Artworks · Joan Miró

Plate (page 81) from Parler seul (Speaking Alone)

1948 · Lithograph from an illustrated book with seventy-two lithographs (including variants on folder and slipcase) and one lithographed collage (wrapper front)

composition (irreg.): 13 5/16 × 10 3/16" (33.8 × 25.8 cm); page: 14 7/8 × 11 1/8" (37.8 × 28.2 cm)

Museum of Modern Art

In-text plate (page 83) from Parler seul (Speaking Alone)

1948 · Lithograph from an illustrated book with seventy-two lithographs (including variants on folder and slipcase) and one lithographed collage (wrapper front)

composition (irreg.): 11 3/4 × 8 7/8" (29.9 × 22.6 cm); page: 14 15/16 × 11 3/16" (37.9 × 28.4 cm)

Museum of Modern Art

Plate (page 87) from Parler seul (Speaking Alone)

1948 · Lithograph from an illustrated book with seventy-two lithographs (including variants on folder and slipcase) and one lithographed collage (wrapper front)

composition (irreg.): 12 3/8 × 9 7/8" (31.4 × 25.1 cm); page: 14 7/8 × 11 1/4" (37.8 × 28.5 cm)

Museum of Modern Art

In-text plate (page 97) from Parler seul (Speaking Alone)

1948 · Lithograph from an illustrated book with seventy-two lithographs (including variants on folder and slipcase) and one lithographed collage (wrapper front)

composition (irreg.): 13 3/8 × 8 13/16" (34 × 22.4 cm); page: 14 7/8 × 11 3/16" (37.8 × 28.4 cm)

Museum of Modern Art

Wrapper front from Parler seul (Speaking Alone)

1948 · Lithographed collage, printed in color

composition (irreg.): 14 11/16 × 10 13/16" (37.3 × 27.4 cm); page: 15 × 11 5/16" (38.1 × 28.8 cm)

Museum of Modern Art

Tailpiece (page 20) from Parler seul (Speaking Alone)

1948 · Lithograph from an illustrated book with seventy-two lithographs (including variants on folder and slipcase) and one lithographed collage (wrapper front)

composition (irreg.): 9 7/16 × 9 3/16" (24 × 23.3 cm); page: 14 7/8 × 11 1/8" (37.8 × 28.2 cm)

Museum of Modern Art

In-text plate (page 41) from Parler seul (Speaking Alone)

1948 · Lithograph from an illustrated book with seventy-two lithographs (including variants on folder and slipcase) and one lithographed collage (wrapper front)

composition (irreg.): 8 1/16 × 7 7/8" (20.4 × 20 cm); page: 14 7/8 × 11 1/8" (37.8 × 28.2 cm)

Museum of Modern Art

Plate (page 47) from Parler seul (Speaking Alone)

1948 · Lithograph from an illustrated book with seventy-two lithographs (including variants on folder and slipcase) and one lithographed collage (wrapper front)

composition (irreg.): 13 13/16 × 9 1/8" (35.1 × 23.2 cm); page: 14 7/8 × 11 1/8" (37.8 × 28.2 cm)

Museum of Modern Art

Headpiece (page 45) from Parler seul (Speaking Alone)

1948 · Lithograph from an illustrated book with seventy-two lithographs (including variants on folder and slipcase) and one lithographed collage (wrapper front)

composition (irreg.): 6 × 9 1/8" (15.3 × 23.2 cm); page (irreg.): 14 15/16 × 11 1/8" (38 × 28.2 cm)

Museum of Modern Art

Untitled, from Album 13

1948 · lithograph

Cleveland Museum of Art

Composition

1947 · Etching on paper

image: 127 x 149 mm

Tate

Configuration

1947 · Etching in black and orange on white wove paper

Plate: 12.5 × 15 cm (4 15/16 × 5 15/16 in.); Sheet: 28 × 21.5 cm (11 1/16 × 8 1/2 in.)

Art Institute of Chicago

Configuration

1947 · Color etching on white wove paper

Plate: 12.5 × 15 cm (4 15/16 × 5 15/16 in.); Sheet: 28 × 21.5 cm (11 1/16 × 8 1/2 in.)

Art Institute of Chicago

Untitled

1947 · Etching with pochoir, in black, blue, red, green, and yellow, on ivory wove paper

14.2 × 11.2 cm (5 5/8 × 4 7/16 in.)

Art Institute of Chicago

Untitled

1947 · Etching with pochoir, in black, blue, red, and yellow, on ivory wove paper

14.2 × 11.5 cm (5 5/8 × 4 9/16 in.)

Art Institute of Chicago

Untitled

1947 · Etching with pochoir, in black, yellow, green, red, and blue, on ivory wove paper

14.1 × 11.5 cm (5 9/16 × 4 9/16 in.)

Art Institute of Chicago

Untitled

1947 · Etching and aquatint

plate: 14 13/16 × 17 15/16" (37.7 × 45.5 cm); sheet: 19 11/16 × 21 15/16" (50 × 55.8 cm)

Museum of Modern Art

Untitled

1947 · Aquatint and etching

plate: 14 7/8 x 17 15/16" (37.8 x 45.5 cm); sheet: 20 1/16 x 25 1/2" (51 x 64.8 cm)

Museum of Modern Art

Woman and Bird in Front of the Moon (Femme et oiseau devant la lune)

1947 · Etching

plate: 4 7/16 x 5 13/16" (11.3 x 14.8 cm); sheet: 7 3/4 x 9 1/8" (19.7 x 23.2 cm)

Museum of Modern Art

Untitled

1947 · Etching, engraving, and aquatint

plate: 14 15/16 × 17 7/8" (38 × 45.4 cm); sheet: 19 3/4 × 26" (50.2 × 66 cm)

Museum of Modern Art

Young Girl Skipping Rope, Women, Birds (Fillette, sautant à la corde, femmes, oiseaux) from Brunidor Portfolio, No. 1

1947 · Etching from a portfolio of five etchings (one with engraving) and two lithographs

plate: 11 13/16 x 8 15/16" (30 x 22.7 cm); sheet: 16 9/16 x 12 13/16" (42 x 32.5 cm)

Museum of Modern Art

Proof from À toute épreuve (Proof Against All) by Paul Éluard

1947 · Woodcut

composition (irreg.): 12 3/8 x 8 1/4" (31.4 x 21 cm); sheet: 12 5/8 x 9 15/16" (32 x 25.2 cm)

Museum of Modern Art

Proof from À toute épreuve (Proof Against All) by Paul Éluard

1947 · Woodcut

composition (irreg.): 11 3/4 x 7 1/16" (29.8 x 18 cm); sheet: 12 5/8 x 9 15/16" (32 x 25.2 cm)

Museum of Modern Art

Untitled

1947 · Etching with ink additions

plate: 4 7/8 × 5 13/16" (12.4 × 14.8 cm); sheet: 11 × 8 9/16" (28 × 21.8 cm)

Museum of Modern Art

(Untitled), from THE PRINTS OF JOAN MIRÓ

1947 · etching paper

Museum of Modern Art

Proof from À toute épreuve (Proof Against All) by Paul Éluard

1947 · Woodcut

composition (irreg.): 11 x 7 3/8" (28 x 18.8 cm); sheet: 12 5/8 x 9 15/16" (32 x 25.2 cm)

Museum of Modern Art

Untitled

1947 · Etching and aquatint

plate: 4 13/16 × 5 7/8" (12.3 × 14.9 cm); sheet: 11 × 8 7/16" (28 × 21.5 cm)

Museum of Modern Art

Untitled

1947 · Aquatint and etching

plate: 14 13/16 x 17 7/8" (37.7 x 45.4 cm); sheet: 19 13/16 x 25 7/8" (50.3 x 65.7 cm)

Museum of Modern Art

Poster for International Exhibition of Surrealism (Exhibition internationale du surréalisme)

1947 · Lithograph

composition: 20 3/16 x 17 1/4" (51.3 x 43.8 cm); sheet: 25 3/8 x 18 3/8" (64.5 x 46.6 cm)

Museum of Modern Art

Untitled

1947 · Etching and aquatint

plate: 14 13/16 × 17 15/16" (37.7 × 45.5 cm); sheet: 20 1/16 × 25 9/16" (51 × 65 cm)

Museum of Modern Art

Untitled

1947 · Aquatint and etching

plate: 14 15/16 × 17 7/8" (38 × 45.4 cm); sheet: 19 11/16 × 26" (50 × 66 cm)

Museum of Modern Art

Plate (page 71) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching and drypoint with pochoir from an illustrated book with twenty-three etchings (fifteen with aquatint, eight with drypoint and pochoir)

composition (irreg.): 4 3/4 × 3 1/8" (12.1 × 8 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Plate (page 51) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching and drypoint with pochoir from an illustrated book with twenty-three etchings (fifteen with aquatint, eight with drypoint and pochoir)

composition (irreg.): 4 13/16 × 3 9/16" (12.3 × 9 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Plate (page 45) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching and drypoint with pochoir from an illustrated book with twenty-three etchings (fifteen with aquatint, eight with drypoint and pochoir)

composition (irreg.): 4 11/16 × 3 7/16" (11.9 × 8.8 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Plate (page 117) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching and drypoint with pochoir from an illustrated book with twenty-three etchings (fifteen with aquatint, eight with drypoint and pochoir)

composition (irreg.): 4 3/4 × 3 5/16" (12 × 8.4 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Plate (page 95) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching and drypoint with pochoir from an illustrated book with twenty-three etchings (fifteen with aquatint, eight with drypoint and pochoir)

composition (irreg.): 4 3/4 × 3 3/4" (12.1 × 9.5 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Plate (page 101) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching and drypoint with pochoir from an illustrated book with twenty-three etchings (fifteen with aquatint, eight with drypoint and pochoir)

composition (irreg.): 4 13/16 × 3 11/16" (12.3 × 9.4 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Frontispiece from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching and drypoint with pochoir from an illustrated book with twenty-three etchings (fifteen with aquatint, eight with drypoint and pochoir)

composition (irreg.): 4 3/16 × 3 9/16" (10.6 × 9.1 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Volume III from an illustrated book with twenty-three etchings (fifteen with aquatint, eight with drypoint and pochoir)

page (each approx.): 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Plate (page 83) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching and drypoint with pochoir from an illustrated book with twenty-three etchings (fifteen with aquatint, eight with drypoint and pochoir)

composition (irreg.): 4 5/16 × 3 1/8" (10.9 × 8 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

In-text plate (folio 15) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

In-text plate (folio 8 verso) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Plate (folio 46) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Double page plate (folios 44 verso and 45) from À toute épreuve (Proof Against All)

1947 · Woodcut, collagraph, and collage from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

In-text plate (folio 26) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Plate (folio 13) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

In-text plate (folio 20) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

In-text plate (folio 28) from À toute épreuve (Proof Against All)

1947 · Woodcut, collagraph, and collage from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art