Artworks · Larry Poons

E Special

1971 · Acrylic on canvas

237.5 × 182.9 cm (93 1/2 × 72 in.)

Art Institute of Chicago

Untitled, from Conspiracy, The Artist as Witness

1971 · Color screenprint on ivory wove paper

50 × 67.9 cm (19 11/16 × 26 3/4 in.)

Art Institute of Chicago

Lousy Fear

1970 · Acrylic on canvas

262.2 × 181.6 cm (103 1/4 × 71 1/2 in.)

Art Institute of Chicago

Untitled

1968 · Acrylic on canvas

304.8 × 548.6 cm (120 × 216 in.)

Art Institute of Chicago

Out

1967 · Acrylic paint on canvas

support: 1981 x 5191 mm

Tate

Untitled from Ten from Leo Castelli

1967 · Screenprint

composition: 8 1/8 x 6 3/16" (20.7 x 15.7cm); sheet: 24 x 19 15/16" (60.9 x 50.7cm)

Museum of Modern Art

Concert Drawing #1

1966 · Graphite with blue ballpoint pen on printed, ivory wove graph paper

38.1 × 28.6 cm (15 × 11 5/16 in.)

Art Institute of Chicago

[no title]

1964 · Screenprint on paper

image: 406 x 406 mm

Tate

Untitled, from X + X (Ten Works by Ten Painters)

1964 · Screenprint in colors on white wove paper

Sheet: 61 × 51 cm (24 1/16 × 20 1/8 in.)

Art Institute of Chicago

Untitled from X + X (Ten Works by Ten Painters)

1964 · One from a portfolio of ten screenprints

composition: 15 7/8 x 15 15/16" (40.4 x 40.5cm); sheet: 24 x 20 1/16" (61 x 50.9cm)

Museum of Modern Art

Night on Cold Mountain

1962 · Synthetic polymer paint and dye on canvas

6' 8" x 6' 8" (203.1 x 203.1 cm)

Museum of Modern Art

The Size of the Dot

1961 · Graphite on cream wove graph paper

21.4 × 27.8 cm (8 7/16 × 11 in.)

Art Institute of Chicago

Untitled

1960 · Graphite on cream wove graph paper

21.3 × 27.8 cm (8 7/16 × 11 in.)

Art Institute of Chicago

Basic Balance Clockwise Sketch #1#1

1960 · Graphite on ivory wove graph paper, squared in blue printing ink

43.3 × 56 cm (17 1/16 × 22 1/16 in.)

Art Institute of Chicago