Artworks · Jules Pascin

Salome Dancing before King Herod

1930 · Color etching on ivory wove paper

Image: 45 × 55.7 cm (17 3/4 × 21 15/16 in.); Plate: 45.5 × 56.6 cm (17 15/16 × 22 5/16 in.); Sheet: 62.4 × 76.4 cm (24 5/8 × 30 1/8 in.)

Art Institute of Chicago

Beauty Parlor--"Verschonerung"

1930 · hand-colored etching on paper

plate: 8 3/4 x 13 1/4 in. (22.2 x 33.7 cm)

Smithsonian American Art Museum

Cinderella's Coach

1929 · Soft ground etching and aquatint printed in yellow, blue, orange, gray, and black on ivory wove paper

Image: 25.5 × 35.5 cm (10 1/16 × 14 in.); Sheet: 44.5 × 55.5 cm (17 9/16 × 21 7/8 in.)

Art Institute of Chicago

The Prince with the Slipper, from Cinderella

1929 · Color etching and aquatint in yellow, blue, brown, and black on ivory wove paper

Plate: 35 × 25.6 cm (13 13/16 × 10 1/8 in.); Sheet: 64 × 49 cm (25 1/4 × 19 5/16 in.)

Art Institute of Chicago

The Sisters Dressing for the Ball, from Cinderella

1929 · Etching printed in color, on ivory wove paper

Image: 34.5 × 25.5 cm (13 5/8 × 10 1/16 in.); Sheet: 47 × 25 cm (18 9/16 × 9 7/8 in.)

Art Institute of Chicago

Palace Ball

1929 · Soft ground color etching and aquatint on ivory wove paper

Image: 35 × 25.5 cm (13 13/16 × 10 1/16 in.); Sheet: 51 × 25.5 cm (20 1/8 × 10 1/16 in.)

Art Institute of Chicago

Portait of Professor Adolf Elwyn

1928 · Carbon transferred with stylus on ivory laid paper

63.5 × 48 cm (25 × 18 15/16 in.)

Art Institute of Chicago

George Biddle and Jane Belo

1927 · Lithographic crayon on paper

21 1/8 x 19 1/4" (53.6 x 48.9 cm)

Museum of Modern Art

Four Men

1926 · paper

10 15/16 × 8 3/8 in. (27.8 × 21.3 cm)

The Metropolitan Museum of Art

Seated Nude

1926 · Pen and black ink, with charcoal, watercolor, and pastel, with touches of crayon on cream wove paper

44.5 × 36 cm (17 9/16 × 14 3/16 in.)

Art Institute of Chicago

The Prodigal Son Among Courtesans

1926 · Drypoint in black on ivory wove paper

Plate: 33.5 × 47.8 cm (13 1/4 × 18 7/8 in.); Sheet: 43 × 57 cm (16 15/16 × 22 1/2 in.)

Art Institute of Chicago

The Prodigal Son

1926 · Etching and drypoint on tan wove paper

Plate: 33.8 × 47.8 cm (13 5/16 × 18 7/8 in.); Sheet: 49.7 × 65 cm (19 5/8 × 25 5/8 in.)

Art Institute of Chicago

Orgy

1926 · Etching in black on cream wove paper

Image: 14 × 11 cm (5 9/16 × 4 3/8 in.); Sheet: 20 × 14.5 cm (7 7/8 × 5 3/4 in.)

Art Institute of Chicago

The Rising

1925 · Lithograph in black on buff China paper

Image: 24.5 × 29.5 cm (9 11/16 × 11 5/8 in.); Sheet: 36.5 × 27.5 cm (14 3/8 × 10 7/8 in.)

Art Institute of Chicago

Street Scene with Orator

1925 · Color etching in brown, black, and red on cream wove paper

Image: 22 × 33.5 cm (8 11/16 × 13 1/4 in.); Sheet: 32 × 43 cm (12 5/8 × 16 15/16 in.)

Art Institute of Chicago

Reclining Model

1925 · Oil on canvas

28 3/4 x 36 1/4" (73 x 92.1 cm)

Museum of Modern Art

Standing Figure in Chemise

1924 · Pastel, with stumping on gray wove paper, discolored to tan, laid down on wood pulp board

61.2 × 46 cm (24 1/8 × 18 1/8 in.)

Art Institute of Chicago

Four Ladies

1924 · Drypoint in black on cream wove paper

Image: 17.5 × 18 cm (6 15/16 × 7 1/8 in.); Sheet: 36 × 33 cm (14 3/16 × 13 in.)

Art Institute of Chicago

Arising (Le Lever) from Essai dur l'histoire de la lithographie en France. Les Peintures lithographes de Manet à Matisse. Album de lithographies originales.

1924 · Lithograph from a portfolio of 16 lithographs

composition: 10 3/16 x 7 1/2" (25.8 x 19.1 cm); sheet: 14 3/8 × 10 3/4" (36.5 × 27.3 cm)

Museum of Modern Art

Woman Writing at a Table

1923 · Carbon transferred with stylus on ivory laid paper

63.5 × 48 cm (25 × 18 15/16 in.)

Art Institute of Chicago

Judith and Holofernes

1922 · Drypoint in black on white wove paper

Image: 9.5 × 13.5 cm (3 3/4 × 5 3/8 in.); Sheet: 16.5 × 23.5 cm (6 1/2 × 9 5/16 in.)

Art Institute of Chicago

Socrates and His Disciples Mocked by Courtesans

1921 · Oil, gouache, and crayon on paper on canvas

61 1/4 x 86" (155.6 x 218.4cm)

Museum of Modern Art

Brothel Scene

1920 · Pen and black ink and brush and black ink on cream laid paper (two pieces; repaired at upper right)

44.3 × 57 cm (17 1/2 × 22 1/2 in.)

Art Institute of Chicago

Hermine David

1919 · oil paint

66 × 55.2 cm (26 × 21 1/2 in.)

Art Institute of Chicago

Untitled (Invitation to Party at Jules Pascin's)

1918 · relief-printed etching

sheet: 365 x 270 mm

National Gallery of Art

Woman, Children, and Two Boys with a Pipe (Femme, enfants et deux garçons à la pipe) (plate, folio 40) from Hommage à Roger Lacourière

1918 · Etching and drypoint from an illustrated book with twelve etchings (two with aquatint, two with drypoint, one with aquatint and drypoint) and one drypoint

plate (irreg.): 2 3/8 × 5 7/8" (6 × 14.9 cm); page: 9 1/4 × 11 7/16" (23.5 × 29 cm)

Museum of Modern Art

Nannies with a Child

1917 · watercolor and black chalk on wove paper

sheet: 22.5 x 16 cm (8 7/8 x 6 5/16 in.)

National Gallery of Art

Menu

1917 · etching on paper

plate: 9 3/4 x 7 5/8 in. (24.8 x 19.4 cm)

Smithsonian American Art Museum

Penguin Dinner Invitation

1917 · Etching, with drypoint

composition: 9 11/16 x 7 1/2" (24.6 x 19 cm); sheet: 10 1/16 x 7 13/16" (25.5 x 19.8 cm)

Museum of Modern Art

Havana

1915 · watercolor and graphite on paper mounted to paperboard

sheet: 18.1 x 23.1 cm (7 1/8 x 9 1/8 in.) mount: 23 x 31 cm (9 1/16 x 12 3/16 in.)

National Gallery of Art

The Judgment of Solomon

1915 · drypoint

Cleveland Museum of Art

Two Women Wearing Slips

1915 · Charcoal, with stumping, touches of brush and gray wash, and traces of graphite on ivory wove paper

48.5 × 39.5 cm (19 1/8 × 15 9/16 in.)

Art Institute of Chicago

Judgment of Solomon

1915 · Drypoint in black on ivory wove paper

Image: 27 × 27 cm (10 11/16 × 10 11/16 in.); Sheet: 42 × 32.5 cm (16 9/16 × 12 13/16 in.)

Art Institute of Chicago

The Handsome Barber

1914 · watercolor with pen and black ink on wove paper

sheet: 34.5 x 23 cm (13 9/16 x 9 1/16 in.)

National Gallery of Art

Claudine Resting

1913 · Oil on canvas

81 × 60 cm (31 7/8 × 23 5/8 in.)

Art Institute of Chicago

Reclining Nude

1905 · Pen and brown ink, with stumped pastel, watercolor wash, and traces of white chalk on beige wove paper, discolored to cream

26.4 × 38.7 cm (10 7/16 × 15 1/4 in.)

Art Institute of Chicago

The Spectacles of Life

1905 · Watercolor and pen and black ink, with touches of graphite, varnished overall, on vellum, laid down on off-white wove paper

Primary support: 15.6 × 27.4 cm (6 3/16 × 10 13/16 in.); Secondary support: 24.9 × 36.1 cm (9 13/16 × 14 1/4 in.)

Art Institute of Chicago

Sheet of Sketches: Men and Women (recto and verso)

1905 · Blue carbon transfer and watercolor (recto and verso) on cream wove paper

43.6 × 55.9 cm (17 3/16 × 22 1/16 in.)

Art Institute of Chicago

Street Scene

1905 · Drypoint in black on cream China paper

Image: 9.5 × 8 cm (3 3/4 × 3 3/16 in.); Sheet: 38 × 25.5 cm (15 × 10 1/16 in.)

Art Institute of Chicago

Turk

1905 · Color etching in black, yellow, and red on white wove paper

Image: 22 × 16.5 cm (8 11/16 × 6 1/2 in.); Sheet: 33 × 25 cm (13 × 9 7/8 in.)

Art Institute of Chicago

Maison Close

1885 · Carbon transferred with stylus on cream wove paper, laid down

49.6 × 65.7 cm (19 9/16 × 25 7/8 in.)

Art Institute of Chicago