Artworks · John Linnell

[title not known]

1843 · Wood engraving on paper

Tate

[title not known]

1843 · Wood engraving on paper

Tate

[title not known]

1843 · Wood engraving on paper

Tate

[title not known]

1843 · Wood engraving on paper

Tate

[title not known]

1843 · Wood engraving on paper

Tate

[title not known]

1843 · Wood engraving on paper

Tate

[title not known]

1843 · Wood engraving on paper

Tate

[title not known]

1843 · Wood engraving on paper

Tate

[title not known]

1843 · Wood engraving on paper

Tate

[title not known]

1843 · Wood engraving on paper

Tate

[title not known]

1843 · Wood engraving on paper

Tate

[title not known]

1843 · Wood engraving on paper

Tate

Study for the Artist's Son, John

1835 · Black and white chalk on light brown paper

Sheet: 16 7/8 × 11 1/4 in. (42.8 × 28.5 cm)

The Metropolitan Museum of Art

Windsor Forest (‘Wood-Cutting in Windsor Forest’)

1834 · Oil paint on mahogany

support: 235 x 381 mm

Tate

The Sand Pits, Hampstead Heath

1834 · Oil on panel

24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)

Art Institute of Chicago

At Under River near Sevenoaks

1833 · Graphite, ink and watercolour on paper

support: 210 x 327 mm

Tate

Samuel Rogers

1833 · Oil paint on wood

support: 407 x 349 mm frame: 675 x 625 x 94 mm

Tate

Mrs Ann Hawkins

1832 · Oil paint on wood

support: 232 x 168 mm

Tate

Bayswater, Clearing the Ground between Queen's Road and Porchester Terrace

1830 · black chalk heightened with white on brown wove paper

overall: 28.6 x 44.8 cm (11 1/4 x 17 5/8 in.)

National Gallery of Art

Underriver–The Golden Valley

1828 · Pen and brown ink, brush and brown wash, over graphite

Sheet: 10 7/8 × 10 11/16 in. (27.7 × 27.2 cm)

The Metropolitan Museum of Art

Thomas Chevalier

1825 · etching

sheet: 27.3 × 23.3 cm (10 3/4 × 9 3/16 in.)

National Gallery of Art

The Man who Built the Pyramids (after William Blake)

1825 · Graphite on paper

support: 298 x 214 mm

Tate

The Man Who Taught Blake Painting in his Dreams (after William Blake)

1825 · Graphite on paper

support: 260 x 206 mm

Tate

Wilson Lowry

1825 · engraving

Cleveland Museum of Art

Portrait of a Mother and Child

1823 · Graphite with watercolor and gouache (bodycolor)

Sheet: 7 1/2 × 8 1/2 in. (19.1 × 21.6 cm)

The Metropolitan Museum of Art

Sailboats on Southampton River

1819 · watercolor on wove paper

overall: 15.6 x 22.3 cm (6 1/8 x 8 3/4 in.)

National Gallery of Art

Sheep at Noon

1818 · etching on laid paper

sheet (trimmed to plate mark): 14 x 23 cm (5 1/2 x 9 1/16 in.)

National Gallery of Art

John Martin

1817 · engraving in black on chine collé on wove paper

plate: 19.5 x 14 cm (7 11/16 x 5 1/2 in.) sheet: 34.4 x 25.5 cm (13 9/16 x 10 1/16 in.)

National Gallery of Art

Portrait of Anne Law (née Towry), 1st Lady Ellenborough

1816 · watercolor on ivory heightened with gum arabic

Framed: 23.4 x 20.7 cm (9 3/16 x 8 1/8 in.); Unframed: 11.3 x 8.5 cm (4 7/16 x 3 3/8 in.)

Cleveland Museum of Art

A Beech Wood

1815 · graphite heightened with white chalk on wove paper

overall: 42 x 28.8 cm (16 9/16 x 11 5/16 in.)

National Gallery of Art

The Woodcutters' Repast

1815 · Black and white chalks on blue wove paper

26.5 × 43.2 cm (10 7/16 × 17 1/16 in.)

Art Institute of Chicago

Landscape in Hertfordshire

1814 · black chalk heightened with white gouache on blue wove paper

overall: 27.1 x 42 cm (10 11/16 x 16 9/16 in.)

National Gallery of Art

Mrs Phillips, Wife of the China Man, Oxford Street

1814 · Graphite on paper

support: 302 x 241 mm

Tate

Tatham’s Garden, Alpha Road, at Evening

1812 · Watercolour on paper

support: 102 x 125 mm

Tate

Portrait Study of J.M.W. Turner’s Father, with a Sketch of Turner’s Eyes, Made during a Lecture

1812 · Graphite on paper

support: 187 x 225 mm

Tate

View of Kensington Gardens, London

1812 · Watercolor over graphite

Overall: 4 x 5 1/2in. (10.2 x 14cm)

The Metropolitan Museum of Art

Paddington Fields, London

1811 · black and white chalk on blue paper

sheet: 27.4 × 43.8 cm (10 13/16 × 17 1/4 in.)

National Gallery of Art

Kensington Gravel Pits

1811 · Oil paint on canvas

support: 711 x 1067 mm frame: 876 x 1240 x 105 mm

Tate

Study of a Tree (‘Study from Nature’)

1806 · Oil paint on board

support: 324 x 168 mm frame: 374 x 214 x 35 mm

Tate

Study from Nature: At Twickenham

1806 · Oil paint on board

support: 165 x 254 mm frame: 305 x 392 x 38 mm

Tate

Study of Buildings (‘Study from Nature’)

1806 · Oil paint on board

support: 165 x 254 mm frame: 305 x 390 x 38 mm

Tate

Leading a Barge

1806 · Oil paint on board

support: 194 x 267 mm

Tate

Houten keet en een hek

1806 · chalk, paper

height: 120 cm, width: 176 cm

Rijksmuseum

Twee schetsen van een landschap in de verte

1806 · paper, chalk

width: 158 cm, height: 120 cm

Rijksmuseum

Romp van een schip met een zwaard, een boei en onderdelen van een anker

1802 · pencil, paper

height: 115 cm, width: 92 cm

Rijksmuseum

Twee schepen en een anker

1802 · paper, chalk

height: 108 cm, width: 146 cm

Rijksmuseum

Figuur bij een zeilschip

1802 · paper, pencil

width: 224 cm, height: 177 cm

Rijksmuseum

Ankerboei

1802 · chalk, paper, pencil

height: 101 cm, width: 168 cm

Rijksmuseum