Artworks · John Heartfield

35 artworks · page 1 of 1

📷 With images only (28)

John Heartfield und die Kunst der Photomontage

1957 · Printed book with photomontage compositions and two-color photomontage wrappers

22.1 × 17.2 cm (8 11/16 × 6 3/4 in.)

Art Institute of Chicago

Petrolejári (The Oil Men)

1937 · Printed book with two-color photomontage wrappers

18.8 × 13.8 cm (7 3/8 × 5 1/2 in.)

Art Institute of Chicago

Dobry voják Svejk (Good Soldier Schweik)

1936 · Letterpress

20.8 × 13.5 cm (8 1/4 × 5 3/8 in.)

Art Institute of Chicago

FREM

1934 · Illustrated periodical with photomontage wrappers

29.9 × 22.8 cm (11 3/4 × 8 15/16 in.)

Art Institute of Chicago

Miluji (I Love)

1934 · Printed book with typographically designed cover, two-color photomontage wrappers bound in

19.9 × 12.9 cm (7 13/16 × 5 1/16 in.)

Art Institute of Chicago

Mimikry

1934 · Rotogravure

The Metropolitan Museum of Art

O Tannenbaum im deutscen Raum, wie krumm sind deine äste!

1934 · Rotogravure

26.0 x 20.0 cm. (10 1/4 x 7 7/8 in.)

The Metropolitan Museum of Art

Revolutionary Museum of the USSR: October Letter Series—German Communist Party Posters (Muzei revoliutsii SSSR: otkrytie pisma seriia—Plakaty kompatrii germanii)

1933 · Set of 23 color lithographs on tan wove card in case

15 × 10.4 cm (5 15/16 × 4 1/8 in.)

Art Institute of Chicago

Durch Licht Zur Nacht. Also sprach Dr. Goebbels: Lasst uns aufs neue Brönde entfachen, auf dass die Verblendeten nicht erwachen!

1933 · Rotogravure

The Metropolitan Museum of Art

Capitalism Robs You of the Last Piece of Bread (Das letzte Stück Brot raubt Ihnen der Kapitalismus)

1932 · Color offset lithograph on cream wove paper, laid down on coated cream wove paper, lined with canvas

Primary support: 96.4 × 72 cm (38 × 28 3/8 in.); Secondary support: 98.5 × 74 cm (38 13/16 × 29 3/16 in.)

Art Institute of Chicago

Der Sinn von Genf. wo das Kapital lebt, kann der Frieden nicht leben!

1932 · Photomechanical print

38.1 x 28.0 cm (15 x 11 in.)

The Metropolitan Museum of Art

Der Sinn Des Hitlergrusses: Kleiner Mann bittet um grosse Gaben. Motto: Millonen Stehen Hinter Mir!

1932 · Rotogravure

The Metropolitan Museum of Art

So macht man Dollars (Mountain City)

1931 · Book with gilt photomontage dust jacket

19.1 × 12.7 cm (7 1/2 × 5 in.)

Art Institute of Chicago

Untitled (Lenin over Moscow)

1931 · Gelatin silver print

19.2 × 16.1 cm (7 9/16 × 6 3/8 in.)

Art Institute of Chicago

Das Geld schreibt (Money Writes!)

1930 · Letterpress and lithograph

18.9 × 13 cm (7 1/2 × 5 1/8 in.)

Art Institute of Chicago

Leidweg der Liebe (Love's Pilgrimage)

1930 · Printed book with two-color photomontage wrappers

19.1 × 12.7 cm (7 1/2 × 5 in.)

Art Institute of Chicago

Das Leben der Autos (Life of the Automobile)

1930 · Printed book with two-color photomontage wrappers

18.6 × 12.9 cm (7 5/16 × 5 1/16 in.)

Art Institute of Chicago

Arbeiter Illustrierte Zeitung, vol. 9, no. 6, 1930

1930 · Photomechanical print

The Metropolitan Museum of Art

Arbeiter Illustrierte Zeitung

1930 · Rotogravures

The Metropolitan Museum of Art

Deutschland, Deutschland über Alles (Germany, Germany Above All)

1929 · Letterpress and collage inset on canvas

23.8 × 18.6 cm (9 3/8 × 7 3/8 in.)

Art Institute of Chicago

A.I.Z. (Workers' Illustrated Magazine)

1929 · Offset periodicals (bound and loose)

38.1 × 28 cm (15 × 11 1/16 in.); Loose issues: 37.7 × 27.4 cm (14 7/8 × 10 13/16 in.); Bound issues: 38.1 × 28 cm (15 × 11 in.)

Art Institute of Chicago

Drei Soldaten (Three Soldiers)

1929 · Two-color photomontage, printed book jacket

18.9 × 15.6 cm (7 7/16 × 6 1/8 in.)

Art Institute of Chicago

Illustrierte Geschichte der Bügerkrieges in Russland 1917-1921

1929 · Printed book with two-color photomontage wrappers within publisher’s gilt lettered red cloth portfolio

28.6 × 21.6 cm (11 1/4 × 8 1/2 in.)

Art Institute of Chicago

The Hand Has Five Fingers (5 Finger hat die Hand)

1928 · Offset lithograph on ivory wove paper, laid down on coated white wove paper, lined with canvas

Primary support: 97.1 × 69.7 cm (38 1/4 × 27 1/2 in.); Secondary support: 98.3 × 71 cm (38 3/4 × 28 in.)

Art Institute of Chicago

Zehn Tage, die die Welt erschütterten (Ten Days That Shook the World)

1927 · Printed book with two-color photomontage wrappers

19.7 × 13.5 cm (7 3/4 × 5 5/16 in.)

Art Institute of Chicago

Zement (Cement)

1927 · Printed book with two-color photomontage wrappers

19.6 × 13.4 cm (7 11/16 × 5 1/4 in.)

Art Institute of Chicago

Petroleum (Oil!)

1927 · Letterpress and lithograph

18.9 × 13 cm (7 7/16 × 5 1/8 in.)

Art Institute of Chicago

Petroleum (Oil!)

1927 · Letterpress and lithograph

18.9 × 13 cm (7 1/2 × 5 1/8 in.)

Art Institute of Chicago

Illustrierte Geschichte der Russischen Revolution 1917

1927 · Printed book with two-color photomontage wrappers within publisher’s gilt lettered red cloth portfolio

29.6 × 22 cm (11 5/8 × 8 5/8 in.)

Art Institute of Chicago

Zehn Tage, die die Welt erschütterten (Ten Days That Shook The World)

1927 · Printed book with two-color photomontage wrappers

20.4 × 13.4 cm (8 × 5 1/4 in.)

Art Institute of Chicago

The Metropolis

1925 · Letterpress and lithograph

18.9 × 13 cm (7 7/16 × 5 1/8 in.)

Art Institute of Chicago

Jimmie Higgins

1924 · Book with photomontage

19.1 × 12.7 cm (7 1/2 × 5 in.)

Art Institute of Chicago

Man nennt mich Zimmermann (They Call Me Carpenter)

1922 · Letterpress and lithograph

18.9 × 13 cm (7 1/2 × 5 3/16 in.)

Art Institute of Chicago

Fight Against Hunger and War! Elect Thälmann! (Kämpf gegen Hunger und Krieg! Wählt Thälmann!)

1911 · Color offset lithograph on ivory wove paper, laid down on ivory laid paper

Primary support: 71.2 × 50.1 cm (28 1/16 × 19 3/4 in.); Secondary support: 75.9 × 52.7 cm (29 15/16 × 20 3/4 in.)

Art Institute of Chicago

In the East, 160 Million March Joyfully into the Future (160 millionen im osten schreiten froh in die Zukunft!)

1911 · Color offset lithograph on cream wove paper, laid down on coated cream wove paper, lined with canvas

Primary support: 99.8 × 70.3 cm (39 5/16 × 27 11/16 in.); Secondary support: 102.4 × 72.7 cm (40 3/8 × 28 5/8 in.)

Art Institute of Chicago