Artworks · Jacques Villon

The Italian (L'Italienne), after Modigliani

1927 · Aquatint

plate: 19 7/16 x 12 1/16" (49.3 x 30.7 cm); sheet: 25 11/16 x 19 9/16" (65.3 x 49.7 cm)

Museum of Modern Art

Daguerreotype No. 2 (Daguerréotype No. 2)

1927 · Etching

plate: 6 3/4 x 8 3/4" (17.1 x 22.2 cm); sheet: 9 15/16 x 13 3/8" (25.3 x 33.9 cm)

Museum of Modern Art

Composition

1927 · Aquatint and roulette

plate: 19 5/8 x 13 1/2" (49.8 x 34.3cm); sheet: 28 3/4 x 22 1/4" (73.1 x 56.5cm)

Museum of Modern Art

On the Rocks (Sur les rochers)

1927 · Etching

plate: 8 13/16 x 7" (22.4 x 17.8 cm); sheet: 11 9/16 x 15 5/8" (29.4 x 39.7 cm)

Museum of Modern Art

The Magistrate

1926 · Etching on ivory wove paper

Plate: 14 × 11 cm (5 9/16 × 4 3/8 in.); Sheet: 32.1 × 25.3 cm (12 11/16 × 10 in.)

Art Institute of Chicago

Italian Girl (L'Italienne), After Modigliani

1926 · Aquatint

plate: 19 5/8 x 12" (49.9 x 30.5 cm); sheet: 24 5/8 x 17 11/16" (62.6 x 45 cm)

Museum of Modern Art

Spanish Woman

1925 · Color aquatint on paper

39.6 × 27.5 cm (15 5/8 × 10 7/8 in.)

Art Institute of Chicago

The Spaniard (L'Espagnole), after Matisse

1925 · Aquatint and roulette

plate: 15 9/16 x 10 13/16" (39.6 x 27.5 cm); sheet: 18 1/16 x 13 1/4" (45.9 x 33.7 cm)

Museum of Modern Art

Still Life

1923 · Aquatint on ivory wove paper

Plate: 59 × 21.7 cm (23 1/4 × 8 9/16 in.); Sheet: 69.6 × 36 cm (27 7/16 × 14 3/16 in.)

Art Institute of Chicago

Still Life (Nature morte), after Braque

1923 · Aquatint and roulette

plate: 23 1/4 x 8 11/16" (59.1 x 22cm); sheet: 29 13/16 x 15" (75.8 x 38.1cm)

Museum of Modern Art

Color Perspective

1922 · Oil on canvas

28 3/4 x 23 5/8" (73 x 60 cm)

Museum of Modern Art

Acrobats (Les Saltimbanques), after Picasso

1922 · Aquatint with roulette

plate: 23 11/16 x 16 7/8" (60.2 x 42.8 cm); sheet: 28 5/16 x 21 3/16" (71.9 x 53.8 cm)

Museum of Modern Art

Odalisque on a Terrace (Odalisque sur la terrasse), After Matisse

1922 · Aquatint and etching

plate: 19 1/8 x 23 11/16" (48.6 x 60.2cm); sheet: 24 13/16 x 35 7/16" (63 x 90cm)

Museum of Modern Art

Study

1922 · Pencil on paper

6 1/8 x 4 7/8" (15.3 x 12.3 cm)

Museum of Modern Art

The Race Horse

1921 · Graphite and black crayon, with touches of red and green crayon on cream wove tracing paper, laid down on white wove paper, laid down on cream board

Primary support: 22.6 × 43.7 cm (8 15/16 × 17 1/4 in.); Secondary support: 23.5 × 44.6 cm (9 5/16 × 17 9/16 in.); Tertiary support: 35.6 × 52.3 cm (14 1/16 × 20 5/8 in.)

Art Institute of Chicago

The Bird

1921 · Etching and drypoint on ivory laid paper

Plate: 10 × 16.8 cm (3 15/16 × 6 5/8 in.); Sheet: 16.1 × 24.6 cm (6 3/8 × 9 11/16 in.)

Art Institute of Chicago

Noblesse

1921 · Roulette and etching

plate: 5 9/16 x 3 1/4" (14.2 x 8.2 cm); sheet: 9 3/4 x 6 5/16" (24.8 x 16.1 cm)

Museum of Modern Art

Variant of The Horse from Du Cubisme (On Cubism)

1921 · Etching from the supplementary suite of an illustrated book with seven etchings (two with engraving, one with drypoint, one with both), three drypoints, two aquatint and engravings, and a supplementary suite of twenty-two plates

plate: 3 1/16 × 5 1/16" (7.8 × 12.9 cm); sheet: 9 15/16 × 7 7/16" (25.2 × 18.9 cm)

Museum of Modern Art

Duplicate of The Horse from Du Cubisme (On Cubism)

1921 · Etching from the supplementary suite of an illustrated book with seven etchings (two with engraving, one with drypoint, one with both), three drypoints, two aquatint and engravings, and a supplementary suite of twenty-two plates

plate: 3 1/16 × 5 1/16" (7.8 × 12.9 cm); sheet: 10 × 7 7/16" (25.4 × 18.9 cm)

Museum of Modern Art

Duplicate of The Horse from Du Cubisme (On Cubism)

1921 · Etching from an illustrated book with seven etchings (two with engraving, one with drypoint, one with both), three drypoints, two aquatint and engravings, and a supplementary suite of twenty-two plates

plate: 3 1/16 × 5 1/16" (7.8 × 12.9 cm); sheet: 6 5/16 × 9 13/16" (16 × 25 cm)

Museum of Modern Art

The Horse (plate, page 81) from Du Cubisme (On Cubism)

1921 · Etching from an illustrated book with seven etchings (two with engraving, one with drypoint, one with both), three drypoints, two aquatint and engravings, and a supplementary suite of twenty-two plates

plate: 3 1/8 × 5 1/16" (7.9 × 12.9 cm); page (each): 9 13/16 × 8 1/16" (25 × 20.5 cm)

Museum of Modern Art

Baudelaire with a Pedestal

1920 · Etching on cream wove paper

Plate: 41.5 × 28.1 cm (16 3/8 × 11 1/8 in.); Sheet: 56.7 × 44.8 cm (22 3/8 × 17 11/16 in.)

Art Institute of Chicago

Baudelaire with a Pedestal

1920 · Etching on ivory laid paper

Plate: 41.5 × 28.1 cm (16 3/8 × 11 1/8 in.); Sheet: 56.7 × 44.8 cm (22 3/8 × 17 11/16 in.)

Art Institute of Chicago

The Chessboard

1920 · Etching on ivory wove paper

Plate: 20 × 16 cm (7 7/8 × 6 5/16 in.); Sheet: 40.8 × 30.8 cm (16 1/8 × 12 3/16 in.)

Art Institute of Chicago

Baudelaire with a Pedestal (Baudelaire avec le socle)

1920 · Etching

plate: 16 5/16 x 11" (41.4 x 28 cm); sheet: 24 1/2 x 17 5/8" (62.2 x 44.7 cm)

Museum of Modern Art

Baudelaire without a Pedestal [Baudelaire (Sans le socle)]

1920 · Etching

plate: 16 7/16 x 11 1/8" (41.8 x 28.3 cm); sheet: 22 3/8 x 15 1/16" (56.9 x 38.3 cm)

Museum of Modern Art

Chess Board (Table d'échecs) from Die Schaffenden

1920 · Etching from a portfolio of four etchings, five lithographs and one woodcut

Plate: 7 15/16 x 6 5/16" (20.1 x 16 cm); sheet: 16 x 12 1/8" (40.6 x 30.8 cm)

Museum of Modern Art

Still Life

1919 · Watercolor, with brush and black ink and pen and black ink, over graphite on tan wove tracing paper, laid down on off-white wove paper

Primary support: 22 × 28 cm (8 11/16 × 11 1/16 in.); Secondary support: 35.3 × 45.1 cm (13 15/16 × 17 13/16 in.)

Art Institute of Chicago

Ball of the Moulin Rouge

1919 · Etching in violet on ivory wove paper

Plate: 17.2 × 20 cm (6 13/16 × 7 7/8 in.); Sheet: 32.1 × 31.5 cm (12 11/16 × 12 7/16 in.)

Art Institute of Chicago

The Departure for the Promenade

1914 · Black and gray watercolor, with charcoal, graphite, and erasing on cream wove paper

50.6 × 46 cm (19 15/16 × 18 1/8 in.)

Art Institute of Chicago

The Small Workshop of Mechanics

1914 · Etching on ivory laid paper

Plate: 15.6 × 19.6 cm (6 3/16 × 7 3/4 in.); Sheet: 24.4 × 32.1 cm (9 5/8 × 12 11/16 in.)

Art Institute of Chicago

The Little Equilibrist

1914 · Etching and drypoint on ivory laid paper

Plate: 21.9 × 16.2 cm (8 5/8 × 6 7/16 in.); Sheet: 32.4 × 24.7 cm (12 13/16 × 9 3/4 in.)

Art Institute of Chicago

The Small Equilibrist (Le Petite équilibriste)

1914 · Etching

plate: 8 11/16 x 6 3/8" (22 x 16.2 cm); sheet: 12 3/4 x 9 3/4" (32.4 x 24.8 cm)

Museum of Modern Art

The Mechanic's Workshop (Le Petit atelier de mécanique)

1914 · Etching

plate: 6 1/4 x 7 3/4" (15.9 x 19.7 cm); sheet: 9 3/4 x 12 5/8" (24.8 x 32 cm)

Museum of Modern Art

Yvonne D., Full Face

1913 · Drypoint on paper on white wove paper

Plate: 55 × 41.5 cm (21 11/16 × 16 3/8 in.); Sheet: 69.4 × 57.4 cm (27 3/8 × 22 5/8 in.)

Art Institute of Chicago

The Set Table

1913 · Drypoint on cream wove paper

Plate: 28.4 × 38.2 cm (11 3/16 × 15 1/16 in.); Sheet: 41.3 × 54.4 cm (16 5/16 × 21 7/16 in.)

Art Institute of Chicago

Monsieur D. Reading

1913 · Drypoint on ivory laid paper

Plate: 38.7 × 29.3 cm (15 1/4 × 11 9/16 in.); Sheet: 48.5 × 35.6 cm (19 1/8 × 14 1/16 in.)

Art Institute of Chicago

Portrait of Eugène Duchamp

1913 · Drypoint and etching on ivory laid paper

Plate: 23.4 × 16 cm (9 1/4 × 6 5/16 in.); Sheet: 32.3 × 24.7 cm (12 3/4 × 9 3/4 in.)

Art Institute of Chicago

Vendors

1913 · Soft ground etching and aquatint in color on ivory laid paper

Plate: 31.8 × 39.4 cm (12 9/16 × 15 9/16 in.); Sheet: 38.3 × 55.7 cm (15 1/8 × 21 15/16 in.)

Art Institute of Chicago

Portrait of Suzanne D.

1913 · Drypoint on cream laid paper

Plate: 14 × 12.4 cm (5 9/16 × 4 15/16 in.); Sheet: 30.1 × 21.4 cm (11 7/8 × 8 7/16 in.)

Art Institute of Chicago

Félix Barré

1913 · Engraving on ivory laid paper

Plate: 20.1 × 14.5 cm (7 15/16 × 5 3/4 in.); Sheet: 32.4 × 24.6 cm (12 13/16 × 9 11/16 in.)

Art Institute of Chicago

Portrait of Félix Barré

1913 · Etching and drypoint on ivory laid paper

Plate: 16.6 × 13.6 cm (6 9/16 × 5 3/8 in.); Sheet: 24.5 × 16.3 cm (9 11/16 × 6 7/16 in.)

Art Institute of Chicago

The Set Table

1913 · Drypoint on ivory laid paper

Plate: 28.5 × 38.5 cm (11 1/4 × 15 3/16 in.); Sheet: 32 × 43.7 cm (12 5/8 × 17 1/4 in.)

Art Institute of Chicago

The Equilibrist

1913 · Drypoint on ivory laid paper

Plate: 40 × 29.7 cm (15 3/4 × 11 3/4 in.); Sheet: 48 × 35.8 cm (18 15/16 × 14 1/8 in.)

Art Institute of Chicago

The Set Table

1913 · Drypoint on ivory wove paper

Plate: 28.5 × 38.2 cm (11 1/4 × 15 1/16 in.); Sheet: 45.3 × 56.5 cm (17 7/8 × 22 1/4 in.)

Art Institute of Chicago

Portrait of an Actor (Félix Barré)

1913 · Drypoint on ivory laid paper

Plate: 39.7 × 31.3 cm (15 11/16 × 12 3/8 in.); Sheet: 48.8 × 35.4 cm (19 1/4 × 13 15/16 in.)

Art Institute of Chicago

Yvonne D. in Profile

1913 · Drypoint on ivory laid paper

Plate: 54.6 × 41.1 cm (21 1/2 × 16 3/16 in.); Sheet: 64.7 × 49.5 cm (25 1/2 × 19 1/2 in.)

Art Institute of Chicago

Portrait of a Young Woman

1913 · Drypoint on cream laid paper

Plate: 54.7 × 41.1 cm (21 9/16 × 16 3/16 in.); Sheet: 63.9 × 49.1 cm (25 3/16 × 19 3/8 in.)

Art Institute of Chicago