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← John Martin
Artworks · John Martin
51 artworks · page 1 of 2
📷 With images only (47)
FS
F. Shaw Brothers Tannery, Maine
1882 · Pen and black and red inks, graphite, watercolor, and white gouache on Bristol board
34 5/8 x 43 15/16 in. (87.9 x 111.6 cm)
The Metropolitan Museum of Art
Study for ‘The Last Judgement’
1853 · Graphite and ink on paper
image: 150 x 302 mm
Tate
The Last Judgement
1853 · Oil paint on canvas
support: 1968 x 3258 mm frame: 2400 x 3685 x 175 mm
Tate
The Plains of Heaven
1851 · Oil paint on canvas
support: 1988 x 3067 mm frame: 2415 x 3485 x 175 mm
Tate
The Great Day of His Wrath
1851 · Oil paint on canvas
support: 1965 x 3032 mm frame: 2400 x 3470 x 175 mm
Tate
Gleaners in the Wheat Field
1847 · watercolor with gouache on wove paper
overall: 17.2 x 25.6 cm (6 3/4 x 10 1/16 in.)
National Gallery of Art
View on the River Wye, Looking towards Chepstow
1844 · watercolor, gouache, and touches of oil paint (?) over graphite with scraping out, heightened with varnish and/or gum arabic, on wove paper
Overall: 30.7 x 64 cm (12 1/16 x 25 3/16 in.) overall (mat size): 50.8 x 86.4 cm (20 x 34 in.)
National Gallery of Art
The Valley of the Tyne, My Native Country near Henshaw
1842 · watercolor, gouache and gum arabic with graphite underdrawing, sanding, and scraping
Sheet: 26.6 x 67.5 cm (10 1/2 x 26 9/16 in.)
Cleveland Museum of Art
The Fallen Angels Entering Pandemonium, from ‘Paradise Lost’, Book 1
1841 · Oil paint on canvas
support: 622 x 765 mm frame: 847 x 962 x 81 mm
Tate
VO
View on the South Downs
1840 · Watercolor with reductive techniques
Sheet: 9 1/2 in. × 13 in. (24.1 × 33 cm)
The Metropolitan Museum of Art
The Coronation of Queen Victoria
1839 · Oil paint on canvas
support: 2381 x 1854 mm
Tate
Plate from ‘Illustrations to the Bible’: Belshazzar’s Feast
1835 · Mezzotint on paper
image: 190 x 290 mm
Tate
Belshazzar's Feast, from Illustrations of the Bible
1835 · Mezzotint with etching in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
The Fall of Babylon, from Illustrations of the Bible
1835 · Mezzotint with etching in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
Joshua Commanding the Sun to Stand Still, from Illustrations of the Bible
1835 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
Psalm CXXXVII, from Illustrations of the Bible
1835 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
David Spareth Saul at Hachilah, from Illustrations of the Bible
1835 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
Plate from ‘Illustrations to the Bible’: Moses Breaketh the Tables
1833 · Mezzotint on paper
image: 188 x 290 mm
Tate
Plate from ‘Illustrations to the Bible’: The Destruction of the Pharoah’s Host
1833 · Mezzotint on paper
image: 188 x 282 mm
Tate
Moses and the Burning Bush, from Illustrations of the Bible
1833 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
The Destroying Angel
1833 · Brush and brown and black watercolor, with touches of scratching, on cream wove paper
8.5 × 13.6 cm (3 3/8 × 5 3/8 in.)
Art Institute of Chicago
The Daughter of Pharoah Finding the Infant Moses, from Illustrations of the Bible
1833 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
Seventh Plague, from Illustrations of the Bible
1833 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
Moses Breaketh The Tables, from Illustrations of the Bible
1833 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
Destruction of the Pharoah's Host, from Illustrations of the Bible
1833 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
Text and cover, from Illustrations of the Bible
1833 · Portfolio cover
Art Institute of Chicago
Plate from ‘Illustrations to the Bible’: The Covenant
1832 · Mezzotint on paper
image: 190 x 290 mm
Tate
The Destruction of Sodom and Gomorrah, from Illustrations of the Bible
1832 · Mezzotint with etching in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
The Covenant, from Illustrations of the Bible
1832 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
Adam and Eve Hearing the Judgement of the Almighty, from Illustrations of the Bible
1831 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
The Deluge, from Illustrations of the Bible
1831 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
The Death of Abel, from Illustrations of the Bible
1831 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
The Expulsion, from Illustrations of the Bible
1831 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
The Creation, from Illustrations of the Bible
1831 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
The Fall of Man, from Illustrations of the Bible
1831 · Mezzotint in black on ivory wove paper
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Art Institute of Chicago
Joshua Commanding the Sun to Stand Still
1827 · mezzotint and etching in black and brownish black on chine collé [proof]
plate: 57.1 x 77.8 cm (22 1/2 x 30 5/8 in.) sheet: 57.6 x 78.8 cm (22 11/16 x 31 in.) overall (mat size): 66 x 86.4 cm (26 x 34 in.)
National Gallery of Art
Belshazzar's Feast
1826 · hand-colored mixed media intaglio
sheet: 47.9 x 68.1 cm (18 7/8 x 26 13/16 in.)
National Gallery of Art
BF
Belshazzar's Feast (First Plate)
1826 · Mezzotint with etching; proof
Image: 18 1/2 x 28 5/16 in. (47 x 71.9 cm)
The Metropolitan Museum of Art
Paradise Lost: The Creation of Light
1824 · mezzotint
Platemark: 25.3 x 35.2 cm (9 15/16 x 13 7/8 in.); Sheet: 26.8 x 36.8 cm (10 9/16 x 14 1/2 in.)
Cleveland Museum of Art
Christ Tempted in the Wilderness
1824 · Mezzotint, with etching on cream laid paper
Plate: 17.5 × 25.4 cm (6 15/16 × 10 in.); Sheet: 37.2 × 52.8 cm (14 11/16 × 20 13/16 in.)
Art Institute of Chicago
The Destruction of Pompei and Herculaneum
1822 · Oil paint on canvas
support: 1616 x 2530 mm frame: 1968 x 2879 x 161 mm
Tate
The Garden of Eden
1821 · Watercolour on paper
frame: 482 x 594 x 18 mm support: 194 x 264 mm
Tate
A Man Playing a Harp with other Figures beside a Lake
1820 · brown wash with graphite
Sheet: 19.7 x 26.8 cm (7 3/4 x 10 9/16 in.)
Cleveland Museum of Art
Figures Seated by a Lake in a Wooded Landscape
1820 · brown wash and point of brush with graphite underdrawing
Sheet: 19.8 x 26.6 cm (7 13/16 x 10 1/2 in.)
Cleveland Museum of Art
Landscape with a Ruined Castle
1819 · Brush and brown ink and wash, over traces of graphite on cream wove paper, laid down on tan board
25.1 × 38.7 cm (9 15/16 × 15 1/4 in.)
Art Institute of Chicago
JC
Joshua Commanding the Sun to Stand Still Upon Gibeon (Joshua: 10: 12–14)
1817 · Pen and brown ink, brush and brown wash over red chalk, heightened with white, squared in black chalk
sheet: 15 7/8 x 24 in. (40.3 x 61 cm)
The Metropolitan Museum of Art
Joshua Commanding the Sun to Stand Still upon Gibeon
1816 · oil on canvas
overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)
National Gallery of Art
Ruins of an Ancient City
1810 · oil on paper, mounted on canvas
Framed: 118.5 x 142 x 8 cm (46 5/8 x 55 7/8 x 3 1/8 in.); Unframed: 95.6 x 118.6 cm (37 5/8 x 46 11/16 in.)
Cleveland Museum of Art
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