Artworks · John Taylor Arms

Chartres, the Magnificent

1948 · Etching

Sheet: 5 7/8 × 9 1/4 in. (14.9 × 23.5 cm) Plate: 3 1/2 × 4 1/4 in. (8.9 × 10.8 cm)

Whitney Museum of American Art

A Chimera: Rheims

1945 · Etching in black on cream wove paper hinged to black wove paper

Image/plate: 7.5 × 6.3 cm (3 × 2 1/2 in.); Sheet: 14.5 × 9.9 cm (5 3/4 × 3 15/16 in.)

Art Institute of Chicago

Wilby Church, Northhamptonshire, England

1940 · Etching

Sheet: 8 7/16 × 6 3/16 in. (21.4 × 15.7 cm) Plate: 4 1/4 × 2 3/8 in. (10.8 × 6 cm)

Whitney Museum of American Art

Normandy Noon

1936 · Etching

Sheet: 8 × 10 1/2 in. (20.3 × 26.7 cm) Plate: 3 1/4 × 7 1/4 in. (8.3 × 18.4 cm)

Whitney Museum of American Art

Normandy Noon

1936 · Etching on cream laid paper

Plate: 8.3 × 18.3 cm (3 5/16 × 7 1/4 in.); Sheet: 18.8 × 28.2 cm (7 7/16 × 11 1/8 in.)

Art Institute of Chicago

From Knoedler's Window, MCMXXXV

1935 · Etching

Sheet: 12 7/8 × 9 1/4 in. (32.7 × 23.5 cm) Image: 5 1/8 × 5 in. (13 × 12.7 cm)

Whitney Museum of American Art

French Church Series No. 32: Limoges

1932 · etching

Sheet: 31.8 x 46.1 cm (12 1/2 x 18 1/8 in.); Platemark: 25.5 x 34.3 cm (10 1/16 x 13 1/2 in.)

Cleveland Museum of Art

Shadows of Venice

1930 · Etching and aquatint on paper

Plate: 26 × 30.5 cm (10 1/4 × 12 1/16 in.); Sheet: 34.5 × 46 cm (13 5/8 × 18 1/8 in.)

Art Institute of Chicago

From the Tower, Bayeux

1928 · Etching in black on cream wove paper

Image/plate: 13.5 × 7.4 cm (5 3/8 × 2 15/16 in.); Sheet, sight: 15.2 × 8.8 cm (6 × 3 1/2 in.)

Art Institute of Chicago

Saint Germaine l'Auxerrois

1928 · Etching on cream laid paper

Plate: 23.8 × 12.6 cm (9 3/8 × 5 in.); Sheet: 31.6 × 18.2 cm (12 1/2 × 7 3/16 in.)

Art Institute of Chicago

French Church Series No. 10: Rocamadour

1927 · graphite

Sheet: 37.8 x 29.1 cm (14 7/8 x 11 7/16 in.); Platemark: 33.7 x 24.8 cm (13 1/4 x 9 3/4 in.)

Cleveland Museum of Art

St. Paul, Alpes Maritimes, France

1927 · etching

Platemark: 19.1 x 29.3 cm (7 1/2 x 11 9/16 in.); Sheet: 26.5 x 36.7 cm (10 7/16 x 14 7/16 in.)

Cleveland Museum of Art

La Torre del Mangia, Siena

1927 · Etching on cream laid paper

Image: 38 × 20.5 cm (15 × 8 1/8 in.); Sheet: 46 × 29 cm (18 1/8 × 11 7/16 in.)

Art Institute of Chicago

Mont Saint Michel

1926 · etching

Cleveland Museum of Art

St. Paul, Alpes Maritimes, France

1926 · graphite

Sheet: 28.2 x 38 cm (11 1/8 x 14 15/16 in.); Image: 19.3 x 29.6 cm (7 5/8 x 11 5/8 in.)

Cleveland Museum of Art

Coutances

1926 · Etching in black on cream laid paper

Image/plate: 23.7 × 12.1 cm (9 3/8 × 4 13/16 in.); Sheet, sight: 24.3 × 13 cm (9 5/8 × 5 1/8 in.)

Art Institute of Chicago

From Ponte Vecchio

1925 · Etching with aquatint on white wove paper

Plate: 28 × 38.5 cm (11 1/16 × 15 3/16 in.); Sheet: 40 × 51.5 cm (15 3/4 × 20 5/16 in.)

Art Institute of Chicago

Gates of the City

1922 · etching and aquatint

Sheet: 31.2 x 29 cm (12 5/16 x 11 7/16 in.); Image: 21.5 x 20.3 cm (8 7/16 x 8 in.); Platemark: 22.6 x 21.4 cm (8 7/8 x 8 7/16 in.)

Cleveland Museum of Art

Twins

1922 · Etching on cream laid paper

Plate: 26.3 × 14.2 cm (10 3/8 × 5 5/8 in.); Sheet: 35.3 × 22.2 cm (13 15/16 × 8 3/4 in.)

Art Institute of Chicago

The Gothic Spirit

1922 · Etching

plate: 11 3/4 x 7 3/16" (29.8 x 18.2cm); sheet: 16 7/8 x 11 5/16" (42.9 x 28.7 cm)

Museum of Modern Art

Early Morning, North River

1921 · Etching and aquatint

Plate: 9 5/8 x 7 1/2" (24.5 x 19.1 cm) Sheet: 12 7/16 x 9 9/16" (31.6 x 24.3 cm)

Museum of Modern Art

The Butterfly

1920 · Color aquatint on tan Japanese paper

Plate: 25.6 × 18.4 cm (10 1/8 × 7 1/4 in.); Sheet: 32 × 24.6 cm (12 5/8 × 9 11/16 in.)

Art Institute of Chicago

Untitled

1919 · pen and black ink

Cleveland Museum of Art