Artworks · Jean-Louis Forain

Dancer and Head Waiter

1908 · Etching and aquatint in dark brown on cream laid paper

Plate: 33.8 × 28.8 cm (13 5/16 × 11 3/8 in.); Sheet: 63.8 × 50.2 cm (25 1/8 × 19 13/16 in.)

Art Institute of Chicago

After the Reposession

1908 · Etching on cream laid paper

Plate: 35 × 30 cm (13 13/16 × 11 13/16 in.); Sheet: 64.8 × 50.5 cm (25 9/16 × 19 15/16 in.)

Art Institute of Chicago

J.L. Forain

1907 · drypoint on wove paper

plate: 16.8 × 12 cm (6 5/8 × 4 3/4 in.) sheet: 24.9 × 20.8 cm (9 13/16 × 8 3/16 in.)

National Gallery of Art

Forain Printing, Second Plate

1907 · Etching and drypoint on cream laid paper

Plate: 19.8 × 17.2 cm (7 13/16 × 6 13/16 in.); Sheet: 56.8 × 45 cm (22 3/8 × 17 3/4 in.)

Art Institute of Chicago

The Petition

1906 · oil on canvas

overall: 101.6 x 82 cm (40 x 32 5/16 in.) framed: 105.4 x 124.5 x 10.2 cm (41 1/2 x 49 x 4 in.)

National Gallery of Art

Scène de cabinet particulier (planche en largeur) (Scene in a Private Room) (horizontal plate)

1905 · transfer lithograph on wove paper

image: 23 × 28.3 cm (9 1/16 × 11 1/8 in.) sheet: 33.5 × 50.8 cm (13 3/16 × 20 in.)

National Gallery of Art

Scène de cabinet particulier (planche en hauteur) (Scene in a Private Room) (vertical plate)

1905 · transfer lithograph on laid paper

image: 28 × 25 cm (11 × 9 13/16 in.) sheet: 55.5 × 43.2 cm (21 7/8 × 17 in.)

National Gallery of Art

Portrait de Renoir (4e planche) (Portrait of Renoir) (fourth plate)

1905 · transfer lithograph on wove paper

image: 26.5 × 20.5 cm (10 7/16 × 8 1/16 in.) sheet: 35.1 × 27.3 cm (13 13/16 × 10 3/4 in.)

National Gallery of Art

Portrait de Renoir (1ère planche) (Portrait of Renoir) (first plate)

1905 · transfer lithograph on wove paper

image: 25 × 17.5 cm (9 13/16 × 6 7/8 in.) sheet: 35 × 27.6 cm (13 3/4 × 10 7/8 in.)

National Gallery of Art

Portrait de Renoir (2e planche) (Portrait of Renoir) (second plate)

1905 · transfer lithograph on wove paper

image: 27.5 × 20 cm (10 13/16 × 7 7/8 in.) sheet: 49 × 32 cm (19 5/16 × 12 5/8 in.)

National Gallery of Art

Portrait de Renoir (3e planche) (Portrait of Renoir) (third plate)

1905 · transfer lithograph on wove paper

image: 26.5 × 18.5 cm (10 7/16 × 7 5/16 in.) sheet: 35.1 × 27.6 cm (13 13/16 × 10 7/8 in.)

National Gallery of Art

Pietà, Fourth Plate

1905 · Etching with plate tone on ivory laid paper

Plate: 29 × 33.7 cm (11 7/16 × 13 5/16 in.); Sheet: 38.3 × 49.2 cm (15 1/8 × 19 3/8 in.)

Art Institute of Chicago

Portrait of Vollard, Seated

1905 · Lithograph on ivory wove paper

Image: 26 × 24.8 cm (10 1/4 × 9 13/16 in.); Sheet: 51 × 32.5 cm (20 1/8 × 12 13/16 in.)

Art Institute of Chicago

Portrait of Renoir, Fourth Plate

1905 · Lithograph on cream Japanese paper

Image: 26.7 × 21.9 cm (10 9/16 × 8 5/8 in.); Sheet: 35.1 × 27.3 cm (13 7/8 × 10 3/4 in.)

Art Institute of Chicago

Portrait of Renoir, Second Plate

1905 · Lithograph on cream wove paper

Image: 27.3 × 20.2 cm (10 3/4 × 8 in.); Sheet: 34.9 × 27.6 cm (13 3/4 × 10 7/8 in.)

Art Institute of Chicago

Portrait of Renoir, Third Plate

1905 · Lithograph on cream wove paper

Image: 27.2 × 20.2 cm (10 3/4 × 8 in.); Sheet: 35.1 × 27.6 cm (13 7/8 × 10 7/8 in.)

Art Institute of Chicago

Nude Woman Taking Off Her Shirt

1905 · Drypoint and plate tone in brown on light blue laid paper

Plate: 17 × 13 cm (6 3/4 × 5 1/8 in.); Sheet: 43 × 29.5 cm (16 15/16 × 11 5/8 in.)

Art Institute of Chicago

Ambroise Vollard, Four Sketches

1905 · Lithograph on cream wove paper

Image: 43.3 × 35 cm (17 1/16 × 13 13/16 in.); Sheet: 56.9 × 46.3 cm (22 7/16 × 18 1/4 in.)

Art Institute of Chicago

Croquis de femme nue, la tête contre l'oreiller (1ère plance) (Sketch of a Nude Woman, Her Head Against a Pillow) (1st plate)

1904 · drypoint on laid Van Gelder paper

plate: 29 × 33.4 cm (11 7/16 × 13 1/8 in.) sheet: 46.6 × 57.4 cm (18 3/8 × 22 5/8 in.)

National Gallery of Art

Sur le lit (On the Bed)

1904 · etching on laid Van Gelder paper

plate: 28.8 × 33.2 cm (11 5/16 × 13 1/16 in.) sheet (irreg.): 45.4 × 56.6 cm (17 7/8 × 22 5/16 in.)

National Gallery of Art

Sur le lit (On the Bed)

1904 · etching on laid Van Gelder paper

image: 27.4 × 32.1 cm (10 13/16 × 12 5/8 in.) plate: 28.9 × 33.6 cm (11 3/8 × 13 1/4 in.) sheet: 46.7 × 60.9 cm (18 3/8 × 24 in.)

National Gallery of Art

Femme mettant son bas (Woman Putting On Her Stockings)

1904 · etching and aquatint on laid Van Gelder paper

image: 23.2 × 19.5 cm (9 1/8 × 7 11/16 in.) plate: 25.5 × 21 cm (10 1/16 × 8 1/4 in.) sheet: 48.7 × 38.1 cm (19 3/16 × 15 in.)

National Gallery of Art

Eventail (pour le bal Gavarni) (Fan (for the Gavarni Ball))

1903 · color transfer lithograph on wove paper

sheet: 31.6 × 49.8 cm (12 7/16 × 19 5/8 in.)

National Gallery of Art

Fan for the Gavarni Ball

1903 · Color lithograph in black, white, orange, and red on cream wove paper

Image: 26 × 49.3 cm (10 1/4 × 19 7/16 in.); Sheet: 32.4 × 49.3 cm (12 13/16 × 19 7/16 in.)

Art Institute of Chicago

Christ at Emmaus

1902 · black chalk on wove paper

sheet: 26.67 × 43.82 cm (10 1/2 × 17 1/4 in.)

National Gallery of Art

La route d'Emmaüs (2e planche) (The Road to Emmaus) (second plate)

1902 · etching and drypoint on wove paper

plate: 27.8 × 22 cm (10 15/16 × 8 11/16 in.) sheet (irreg.): 29.2 × 42 cm (11 1/2 × 16 9/16 in.)

National Gallery of Art

La fraction du pain (The Breaking of the Bread)

1902 · etching and drypoint in brown on laid Van Gelder paper

image: 27.5 × 24.1 cm (10 13/16 × 9 1/2 in.) plate: 29.7 × 25.8 cm (11 11/16 × 10 3/16 in.) sheet: 50 × 37.1 cm (19 11/16 × 14 5/8 in.)

National Gallery of Art

Après l'apparition (2e planche) (After the Vision) (second plate)

1902 · drypoint on wove paper

plate: 25.7 × 29.8 cm (10 1/8 × 11 3/4 in.) sheet: 28.7 × 42.2 cm (11 5/16 × 16 5/8 in.)

National Gallery of Art

Après l'apparition (2e planche) (After the Vision) (second plate)

1902 · drypoint in brown on laid Van Gelder paper

plate: 25.7 × 29.8 cm (10 1/8 × 11 3/4 in.) sheet: 37.2 × 49.5 cm (14 5/8 × 19 1/2 in.)

National Gallery of Art

La route d'Emmaüs (1ère planche) (The Road to Emmaus) (first plate)

1902 · drypoint on laid Van Gelder paper

image: 15.1 × 22.8 cm (5 15/16 × 9 in.) plate: 16 × 23.9 cm (6 5/16 × 9 7/16 in.) sheet: 38 × 50.6 cm (14 15/16 × 19 15/16 in.)

National Gallery of Art

Le calvaire (2e planche) (Calvary) (second plate)

1902 · etching on laid Van Gelder paper

image: 37 × 46.7 cm (14 9/16 × 18 3/8 in.) plate: 39.9 × 49.6 cm (15 11/16 × 19 1/2 in.) sheet (irreg.): 49.3 × 65.1 cm (19 7/16 × 25 5/8 in.)

National Gallery of Art

Le calvaire (1ère planche) (Calvary) (first plate)

1902 · etching on laid Van Gelder paper

plate: 39.4 × 49 cm (15 1/2 × 19 5/16 in.) sheet: 49.8 × 64.6 cm (19 5/8 × 25 7/16 in.)

National Gallery of Art

Le calvaire (2e planche) (Calvary) (second plate)

1902 · etching with graphite and lithographic crayon additions on laid Van Gelder paper

image: 37 × 46.7 cm (14 9/16 × 18 3/8 in.) plate: 40 × 49.7 cm (15 3/4 × 19 9/16 in.) sheet: 51 × 65.1 cm (20 1/16 × 25 5/8 in.)

National Gallery of Art

Le calvaire (1ère planche) (Calvary) (first plate)

1902 · etching on laid Van Gelder paper

plate: 39.6 × 49 cm (15 9/16 × 19 5/16 in.) sheet: 51 × 64.6 cm (20 1/16 × 25 7/16 in.)

National Gallery of Art

The Tribunal

1902 · Oil paint on canvas

support: 603 x 730 mm

Tate

The Breaking of the Bread, Third Plate

1902 · Etching on cream wove paper

Image: 23.9 × 32 cm (9 7/16 × 12 5/8 in.); Sheet: 29 × 42.8 cm (11 7/16 × 16 7/8 in.)

Art Institute of Chicago

The Road to Emmaus, Second Plate

1902 · Etching on cream wove paper

Plate: 28 × 22 cm (11 1/16 × 8 11/16 in.); Sheet: 51 × 33 cm (20 1/8 × 13 in.)

Art Institute of Chicago

Calvary, Second Plate

1902 · Etching on cream laid paper

Plate: 40 × 49.8 cm (15 3/4 × 19 5/8 in.); Sheet: 50.7 × 64.4 cm (20 × 25 3/8 in.)

Art Institute of Chicago

Calvary, First plate

1902 · Etching on cream laid paper

Plate: 39.5 × 49 cm (15 9/16 × 19 5/16 in.); Sheet: 50.7 × 65 cm (20 × 25 5/8 in.)

Art Institute of Chicago

Le Poilu (French Soldier Writing Home)

1900 · black chalk on wove paper

sheet: 36.2 x 32.2 cm (14 1/4 x 12 11/16 in.)

National Gallery of Art

Private Dining Room Scene (horizontal plate)

1900 · Lithograph on off white wove paper

Image: 23.2 × 28.1 cm (9 3/16 × 11 1/8 in.); Sheet: 32.8 × 50.8 cm (12 15/16 × 20 in.)

Art Institute of Chicago

At Last, That's It

1900 · Crayon on paper

16 1/8 × 16 13/16 in. (41 × 42.7 cm)

The Metropolitan Museum of Art

In the Wings

1899 · Oil on canvas

60.5 × 73.8 cm (23 3/16 × 29 1/16 in.); Framed: 82.6 × 95.6 × 11.5 cm (32 1/2 × 37 5/8 × 4 1/2 in.)

Art Institute of Chicago

Etude de femme assise (Study of a Seated Woman)

1898 · transfer lithograph in black and red on laid Arches paper

stone: 40.8 × 30.8 cm (16 1/16 × 12 1/8 in.) sheet (irreg.): 55.6 × 43.8 cm (21 7/8 × 17 1/4 in.)

National Gallery of Art

Etude de femme assise (Study of a Seated Woman)

1898 · transfer lithograph laid Arches paper

stone: 40.8 × 30.3 cm (16 1/16 × 11 15/16 in.) sheet (irreg.): 54.6 × 42.7 cm (21 1/2 × 16 13/16 in.)

National Gallery of Art

Etude de femme assise, en buste de profil (Study of a Seated Woman, Half-Length in Profile)

1898 · transfer lithograph on laid paper

image: 30.3 × 21 cm (11 15/16 × 8 1/4 in.) sheet: 54.6 × 38.3 cm (21 1/2 × 15 1/16 in.)

National Gallery of Art

Etude de femme, en buste de face (Study of a Woman, Half-Length Facing Front)

1898 · transfer lithograph on laid paper

image: 26.5 × 18 cm (10 7/16 × 7 1/16 in.) sheet: 55.6 × 44.2 cm (21 7/8 × 17 3/8 in.)

National Gallery of Art

Psst...!

1898 · Journals with relief etching illustrations

Museum of Modern Art