Artworks · Joan Miró

Plate (folio 16) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

In-text plate (folio 15 verso) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Plate (folio 14 verso) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Plate (folio 14) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Vignette (folio 3) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Plate (folio 12 verso) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Plate (folio 11 verso) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Plate (folio 11) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

In-text plate (folio 10) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Plate (folio 9 verso) from À toute épreuve (Proof Against All)

1947 · Woodcut, collagraph, and collage from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Wrapper front from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Title page from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Chapter title page (folio 29 verso) from À toute épreuve (Proof Against All)

1947 · Woodcut, collagraph, and collage from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

In-text plate (folio 26 verso) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

In-text plate (folio 25 verso) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Prospectus title page (inserted at back of book) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Plate (folio 40) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

In-text plate (folio 24) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

In-text plate (folio 23 verso) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Frontispiece from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Chapter title page (folio 30) from À toute épreuve (Proof Against All)

1947 · Woodcut, collagraph, and collage from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Plate (folio 9) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

In-text plate (folio 12) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

In-text plate (folio 13 verso) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

In-text plate (folio 16 verso) from À toute épreuve (Proof Against All)

1947 · Woodcut and collagraph from an illustrated book with seventy-five woodcuts and collagraphs (including wrapper front) and five woodcuts (eleven with collage)

Museum of Modern Art

Variant of plate (page 45) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition and page: 5 5/8 x 4 3/8" (14.3 x 11.1 cm)

Museum of Modern Art

Plate (page 117) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition (irreg.): 4 3/4 × 3 5/16" (12 × 8.4 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Variant of plate (page 83) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition and page: 5 11/16 x 4 3/8" (14.5 x 11.1 cm)

Museum of Modern Art

Frontispiece from Le Surréalisme en 1947: Exposition Internationale du Surréalisme

1947 · Lithograph from an illustrated book with eighteen lithographs, four etchings (two with aquatint), two woodcuts, one photogravure, and one ready-made object

composition (irreg.): 8 3/8 × 7 3/16" (21.2 × 18.3 cm); page: 9 7/16 × 8" (24 × 20.3 cm)

Museum of Modern Art

Variant of plate (page 117) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition and page: 5 11/16 x 4 3/8" (14.4 x 11.1 cm)

Museum of Modern Art

Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Volume III from a three volume illustrated book

page (each approx.): 5 1/2 × 4 5/16" (14 × 11 cm); overall (closed): 6 1/8 × 4 15/16 × 1 1/16" (15.5 × 12.5 × 2.7 cm)

Museum of Modern Art

Plate (page 101) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition (irreg.): 4 13/16 × 3 11/16" (12.3 × 9.4 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Frontispiece from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition (irreg.): 4 3/16 × 3 9/16" (10.6 × 9.1 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Plate (page 45) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition (irreg.): 4 11/16 × 3 7/16" (11.9 × 8.8 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Plate (page 51) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition (irreg.): 4 13/16 × 3 9/16" (12.3 × 9 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Variant of plate (page 95) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition and page: 5 11/16 x 4 3/8" (14.4 x 11.1 cm)

Museum of Modern Art

Plate (page 83) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition (irreg.): 4 5/16 × 3 1/8" (10.9 × 8 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Plate (page 95) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition (irreg.): 4 3/4 × 3 3/4" (12.1 × 9.5 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Variant of plate (page 101) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition and page: 5 11/16 x 4 3/8" (14.4 x 11.1 cm)

Museum of Modern Art

Variant of plate (page 51) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition and page: 5 11/16 x 4 3/8" (14.4 x 11.1 cm)

Museum of Modern Art

Plate (page 71) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition (irreg.): 4 3/4 × 3 1/8" (12.1 × 8 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)

Museum of Modern Art

Variant of plate (page 71) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition and page: 5 9/16 x 4 3/8" (14.2 x 11.1 cm)

Museum of Modern Art

Variant of frontispiece from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)

1947 · Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

composition and page: 5 11/16 x 4 3/8" (14.4 x 11.1 cm)

Museum of Modern Art

Wood block for plate from À toute épreuve (Proof Against All)

1947 · Wood block

overall (irreg.): 13 1/16 × 9 13/16 × 7/8" (33.1 × 25 × 2.3 cm)

Museum of Modern Art

Wood block for plate from À toute épreuve (Proof Against All)

1947 · Wood block

overall (irreg.): 13 1/16 × 9 13/16 × 1 1/8" (33.1 × 25 × 2.8 cm)

Museum of Modern Art

Femmes et oiseau devant la lune

1947 · relief etching

Sheet: 22 x 22.5 cm (8 11/16 x 8 7/8 in.)

Cleveland Museum of Art

Moonbird

1946 · Bronze

7 3/8 × 6 11/16 × 4 3/4 in., 3.6 lb. (18.7 × 17 × 12 cm, 1.6 kg)

The Metropolitan Museum of Art

Solar Bird

1944 · Plaster

5 3/8 x 4 1/2 x 8 1/8" (13.7 x 11.4 x 21.6 cm)

Museum of Modern Art