Artworks · Lawrence Weiner

SPHERES OF INFLUENCE

1990 · Gouache, graphite, ink and type on paper

support: 435 x 355 mm

Tate

SPHERES OF INFLUENCE

1990 · Gouache, graphite, ink and type on paper

support: 435 x 355 mm

Tate

SPHERES OF INFLUENCE

1990 · Gouache, graphite, ink and type on paper

support: 435 x 355 mm

Tate

SPHERES OF INFLUENCE

1990 · Gouache, graphite, ink and type on paper

support: 435 x 355 mm

Tate

CROSSED OVER (&) JUST ON THE OTHER SIDE

1990 · Vinyl wall text

overall display dimensions variable

Tate

SPHERES OF INFLUENCE

1990 · Gouache, graphite, ink and type on paper

support: 435 x 355 mm

Tate

CROSSED OUT (&) AND JUST ON THE OTHER SIDE

1990 · Vinyl wall text

overall display dimensions variable

Tate

Installation for Fourth Str. Chartroom

1990 · Graphite, ink, pigment, paper, staples, typewritten text and folder stock on cardboard

7 × 12 5/8" (17.8 × 32.1 cm)

Museum of Modern Art

Untitled

1990 · Felt-tip pen, pencil, and watercolor on cut-and-pasted paper on paper

16 3/4 x 23 3/4" (42.5 x 60.3 cm)

Museum of Modern Art

Polaris

1990 · a) Felt-tip pen, pencil, and stamped ink on cut transparentized paper

Museum of Modern Art

We Are Not Ducks on the Pond; We Are Ships on the Ocean (Wir Sind Keine Enten auf dem Teich; Wir Sind Schiffe auf dem Meer)

1990 · Screenprint

irreg. composition 16 3/8 x 22 13/16" (41.6 x 57.9 cm)

Museum of Modern Art

Open Mind/Gesloten Circuits

1989 · Screenprint on fabric

Sheet: 16 1/8 x 16 9/16" (41 x 42 cm)

Museum of Modern Art

DAUBED WITH MUCK AND MIRE

1988 · Vinyl wall text

Overall display dimensions variable

Tate

CRUSHED BETWEEN COBBLESTONES

1988 · Vinyl wall text

Overall display dimensions variable

Tate

TIED UP IN KNOTS

1988 · Vinyl wall text

Overall display dimensions variable

Tate

TUCKED IN AT THE CORNERS

1988 · Vinyl wall text

Overall display dimensions variable

Tate

ROUGHLY RIPPED APART

1988 · Vinyl wall text

Overall display dimensions variable

Tate

TAKEN UP WITH

1988 · Vinyl wall text

Overall display dimensions variable

Tate

WIPED OFF THE FACE OF THE EARTH

1988 · Vinyl wall text

Overall display dimensions variable

Tate

SILVER THREADS ENTWINED IN THREADS OF GOLD

1988 · Vinyl wall text

Overall display dimensions variable

Tate

FIRE AND BRIMSTONE SET IN A HOLLOW FORMED BY HAND

1988 · Vinyl wall text

Overall display dimensions variable

Tate

STRAIGHT DOWN TO BELOW

1988 · Vinyl wall text

Overall display dimensions variable

Tate

Untitled

1988 · Cut-and-pasted paper with felt-tip pen, watercolor, and pencil on printed paper

11 5/8 x 16 1/2" (29.5 x 41.9 cm)

Museum of Modern Art

Nau Em I Art

1988 · Multiple of two steel coins and one copper coin

Other: 1 1/4" (3.2 cm)

Museum of Modern Art

Untitled

1988 · Pencil, ink, and watercolor on lined notebook paper

8 1/2 x 5 3/8" (21.6 x 13.6 cm)

Museum of Modern Art

Untitled

1988 · Ink on paper

11 5/8 x 8 7/8" (29.6 x 22.5 cm)

Museum of Modern Art

Untitled (Wat Op de Tafel Staat…)

1988 · Watercolor, gouache, felt-tip pen, ballpoint pen, pencil, and cut-and-taped printed paper on paper

16 1/2 x 23 1/4" (41.9 x 59.1 cm)

Museum of Modern Art

ROCKS UPON THE BEACH SAND UPON THE ROCKS

1988 · LANGUAGE + THE MATERIALS REFERRED TO

Dimensions variable

Museum of Modern Art

To Construct a Structure

1988 · Screenprint

irreg. composition 47 1/2 x 29 5/16" (120.7 x 74.5 cm)

Museum of Modern Art

AB OVO USQUE AD MALA

1987 · Multiple of a glazed ceramic cup, saucer, and two plates

component (cup, irreg.): 2 3/4 x 4 1/8 x 3 1/16" (7 x 10.5 x 7.7 cm); component (saucer, irreg.): 13/16 x 5 11/16" (2 x 14.5 cm); component (small plate, irreg.): 7/8 x 8 3/16" (2.3 x 20.8 cm); component (large plate, irreg.): 7/8 x 10 9/16" (2.3 x 26.8 cm)

Museum of Modern Art

Art & Project Bulletin #140

1985 · One from a set of 156 offset printed bulletins, exhibition copy

sheet (each): 11 5/8 x 16 9/16" (29.6 x 42 cm)

Museum of Modern Art

Depressions-Ruts-Hollows and Other Means of Passage

1985 · Watercolor, metallic paint, pencil, and colored pencil on twenty sheets of paper

Museum of Modern Art

SLOW CORROSION LEADING TO A LOSS OF INHERENT DIGNITY OF THE OBJECT AT HAND

1985 · LANGUAGE + THE MATERIALS REFERRED TO

Dimensions variable

Museum of Modern Art

We Are Ships at Sea Not Ducks on a Pond

1985 · Multiple of enamel on metal

overall (irreg.): 13/16 x 1" (2 x 2.5 cm)

Museum of Modern Art

Untitled (Wij Zijn Schepen Of Zee…)

1985 · Watercolor, ballpoint pen, and colored pencil on paper

13 7/8 x 10" (35.2 x 25.4 cm)

Museum of Modern Art

Niets aan Verloren/Nothing to Lose

1984 · Video (color, sound)

22 min.

Museum of Modern Art

Untitled

1984 · Watercolor, felt-tip pen, ballpoint pen, ink, and stamped ink on printed paper

6 1/4 x 8 5/8" (15.8 x 21.9 cm)

Museum of Modern Art

Factors in the Scope of Distance

1983 · Watercolor and pencil on paper

5 1/8 x 7 1/8" (13 x 18.1 cm)

Museum of Modern Art

Factors in the Scope of Distance

1983 · Watercolor and pencil on paper

5 1/8 x 7 1/8" (13 x 18.1 cm)

Museum of Modern Art

Trailer for Plowman's Lunch

1982 · Video (color, sound)

4 min., 30 sec.

Museum of Modern Art

Plowman's Lunch

1982 · 16mm film transferred to video (color, sound)

29:38

Museum of Modern Art

One Object Dependent Upon Another Object To Function Apart

1982 · Lithographed poster, offset printed and three duplicate copies

composition: 22 1/4 x 16 5/8" (56.5 x 42.2 cm); sheet: 23 7/16 x 17 13/16" (59.5 x 45.2 cm)

Museum of Modern Art

A Grouping of that which is Connected with use in a Temperate Climate

1981 · Pigment, ink, staples, tape and printed type on rice paper

12 5/8 × 18 7/8" (32.1 × 47.9 cm)

Museum of Modern Art

Arranged As (To)

1981 · Graphite and pigment on paper

15 × 19 3/4" (38.1 × 50.2 cm)

Museum of Modern Art

Passage to the North

1981 · 16mm film transferred to video (color, sound)

16 min.

Museum of Modern Art

TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM

1980 · Language + materials referred to

Dimensions vary with installation

Art Institute of Chicago

A Force of Sufficient Force to Wear Through a Surface (i.e. Frayed)

1980 · Gelatin silver print

Dimensions variable

Museum of Modern Art

There But For

1980 · Video (color, sound)

20 min.

Museum of Modern Art