Artworks · John Constable

Weymouth Bay, Dorsetshire

1830 · Mezzotint on paper

image: 144 x 182 mm

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A Mill

1830 · Mezzotint on paper

image: 143 x 215 mm

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Stoke by Neyland, Suffolk

1830 · Mezzotint on paper

image: 145 x 219 mm

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Old Sarum (first plate)

1830 · Mezzotint on paper

image: 141 x 215 mm

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A Seabeach

1830 · Mezzotint on paper

image: 142 x 221 mm

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A Seabeach

1830 · Mezzotint on paper

image: 142 x 220 mm

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A Dell, Helmingham Park, Suffolk

1830 · Mezzotint on paper

image: 146 x 185 mm

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A Dell, Helmingham Park, Suffolk

1830 · Mezzotint on paper

image: 146 x 185 mm

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Spring

1830 · Mezzotint on paper

image: 127 x 245 mm

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Cloud Study with Verses from Bloomfield

1830 · Ink on paper

support: 337 x 213 mm

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The Glebe Farm

1830 · Oil paint on canvas

support: 597 x 781 mm frame: 784 x 961 x 130 mm

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The Glebe Farm

1830 · Oil paint on canvas

support: 648 x 956 mm frame: 940 x 1245 x 110 mm

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Cloud Study

1830 · Watercolor over graphite

Sheet: 5 × 6 in. (12.7 × 15.2 cm)

The Metropolitan Museum of Art

Cloud study

1830 · Watercolor over graphite

Sheet: 5 × 6 in. (12.7 × 15.2 cm)

The Metropolitan Museum of Art

Various Subjects of Landscape, Characteristic of English Scenery from Pictures Painted by John Constable, R.A.: Dell in the Woods of Helmingham Park, Suffolk

1830 · mezzotint

Cleveland Museum of Art

A Mill near Brighton

1829 · Mezzotint on paper

image: 145 x 113 mm

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Trees at Hampstead

1829 · Oil paint on canvas

support: 924 x 740 mm frame: 1170 x 990 x 115 mm

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Salisbury Cathedral from the Meadows

1829 · Oil paint on canvas

support: 365 x 511 mm frame: 579 x 728 x 103 mm

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Sketch for ‘Hadleigh Castle’

1828 · Oil paint on canvas

support: 1226 x 1673 mm frame: 1507 x 1951 x 153 mm

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Branch Hill Pond, Hampstead

1828 · oil on canvas

Framed: 89 x 105.5 x 11.5 cm (35 1/16 x 41 9/16 x 4 1/2 in.); Unframed: 60.6 x 78.1 cm (23 7/8 x 30 3/4 in.)

Cleveland Museum of Art

The Ruins of Netley Abbey

1826 · etching on wove paper [1st state]

plate: 13.2 x 18.8 cm (5 3/16 x 7 3/8 in.) sheet: 22 x 30 cm (8 11/16 x 11 13/16 in.)

National Gallery of Art

Milford Bridge

1826 · etching on wove paper [1st state]

plate: 13.3 x 19 cm (5 1/4 x 7 1/2 in.) sheet: 19.3 x 24.2 cm (7 5/8 x 9 1/2 in.)

National Gallery of Art

Chain Pier, Brighton

1826 · Oil paint on canvas

support: 1270 x 1829 mm frame: 1613 x 2143 x 146 mm

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The Sea near Brighton

1826 · Oil paint on paper on card

support: 175 x 238 mm frame: 356 x 422 x 76 mm

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An Old Bridge at Salisbury

1826 · Etching on ivory China paper, laid down on off-white wove paper

Plate: 11.6 × 18 cm (4 5/8 × 7 1/8 in.); Chine: 12.8 × 18.5 cm (5 1/16 × 7 5/16 in.); Sheet: 30.5 × 44.7 cm (12 1/16 × 17 5/8 in.)

Art Institute of Chicago

Branch Hill Pond, Hampstead Heath, with a Cart and Carters

1825 · Oil paint on canvas

support: 537 x 768 mm frame: 780 x 1005 x 120 mm

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Branch Hill Pond, Hampstead Heath, with a Boy Sitting on a Bank

1825 · Oil paint on canvas

support: 333 x 502 mm frame: 579 x 747 x 105 mm

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Beaching a Boat, Brighton

1824 · Oil paint on paper on canvas

support: 248 x 294 mm frame: 342 x 388 x 53 mm

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A Windmill near Brighton

1824 · Oil paint on canvas

support: 203 x 251 mm frame: 400 x 500 x 80 mm

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Yarmouth Jetty

1824 · Oil paint on canvas

support: 324 x 505 mm frame: 570 x 747 x 100 mm

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The Gleaners, Brighton

1824 · Oil paint on paper on canvas

support: 159 x 302 mm frame: 295 x 440 x 70 mm

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15. A Landscape of a Moderate Extent: In Which No One Object is Predominate

1823 · Ink, watercolour and graphite on paper

support: 114 x 185 mm

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14. A Recess near the Eye Where Little or No Part of the Sky Is Seen

1823 · Ink, watercolour and graphite on paper

support: 114 x 185 mm

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12. Flat Ground or Piece of Water Surrounded by Objects

1823 · Ink, watercolour and graphite on paper

support: 113 x 187 mm

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13. A Hollow or Chasm

1823 · Ink, watercolour and graphite on paper

support: 114 x 186 mm

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9. Two Hills or Mountains, or Rocks Opposite to Each Other

1823 · Ink, watercolour and graphite on paper

support: 114 x 186 mm

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10. A Road Track or River Receding from the Eye

1823 · Ink, watercolour and graphite on paper

support: 114 x 185 mm

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11. Objects or Clusters of Objects Placed on Each Side

1823 · Ink, watercolour and graphite on paper

support: 114 x 186 mm

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8. A Waterfall

1823 · Ink, watercolour and graphite on paper

support: 113 x 185 mm

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6. A Single Object or Cluster of Objects [or More than One Object (erased)] [...(illegible) near the Eye (erased)] at a Distance

1823 · Ink and watercolour on paper

support: 115 x 185 mm

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7. A Large Object or Cluster of Large Objects or More than One Object or Cluster near the Eye

1823 · Ink, watercolour and graphite on paper

support: 114 x 186 mm

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3. A Varied Landscape on One Side, and a Flat Country or Water on the Other

1823 · Graphite, ink and watercolour on paper

support: 113 x 186 mm

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5. Flat Ground or Water Bounded by a Narrow Range of Forms or Objects Parallel to the Base of the Landscape

1823 · Ink and watercolour on paper

support: 115 x 187 mm

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4. A Gulph or Bay

1823 · Ink and watercolour on paper

support: 115 x 187 mm

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2. Tops of Hills or Mountains

1823 · Ink, watercolour and graphite on paper

support: 114 x 185 mm

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1. Edge of a Hill or Mountain near the Eye

1823 · Ink and watercolour on paper

support: 115 x 187 mm

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Gillingham Bridge, Dorset

1823 · Oil paint on canvas

support: 321 x 514 mm frame: 490 x 685 x 65 mm

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Yarmouth Jetty

1822 · oil on canvas

overall: 31.7 × 50.8 cm (12 1/2 × 20 in.)

National Gallery of Art