Artworks · Jean Fautrier

Plate 7 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I

1962 · Etching, aquatint, and embossing from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving

plate: 4 1/2 × 5 13/16" (11.5 × 14.8 cm); page: 11 3/4 × 9 7/16" (29.8 × 24 cm)

Museum of Modern Art

All Alone

1957 · Plaster, oil, and dry pigments on paper mounted to canvas

89 × 146 cm (35 × 57 1/2 in.)

Art Institute of Chicago

Paroles à propos des nus de Fautrier

1956 · Illustrated book with lithograph with oil and ink additions

sheet (lithograph): 11 15/16 x 9 9/16" (30.3 x 24.3 cm); page (each): 11 15/16 x 9 9/16" (30.3 x 24.3 cm); overall (closed): 12 3/8 x 9 3/4 x 3/16" (31.5 x 24.8 x 0.4 cm)

Museum of Modern Art

Les Fusillés, 1943 (in-text plate, page 21) from Fautrier l'enragé

1949 · Heliogravure, etching and aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 11 7/16 x 9 1/16" (29 x 23 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Torso of the woman (Le Torse de la femme), 1948 from Fautrier l'enragé

1949 · Etching and aquatint from the supplementary suite of twelve etchings (eight with aquatint) and one aquatint

plate: 12 1/2 x 9 13/16" (31.8 x 25 cm); sheet: 19 5/16 x 14 3/4" (49 x 37.4 cm)

Museum of Modern Art

Tête d'otage, 1942 (in-text plate, page 57) from Fautrier l'enragé

1949 · Etching and aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 11 13/16 x 10 1/4" (30 x 26 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

L'otage, 1942 (tailpiece, page 58) from Fautrier l'enragé

1949 · Etching and aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 5 5/16 x 9 7/16" (13.5 x 24 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Hostages (Les Otages), 1942 from Fautrier l'enragé

1949 · Etching and aquatint from the supplementary suite of twelve etchings (eight with aquatint) and one aquatint

plate: 11 x 10 3/16" (28 x 25.8 cm); sheet: 19 5/16 x 14 13/16" (49.1 x 37.6 cm)

Museum of Modern Art

Les trois arbres, 1927 from Fautrier l'enragé

1949 · Etching from the supplementary suite of 13 etching and aquatints

plate: 4 1/2 x 5 1/4" (11.5 x 13.4 cm); sheet: 19 1/2 x 14 7/8" (49.5 x 37.8 cm)

Museum of Modern Art

La femme aux seins, 1947 from Fautrier l'enragé

1949 · Etching from the supplementary suite of twelve etchings (eight with aquatint) and one aquatint

plate: 5 3/8 x 5 1/8" (13.6 x 13 cm); sheet: 19 1/2 x 14 15/16" (49.6 x 38 cm)

Museum of Modern Art

Paysage, 1945 from Fautrier l'enragé

1949 · Etching and aquatint from the supplementary suite of twelve etchings (eight with aquatint) and one aquatint

plate: 3 1/8 x 7 1/16" (8 x 18 cm); sheet: 19 7/16 x 14 7/8" (49.4 x 37.8 cm)

Museum of Modern Art

Cadaver (Le Cadavre), 1941 from Fautrier l'enragé

1949 · Etching and aquatint from the supplementary suite of twelve etchings (eight with aquatint) and one aquatint

plate: 5 7/8 x 9" (15 x 22.8 cm); sheet: 19 1/2 x 14 7/8" (49.5 x 37.8 cm)

Museum of Modern Art

Dead Woman (La Femme morte), 1941 from Fautrier l'enragé

1949 · Etching and aquatint from the supplementary suite of twelve etchings (eight with aquatint) and one aquatint

plate: 6 5/16 x 10 1/4" (16 x 26 cm); sheet: 19 1/2 x 14 7/8" (49.5 x 37.8 cm)

Museum of Modern Art

Nu, 1946 from Fautrier l'enragé

1949 · Etching from the supplementary suite of twelve etchings (eight with aquatint) and one aquatint

plate: 5 13/16 x 7 1/16" (14.8 x 17.9 cm); sheet: 19 1/2 x 14 15/16" (49.6 x 38 cm)

Museum of Modern Art

Les torses nus, 1948 from Fautrier l'enragé

1949 · Etching from the supplementary suite of twelve etchings (eight with aquatint) and one aquatint

plate: 7 5/8 x 7 1/2" (19.4 x 19 cm); sheet: 19 1/2 x 14 15/16" (49.6 x 38 cm)

Museum of Modern Art

Les seins et le sexe, 1949 from Fautrier l'enragé

1949 · Etching and aquatint from the supplementary suite of twelve etchings (eight with aquatint) and one aquatint

plate: 7 13/16 x 9 7/16" (19.8 x 24 cm); sheet: 19 3/8 x 14 7/8" (49.2 x 37.8 cm)

Museum of Modern Art

Végétation, 1948 from Fautrier l'enragé

1949 · Aquatint from the supplementary suite of twelve etchings (eight with aquatint) and one aquatint

plate: 9 13/16 x 12 1/2" (25 x 31.8 cm); sheet: 19 5/16 x 14 3/4" (49 x 37.4 cm)

Museum of Modern Art

L'arbre, 1944 from Fautrier l'enragé

1949 · Etching and aquatint from the supplementary suite of twelve etchings (eight with aquatint) and one aquatint

plate: 5 13/16 x 7 1/4" (14.8 x 18.4 cm); sheet: 19 1/2 x 14 7/8" (49.5 x 37.8 cm)

Museum of Modern Art

Wrapper from Fautrier l'enragé

1949 · Aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

sheet (open): 20 1/4 x 32 1/16" (51.5 x 81.5 cm)

Museum of Modern Art

Untitled (Nus), 1925, 1942, 1937, 1948 (in-text plates, pages 46-47) from Fautrier l'enragé

1949 · Heliogravure and etching from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

page (each approx.): 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Paysage, 1929 from Fautrier l'enragé

1949 · Etching and aquatint from the supplementary suite of twelve etchings (eight with aquatint) and one aquatint

plate (irreg.): 7 5/16 x 8 1/4" (18.5 x 21 cm); sheet: 19 5/16 x 14 3/4" (49 x 37.5 cm)

Museum of Modern Art

Le torse de femme, 1949 (plate, facing page 7) from Fautrier l'enragé

1949 · Etching and aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition: 16 9/16 x 12" (42 x 30.5 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Les seins et le sexe de la femme, 1947 (headpiece, page 11) from Fautrier l'enragé

1949 · Etching and aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 7 5/8 x 7 7/8" (19.3 x 20 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Le Buste aux mains, 1947 (tailpiece, page 12) from Fautrier l'enragé

1949 · Etching and aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 7 7/8 x 9 13/16" (20 x 25 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Les visages de l'homme, 1946 (headpiece, page 15) from Fautrier l'enragé

1949 · Etching from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg): 7 7/8 x 9 13/16" (20 x 25 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Les forêts de Port Cros (in-text plate, page 16) from Fautrier l'enragé

1949 · Etching from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 2 3/16 x 8 11/16" (5.5 x 22 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Le cadavre de la femm, 1942 (in-text plate, page 18) from Fautrier l'enragé

1949 · Etching and aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 6 1/8 x 9 9/16" (15.5 x 24.3 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Title page (page 7) from Fautrier l'enragé

1949 · Heliogravure from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 6 7/16 x 11 11/16" (16.3 x 29.7 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Les objets rares et précieux, 1947 (in-text plate, page 24) from Fautrier l'enragé

1949 · Etching from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 9 13/16 x 10 1/16" (25 x 25.5 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Le visage rapace, 1947 (tailpiece, page 26) from Fautrier l'enragé

1949 · Etching from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 7 3/16 x 7 15/16" (18.2 x 20.2 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Les fruits à pépins, 1942 (headpiece, page 29) from Fautrier l'enragé

1949 · Etching from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 7 1/2 x 9 15/16" (19 x 25.3 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

L'Enfer, 1925 (in-text plate, page 32) from Fautrier l'enragé

1949 · Zincograph from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 4 15/16 x 10 1/16" (12.5 x 25.5 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

L'Enfer, 1925 (in-text plate, page 33) from Fautrier l'enragé

1949 · Zincograph from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 4 15/16 x 8 3/4" (12.5 x 22.3 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Les formes humaines (in-text plate, page 36) from Fautrier l'enragé

1949 · Etching and aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 11 13/16 x 12 3/8" (30 x 31.5 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

...et végétales, 1947 (in-text plate, page 37) from Fautrier l'enragé

1949 · Etching and aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 11 7/16 x 12" (29 x 30.5 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Les arbustes, 1946 (in-text plate, page 39) from Fautrier l'enragé

1949 · Woodcut from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 5 3/8 x 9 5/8" (13.7 x 24.5 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

L'objet tranquille, 1946 (tailpiece, page 40) from Fautrier l'enragé

1949 · Etching and aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 6 5/16 x 7 1/4" (16 x 18.4 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

La mort du prophète, 1944 (headpiece, page 43) from Fautrier l'enragé

1949 · Etching and aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 6 7/8 x 10 1/16" (17.5 x 25.5 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Les bobines, 1947 (in-text plate, page 50) from Fautrier l'enragé

1949 · Etching and aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 4 3/16 x 9 1/4" (10.7 x 23.5 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Les boîtes en métal, 1947 (in-text plate, page 51) from Fautrier l'enragé

1949 · Etching and aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 4 1/4 x 9 7/16" (10.8 x 24 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Oradour, 1943 (in-text plate, page 55) from Fautrier l'enragé

1949 · Heliogravure, etching and aquatint from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions

composition (irreg.): 11 1/2 x 9 1/8" (29.2 x 23.2 cm); page: 19 11/16 x 14 15/16" (50 x 38 cm)

Museum of Modern Art

Fautrier l'enragé

1949 · Illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions; plus the supplementary suite of twelve etchings (eight with aquatint) and one aquatint

page (each approx.): 19 11/16 x 14 15/16" (50 x 38 cm); overall (closed): 20 1/4 x 15 3/8 x 1 3/8" (51.4 x 39 x 3.5 cm)

Museum of Modern Art

The Fanatic, plate 5 (page 71) from À la gloire de la main

1949 · Etching and soft ground etching

plate 6 15/16 x 5 3/8" (17.6 x 13.7 cm)

Museum of Modern Art

Baby Mine

1947 · Etching and aquatint on paper

image: 278 x 336 mm

Tate

Violet Hostage

1947 · Etching on paper

image: 265 x 309 mm

Tate

Woman in the Night

1947 · Etching and aquatint with monotype inking on cream wove paper

Plate: 54.5 × 83.3 cm (21 1/2 × 32 13/16 in.); Sheet: 63.5 × 91 cm (25 × 35 7/8 in.)

Art Institute of Chicago

La Femme de ma vie

1947 · Illustrated book with five etching and aquatints, relief printed; one etching and aquatint, relief printed, folded and mounted on lace; and heliogravure text

sheet (mounted on lace): 20 13/16 x 35 3/16" (52.9 x 89.3 cm); page (each): 11 5/16 x 7 3/16" (28.8 x 18.3 cm); overall (closed): 11 7/8 x 7 5/8 x 1 1/8" (30.2 x 19.3 x 2.8 cm)

Museum of Modern Art

Vegetables

1946 · Woodcut

irreg. composition 5 1/2 x 9 15/16" (13.9 x 25.2 cm)

Museum of Modern Art