Artworks · León Ferrari

‘The Last Judgement’ by Brueghel + Cross with Videla and Cardinal Quarracino

1995 · Digital print on paper

support: 297 x 420 mm

Tate

Buenos Aires Cathedral + ‘Witches’ Sabbath’, Drawing from the Douce Collection, Bodleian Library, Oxford

1995 · Digital print on paper

support: 420 x 297 mm

Tate

The Frigate ‘Escuela Libertad’ + Drawing by Leonardo da Vinci

1995 · Digital print on paper

support: 297 x 420 mm

Tate

The Frigate ‘Escuela Libertad’ + Massera (Photo: Public Records Office) + Articles from the Newspapers ‘La Razón’ 6/9/76, ‘La Opinión’ 29/5 and 11/5/76 and ‘La Prensa’ 3/5/76

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Nuncio Pío Larghi Greets Massera, Videla and Agosti on 9/7/77 (Photo: Public Records Office) + El Nuncio Torregrossa greets Hitler

1995 · Digital print on paper

support: 420 x 297 mm

Tate

‘The Deluge’ by Doré + Army Officer’s Cap

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Giotto’s ‘Inferno’ + Massera

1995 · Digital print on paper

support: 297 x 420 mm

Tate

News Articles Published in 1976

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Scilingo’s Account to Horacio Verbitsky + The Frigate ‘Escuela Libertad’

1995 · Digital print on paper

support: 297 x 420 mm

Tate

‘Justice’ by Rogelio Irurtia + ‘The Seven Apocalyptical Trumpets’ by Dürer

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Hitler with Christian Dignitaries + Galtieri, Lambruschini and Viola with Nuncio Calabresi and Cardinal Aramburu

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Galtieri, Lambruschini and Graffigna in the Cathedral + Article from ‘La Prensa’ 1/7/76

1995 · Digital print on paper

support: 420 x 297 mm

Tate

‘The Inferno’ by P. de Limbourg + Jorge Videla and Cardinal Aramburu

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Hitler with Children + Videla and Massera with Children

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Entrance to the Military Headquarters + Military Decoration from the Third Reich

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Engraving by Jan Luy Ken from the Series ‘Religious Persecutions’, 17th Century + Photograph of the Police Doctor Jorge Bergés + ‘Never Again’, p. 139

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Souvenir Ashtray from the Frigate ‘Libertad’ + Article from ‘La Opinión’ 25/5/76

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Hitler Greets the Catholic Abbot Schachteitner and Muller, Reich Bishop + Jorge Videla Greets Cardinal Aramburu

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Logo of the Municipality of Buenos Aires + ‘Witches’ by Goya

1995 · Digital print on paper

support: 420 x 297 mm

Tate

‘Infernal Tortures’ from the Book ‘Grant Kalendrier des Bergieres’ + Officer Saluting (Photo: Tony Valdez)

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Videla, Massera and Agosti + ‘Clarín’ 21/8/76

1995 · Digital print on paper

Tate

Third Reich Concentration Camp + Emblem of the Armed Forces

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Videla, Massera and Agosti with Monsignor Tortolo, Vicar of the Armed Forces (Photo: A. Kacero) + ‘The Last Judgment’ by Giotto, Capella degli Scrovegni, Padua 1306

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Monument to the Fallen in the Malvinas + F. Galtieri, Jorge Videla and Lambruschini (Photo: Public Records Office)

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Attack Against the AMIA (Photo: Tony Valdez) + ‘Never Again’, p. 48

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Nuncio Monsignor Calabresi with Galtieri (Photo: NA) + ‘The Lady of the Witches’ Sabbath’ from ‘Histoire de la Magie’ by P. Christian, Paris 1870

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Lieutenant Antonio Pernía (Photo: M. Cuchi) + Engraving from the Book ‘Enchiridion’ by Joost Damhourdert, 1554

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Videla, Massera, Agosti and Cardinal Aramburu (Photo: Loiácono) + ‘Dante’s Inferno’ by Doré, 1860

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Nuncio Monsignor Calabresi, Cardinal Aramburu, Viola, Lambruschini and Galtieri (Photo: Loiácono) + ‘Banner of the Spanish Inquisition’, Etching by Bembard Picart

1995 · Digital print on paper

support: 420 x 297 mm

Tate

‘The Statue of Liberty’ by Dubourdieu + ‘Demons Torturing Sorceresses’ by Thomas Darling, 1597

1995 · Digital print on paper

support: 420 x 297 mm

Tate

‘The Disasters of War’, Goya, 1810 + ‘The Apocalypse of St John’, Dürer, c. 1500

1995 · Digital print on paper

support: 420 x 297 mm

Tate

‘The Four Avenging Angels of Euphrates’, Dürer, c. 1500 + ‘The Departure of the Warrior’, by Amo Broker, Sculptor from the Third Reich, c. 1939

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Entrance to the Naval Headquarters + ‘Vulture’, Engraving from the Nouveau Larousse Illustré, c. 1900

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Alfredo Astiz (Photo: AFP, file Grinberg) + Drawing by Leonardo da Vinci, 1489

1995 · Digital print on paper

support: 420 x 297 mm

Tate

‘Hell’, Drawing by Yaparí, Guaraní Aborigine + Set of Scales

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Buenos Aires Court Palace + ‘Devil with Witch’, engraving from the book ‘Nuremberg Chronicles’, 15th Century

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Martínez de Hoz (Photo: ILA Agency, 29/4/88) + Boots (Photo: Alejandro Elías)

1995 · Digital print on paper

support: 420 x 297 mm

Tate

The Army Mechanical School + Detail of ‘The Last Judgment’ by Memling

1995 · Digital print on paper

Tate

Military College (Photo: Jorge Saenz) + Nazi Insignia + ‘Trumpet of the Apocalypse’, Anonymous Engraving from the Wittenberg Bible, 1535

1995 · Digital print on paper

support: 420 x 297 mm

Tate

‘The Deluge’ by Doré, 1860 + Military Junta (Photo: Public Records Office)

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Flag of the ‘Frigate Libertad’, 1995 + Silhouette of a ‘Disappeared’ Person (Photo: Guillermo Kexel, 1983)

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Cardinal Antonio Quarracino (Photo: Tony Valdez) + Jorge Videla

1995 · Digital print on paper

support: 420 x 297 mm

Tate

Untitled from Nunca más (Never Again)

1995 · One from a series of forty-six photocopies

composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)

Museum of Modern Art

Untitled from Nunca más (Never Again)

1995 · One from a series of forty-six photocopies

composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)

Museum of Modern Art

Untitled from Nunca más (Never Again)

1995 · One from a series of forty-six photocopies

composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)

Museum of Modern Art

Untitled from Nunca más (Never Again)

1995 · One from a series of forty-six photocopies

composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)

Museum of Modern Art

Untitled from Nunca más (Never Again)

1995 · One from a series of forty-six photocopies

composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)

Museum of Modern Art

Untitled from Nunca más (Never Again)

1995 · One from a series of forty-six photocopies

composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)

Museum of Modern Art