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← Jean Dubuffet
Artworks · Jean Dubuffet
1,653 artworks · page 5 of 35
📷 With images only (897)
PF
Proof for Earthy Powder (Pulvérulence terreuse) from the portfolio Spaces and Places (Aires et lieux) from Phenomena (Les Phénomènes)
1966 · One from a portfolio of fifty-five lithographs
Museum of Modern Art
CS
Color separations for THE SLEEPWALKER (Le noctambule)
1966 · 13 color separations for the color lithograph
Museum of Modern Art
CS
Color separation (6) for Texturology II (Texturologie II) from the portfolio Spaces and Places (Aires et lieux) from Phenomena (Les Phénomènes)
1966 · One from a portfolio of fifty-five lithographs
Museum of Modern Art
CS
Color separation for Texturology (Texturologie) from the portfolio Spaces and Places (Aires et lieux) from Phenomena (Les Phénomènes)
1966 · One from a portfolio of fifty-five lithographs
Museum of Modern Art
CS
Color separations for THE SLEEPWALKER (Le noctambule)
1966 · 13 color separations for the color lithograph
Museum of Modern Art
CS
Color separation for Texturology (Texturologie) from the portfolio Spaces and Places (Aires et lieux) from Phenomena (Les Phénomènes)
1966 · One from a portfolio of fifty-five lithographs
Museum of Modern Art
CS
Color separation (7) for Texturology II (Texturologie II) from the portfolio Spaces and Places (Aires et lieux) from Phenomena (Les Phénomènes)
1966 · One from a portfolio of fifty-five lithographs
Museum of Modern Art
CS
Color separations for THE SLEEPWALKER (Le noctambule)
1966 · 13 color separations for the color lithograph
Museum of Modern Art
CS
Color separations for LOISIRS
1966 · 9 color separations for the color lithograph
Museum of Modern Art
CS
Color separation for Texturology (Texturologie) from the portfolio Spaces and Places (Aires et lieux) from Phenomena (Les Phénomènes)
1966 · One from a portfolio of fifty-five lithographs
Museum of Modern Art
CS
Color separation for Texturology (Texturologie) from the portfolio Spaces and Places (Aires et lieux) from Phenomena (Les Phénomènes)
1966 · One from a portfolio of fifty-five lithographs
Museum of Modern Art
CS
Color separations for L'ENFLE CHIQUE III
1966 · Color separation for the color lithograph
Museum of Modern Art
CS
Color separation (2) for Dilapidated Wall (Mur delabré) from the portfolio Spaces and Places (Aires et lieux) from Phenomena (Les Phénomènes)
1966 · One from a portfolio of fifty-five lithographs
Museum of Modern Art
CS
Color separations for SMILE II (Sourire II)
1966 · 9 color separations for the color lithograph
Museum of Modern Art
CS
Color separation (1) for Familiar Earth (Terre familière) from the portfolio Spaces and Places (Aires et lieux) from Phenomena (Les Phénomènes)
1966 · One from a portfolio of fifty-five lithographs
Museum of Modern Art
CS
Color separations for SMILE II (Sourire II)
1966 · 9 color separations for the color lithograph
Museum of Modern Art
Cup of Tea, II
1966 · Cast polyester resin and cloth with synthetic polymer paint
6' 5 7/8" x 46 1/4" x 3 3/4" (197.8 x 117.3 x 9.5 cm)
Museum of Modern Art
Abode V (with Stairs and Numerous Rooms)
1966 · Vinyl paint on canvas
57 3/4 x 45" (146.7 x 114.4 cm)
Museum of Modern Art
CS
Color separations for LOISIRS
1966 · Nine color separations for the color lithograph
Museum of Modern Art
CS
Color separations for ENFLE CHIQUE I-II
1966 · Twelve color separations for the color lithograph
Museum of Modern Art
CS
Color separations for THE SLEEPWALKER (Le noctambule)
1966 · Thirteen color separations for the color lithograph
Museum of Modern Art
CS
Color separations for L'ENFLE CHIQUE IV
1966 · Seven color separations for the color lithograph
Museum of Modern Art
CS
Color separations for CARROT NOSE (Nez carotte)
1966 · Seven color separations for the color lithograph
Museum of Modern Art
CS
Color separations for SMILE II (Sourire II)
1966 · Nine color separations for the color lithograph
Museum of Modern Art
CS
Color separations for the portfolio Spaces and Places (Aires et lieux) from Phenomena (Les Phénomènes)
1966 · Portfolio of fifty-five lithographs
Museum of Modern Art
CS
Color separations for L'ENFLE CHIQUE III
1966 · Nine color separations for the color lithograph
Museum of Modern Art
V4
Villa 4
1966 · Felt-tip pen on paper
10 7/8 x 8 1/4" (27.4 x 20.9 cm)
Museum of Modern Art
Stairs III
1966 · Felt-tip pen on paper
10 x 6 1/2" (25.2 x 16.5 cm)
Museum of Modern Art
Verbal Agreement: Six Figures
1966 · Felt-tip pen on paper
10 5/8 x 8 1/8" (27.0 x 20.6 cm)
Museum of Modern Art
TB
The Ballerina
1966 · Ink on paper
9 3/4 x 6 1/2" (24.8 x 16.5 cm)
Museum of Modern Art
LG
Le Gommeux
1966 · Ink on paper
9 3/4 x 6 3/8" (24.8 x 16.4 cm)
Museum of Modern Art
JD
Jean Dubuffet/Stedelijk Museum
1966 · Poster
37 1/2 × 25" (95.3 × 63.5 cm)
Museum of Modern Art
Ustensiles Utopiques
1966 · Lithograph
26 1/8 x 19 3/4" (66.4 x 50.2 cm)
Museum of Modern Art
Site Inhabited by Objects
1965 · Acrylic paint on canvas
support: 1302 x 1622 x 27 mm frame: 1346 x 1670 x 80 mm
Tate
Nimble Free Hand to the Rescue
1964 · Acrylic paint on canvas
support: 1499 x 2007 mm frame: 1545 x 2042 x 85 mm
Tate
Untitled
1964 · Black fiber-tipped pen, over graphite on white wove paper, cut and laid down on brown wove paper
37 × 29 cm (14 5/8 × 11 7/16 in.)
Art Institute of Chicago
Car on the Black Road that Reflects Red
1964 · Gouache on cream wove paper
33.4 × 24.9 cm (13 3/16 × 9 13/16 in.)
Art Institute of Chicago
Maquette for Fusses (Affairements)
1964 · Collage of lithograph on lithograph, with ink additions
composition: 21 5/8 x 15 13/16" (54.9 x 40.2cm); sheet: 25 3/16 x 17 11/16" (64 x 45 cm)
Museum of Modern Art
Fusses (Affairements)
1964 · Lithograph
composition: 21 5/8 x 15 7/8" (55 x 40.3cm); sheet: 26 x 19 13/16" (66 x 50.4cm)
Museum of Modern Art
Saturday Afternoon (Samedi tantôt)
1964 · Lithograph
composition: 21 5/8 x 15 13/16" (54.9 x 40.2cm); sheet: 25 13/16 x 19 11/16" (65.5 x 50 cm)
Museum of Modern Art
Typewriter III
1964 · Felt-tip pen and ballpoint pen on paper
8 3/8 x 10 5/8" (21.0 x 26.9 cm)
Museum of Modern Art
Algebra of Uncertainty (L’Algèbre des incertitudes)
1964 · Synthetic paint on paper
19 3/4 x 26 1/2" (50.0 x 67.1 cm)
Museum of Modern Art
Genuflection of the Bishop
1963 · Oil on canvas
217.8 × 298.5 cm (85 3/4 × 117 1/2 in.)
Art Institute of Chicago
The Inflated Snob I (L'enfle-chique I)
1963 · Lithograph
composition (irreg.): 23 1/4 x 14 1/8" (59 x 35.8 cm); sheet: 25 9/16 x 19 3/4" (65 x 50.2 cm)
Museum of Modern Art
The Inflated Snob V (L'enfle-chique V)
1963 · Lithograph
composition (irreg.): 23 1/4 x 14 3/8" (59.1 x 36.5 cm); sheet: 26 11/16 x 20 1/2" (67.8 x 52 cm)
Museum of Modern Art
The Inflated Snob VI (L'enfle-chique VI)
1963 · Lithograph
composition (irreg.): 23 5/16 x 14" (59.2 x 35.5 cm); sheet: 26 5/16 x 20 1/4" (66.8 x 51.5 cm)
Museum of Modern Art
The Inflated Snob IV (L'enfle-chique IV)
1963 · Lithograph
composition (irreg.): 23 1/4 x 14" (59 x 35.5 cm); sheet: 25 13/16 x 19 3/4" (65.5 x 50.2 cm)
Museum of Modern Art
The Inflated Snob II (L'Enfle-chique II)
1963 · Lithograph
composition: 23 1/4 x 14 9/16" (59 x 37 cm); sheet: 25 11/16 x 19 3/4" (65.3 x 50.2 cm)
Museum of Modern Art
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