Etching and drypoint on ivory wove paper

Image/plate: 32 × 25 cm (12 5/8 × 9 7/8 in.); Sheet: 53.5 × 39 cm (21 1/8 × 15 3/8 in.)

Art Institute of Chicago

Plate Seven, from The Bible

1931 · Etching with hand-coloring on ivory wove paper

Image/plate: 30.5 × 24.3 cm (12 1/16 × 9 5/8 in.); Sheet: 53.7 × 39 cm (21 3/16 × 15 3/8 in.)

Art Institute of Chicago

Plate 96, from The Bible

1931 · Etching with hand-coloring on ivory wove paper

Image/plate: 32.6 × 22.4 cm (12 7/8 × 8 7/8 in.); Sheet: 53.3 × 38.9 cm (21 × 15 3/8 in.)

Art Institute of Chicago

Plate Two, from The Bible

1931 · Etching with hand-coloring on white wove paper

Image/plate: 31.5 × 23.8 cm (12 7/16 × 9 3/8 in.); Sheet: 53.4 × 39 cm (21 1/16 × 15 3/8 in.)

Art Institute of Chicago

Plate 35, from The Bible

1931 · Etching with hand-coloring on ivory wove paper

Image/plate: 29.5 × 23.2 cm (11 5/8 × 9 3/16 in.); Sheet: 53.3 × 39 cm (21 × 15 3/8 in.)

Art Institute of Chicago

Plate 103, from The Bible

1931 · Etching with hand-coloring on off-white wove paper

Image/plate: 32.2 × 25.2 cm (12 11/16 × 9 15/16 in.); Sheet: 53.5 × 38.8 cm (21 1/8 × 15 5/16 in.)

Art Institute of Chicago

Isaac Blessing Jacob

1931 · Etching

plate: 11 9/16 × 9 5/16" (29.3 × 23.7 cm); sheet: 17 3/16 × 13 1/8" (43.6 × 33.3 cm)

Museum of Modern Art

Jacob Blessing the Children of Joseph

1931 · Etching

plate: 11 9/16 × 9 3/16" (29.4 × 23.3 cm); sheet: 17 5/16 × 12 7/8" (44 × 32.7 cm)

Museum of Modern Art

Abraham Mourns Sarah

1931 · Etching

composition: 11 7/16 x 9 7/16" (29.1 x 23.9 cm); sheet: 12 5/8 x 11 5/8" (32.1 x 29.5 cm)

Museum of Modern Art

Joseph Explains Pharaoh's Dream

1931 · Etching

plate: 11 5/16 x 8 15/16" (28.8 x 22.7cm); sheet: 17 1/4 x 13 3/16" (43.8 x 33.5cm)

Museum of Modern Art

The Sacrifice of Noah

1931 · Etching

plate: 11 3/4 x 9 3/8" (29.9 x 23.8 cm); sheet: 15 9/16 x 11 7/8" (39.5 x 30.2 cm)

Museum of Modern Art

King Saul Falling on His Sword

1931 · Etching

plate: 13 7/8 x 9 15/16" (35.3 x 25.2 cm); sheet: 17 1/2 x 13 1/4" (44.5 x 33.7 cm)

Museum of Modern Art

Angel Over a Table with Flowers

1930 · Watercolor and gouache, with colored chalks, over graphite, on cream wove paper, perimeter mounted to wood pulp board

53.2 × 39.5 cm (21 × 15 9/16 in.)

Art Institute of Chicago

The Cat Transformed into a Woman

1928 · Etching, drypoint and oil paint on paper

support: 295 x 241 mm

Tate

Time is a River Without Banks

1928 · Etching

plate: 8 1/4 x 5 13/16" (21 x 14.8 cm); sheet: 19 3/16 x 13 3/16" (48.7 x 33.5 cm)

Museum of Modern Art

The Lark and the Farmer

1927 · Etching

plate: 11 11/16 × 9 1/2" (29.7 × 24.1 cm); sheet: 15 3/8 × 12 3/16" (39.1 × 30.9 cm)

Museum of Modern Art

The Two Goats

1927 · Etching

plate: 11 9/16 x 9 5/16" (29.4 x 23.7 cm); sheet: 15 1/2 x 11 7/8" (39.3 x 30.2 cm)

Museum of Modern Art

Three Acrobats

1926 · Etching and aquatint

plate: 13 7/16 x 21 5/8" (34.1 x 55 cm); sheet: 14 15/16 x 22 1/4" (38 x 56.5 cm)

Museum of Modern Art

The Angel and the Reader

1925 · Gouache with encaustic and oil paint on cream wove paper

63.6 × 48.8 cm (25 1/16 × 19 1/4 in.)

Art Institute of Chicago

Bella

1925 · Etching on cream Japanese paper

Image/plate: 22.6 × 11.7 cm (8 15/16 × 4 5/8 in.); Sheet: 33.6 × 20.8 cm (13 1/4 × 8 1/4 in.)

Art Institute of Chicago

Lust I, plate six from The Seven Cardinal Sins

1925 · Etching and drypoint in sanguine on tan China paper

Image/plate: 16.7 × 10.9 cm (6 5/8 × 4 5/16 in.); Sheet: 24.8 × 18.8 cm (9 13/16 × 7 7/16 in.)

Art Institute of Chicago

Wrath II (La Colère II) from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 11/16 × 4 1/4" (17 × 10.8 cm); sheet: 9 13/16 × 7 7/16" (24.9 × 18.9 cm)

Museum of Modern Art

Sloth I (La Paresse I) from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 5/8 × 4 1/4" (16.8 × 10.8 cm); sheet: 9 3/4 × 7 9/16" (24.8 × 19.2 cm)

Museum of Modern Art

Avarice II (L'Avarice II) from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 5/8 × 4 1/4" (16.8 × 10.8 cm); sheet: 9 13/16 × 7 7/16" (24.9 × 18.9 cm)

Museum of Modern Art

Gluttony II (La Gourmandise II) from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 9/16 × 4 5/16" (16.7 × 10.9 cm); sheet: 9 13/16 × 7 7/16" (24.9 × 18.9 cm)

Museum of Modern Art

Avarice I (L'Avarice I) from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 5/8 × 4 5/16" (16.8 × 10.9 cm); sheet: 9 13/16 × 7 7/16" (25 × 18.9 cm)

Museum of Modern Art

Envy II (L'Envie II) from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 5/8 × 4 1/4" (16.8 × 10.8 cm); sheet: 9 13/16 × 7 3/8" (24.9 × 18.8 cm)

Museum of Modern Art

Envy I (L'Envie I) from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 5/8 × 4 5/16" (16.8 × 10.9 cm); sheet: 9 13/16 × 7 7/16" (24.9 × 18.9 cm)

Museum of Modern Art

Pride I (L'Orgeuil I) from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 11/16 × 4 5/16" (17 × 11 cm); sheet: 9 13/16 × 7 3/8" (25 × 18.8 cm)

Museum of Modern Art

Wrath I (La Colère I) from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 5/8 × 4 1/4" (16.8 × 10.8 cm); sheet: 9 13/16 × 7 7/16" (24.9 × 18.9 cm)

Museum of Modern Art

Lust III (La Luxure III) from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 3/4 × 4 5/8" (17.1 × 11.7 cm); sheet: 9 13/16 × 8 1/16" (25 × 20.4 cm)

Museum of Modern Art

Pride II (L'Orgueil II) from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 5/8 × 4 1/4" (16.8 × 10.8 cm); sheet: 9 13/16 × 7 3/8" (24.9 × 18.7 cm)

Museum of Modern Art

Sloth II (La Paresse II) from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 5/8 × 4 1/4" (16.8 × 10.8 cm); sheet: 9 13/16 × 7 3/8" (24.9 × 18.7 cm)

Museum of Modern Art

Lust I (La Luxure I) from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 5/8 × 4 1/4" (16.8 × 10.8 cm); sheet: 9 13/16 × 7 7/16" (24.9 × 19 cm)

Museum of Modern Art

Frontispiece from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 5/8 × 4 1/4" (16.8 × 10.8 cm); sheet: 9 13/16 × 7 3/8" (24.9 × 18.7 cm)

Museum of Modern Art

Gluttony I (La Gourmandise I) from The Seven Deadly Sins (Les Sept péchés capitaux)

1925 · One from a portfolio of sixteen etching and drypoints

plate: 6 5/8 × 4 5/16" (16.8 × 10.9 cm); sheet: 9 13/16 × 7 7/16" (24.9 × 18.9 cm)

Museum of Modern Art

The Artist's Wife

1925 · Drypoint

plate: 8 3/4 × 4 1/2" (22.3 × 11.5 cm); sheet: 11 5/16 × 8 3/4" (28.7 × 22.2 cm)

Museum of Modern Art

The Vision

1924 · Etching, aquatint, gouache and pastel on paper

support: 368 x 267 mm

Tate

Self-Portrait, Smiling

1924 · Etching and drypoint on white laid paper

Image/plate: 27.6 × 21.8 cm (10 7/8 × 8 5/8 in.); Sheet: 55.8 × 38 cm (22 × 15 in.)

Art Institute of Chicago

Self-Portrait with the Grimace

1924 · Etching and aquatint on vellum

Image/plate: 37.1 × 27.5 cm (14 5/8 × 10 7/8 in.); Sheet: 56 × 37.4 cm (22 1/16 × 14 3/4 in.)

Art Institute of Chicago

Acrobat with Violin

1924 · Etching and drypoint on vellum

Image: 40.3 × 31.7 cm (15 7/8 × 12 1/2 in.); Plate: 41.5 × 32 cm (16 3/8 × 12 5/8 in.); Sheet: 56.6 × 46.1 cm (22 5/16 × 18 3/16 in.)

Art Institute of Chicago

Acrobat with Violin

1924 · Etching and drypoint with hand-coloring on vellum

Image: 40.3 × 31.7 cm (15 7/8 × 12 1/2 in.); Plate: 41.5 × 32 cm (16 3/8 × 12 5/8 in.); Sheet: 50.7 × 40.7 cm (20 × 16 1/16 in.)

Art Institute of Chicago

Nude with a Fan

1924 · Etching and drypoint on white wove paper

Image/plate: 21.3 × 27.9 cm (8 7/16 × 11 in.); Sheet: 28 × 38.2 cm (11 1/16 × 15 1/16 in.)

Art Institute of Chicago