Artworks · Jacopo Negretti, called Palma Giovane

Jacob and Rachel at the Well

1680 · Pen and brown ink, with brush and brown wash, on ivory laid paper

19.5 × 29.8 cm (7 11/16 × 11 3/4 in.)

Art Institute of Chicago

Vision of St. Francis of Assisi (recto); Saint Jerome, Vision of Saint Francis, and Two Small Sketches of St. Francis Holding the Christ Child (verso)

1613 · Pen and brown ink with brush and brown wash, heightened with lead white, over black chalk, on tan laid paper, squared in black chalk (recto), and pen and brown ink over black chalk on tan laid paper (verso)

40.9 × 25 cm (16 1/8 × 9 7/8 in.)

Art Institute of Chicago

Personfication of Fame

1611 · Etching, with engraving, on ivory laid paper

Sheet (trimmed): 26.6 × 18.1 cm (10 1/2 × 7 3/16 in.)

Art Institute of Chicago

Study for the Adoration of the Magi

1610 · Pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized) over traces of black chalk, on tan laid paper, laid down on cream wove card

28 × 20.5 cm (11 1/16 × 8 1/8 in.)

Art Institute of Chicago

Saint Lawrence

1609 · Pen and brown ink with brush and brown wash, heightened with lead white, on brown laid paper, laid down on ivory wove paper

23.4 × 13.5 cm (9 1/4 × 5 3/8 in.)

Art Institute of Chicago

Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)

1606 · Etching in black on cream laid paper

210 x 147 mm (plate), 211 x 148 mm (sheet)

Art Institute of Chicago

Study for St. Mark (recto); Sketch of Half-length Male Figure, Looking Upwards to Right (verso)

1602 · Pen and brown ink (recto), and red chalk (verso), on ivory laid paper

19 × 14.9 cm (7 1/2 × 5 7/8 in.)

Art Institute of Chicago

Study for the Flagellation of Christ

1600 · Pen and brown ink and brush and brown wash, with black chalk, heightened with touches of white gouache, on dark buff laid paper

26.5 × 20.2 cm (10 7/16 × 8 in.)

Art Institute of Chicago

Head of a Man

1600 · Pen and brown ink, with brush and brown wash, over black chalk underdrawing on ivory laid paper, laid down on gray laid paper, tipped onto cream laid paper

Sheet: 12.1 × 8.7 cm (4 13/16 × 3 7/16 in.)

Art Institute of Chicago

Fame Blowing on a Trumpet

1600 · Red chalk on ivory laid paper, laid down on card

26.8 × 20.5 cm (10 9/16 × 8 1/8 in.)

Art Institute of Chicago

Virgin and Child with Saints Thomas and John the Baptist (recto); Sleeping Venus (verso)

1600 · Pen and brown ink, with brush and brown wash, with traces of graphite, with later additions of yellow-gray wash along right side (recto), and pen and brown ink (verso) on ivory laid paper

26.2 × 18.1 cm (10 3/8 × 7 3/16 in.)

Art Institute of Chicago

Head of Bearded Old Man (recto); Decorative Sketch of Flower and Leaves (verso)

1600 · Pen and brown ink (recto and verso) on vellum

13.9 × 10 cm (5 1/2 × 3 15/16 in.)

Art Institute of Chicago

Two Sketches of Male Nudes, One Kneeling, One Standing (recto); Three Sketches: Seated Male Nude, Reclining Male Nude, Male Head in Profile (v erso)

1600 · Pen and brown ink on tan laid paper (recto and verso), edge mounted

22.3 × 17.8 cm (8 13/16 × 7 1/16 in.)

Art Institute of Chicago

Sketches of Heads, Eyes, Ear, and Mouth

1600 · Pen and brown ink, on ivory laid paper, tipped onto ivory laid paper

6.9 × 12.9 cm (2 3/4 × 5 1/8 in.)

Art Institute of Chicago

Saint Justina of Padua Enthroned, with Saints James the Less and John the Baptist

1600 · Pen and brown ink with brush and brown wash, heightened with lead white, over black chalk, on ivory laid paper, laid down on cream laid card

17.3 × 12.5 cm (6 13/16 × 4 15/16 in.)

Art Institute of Chicago

Andriana Palma and Diogenes the Cynic

1596 · Pen and brown ink, on ivory laid paper, laid down on ivory laid paper

19 × 13.4 cm (7 1/2 × 5 5/16 in.)

Art Institute of Chicago

Studies for the Crowning with Thorns

1592 · Pen and brown ink with brush and brown wash, on ivory laid paper, laid down on ivory laid paper

21.2 × 16 cm (8 3/8 × 6 5/16 in.)

Art Institute of Chicago

Study for Venice Receiving Homage and Gifts from Brescia, Udine, Padua, and Verona, with Doge Francesco Venier Presenting Them

1591 · Pen and brown ink, with brush and brown wash, with graphite, on ivory laid paper, laid down on ivory laid card

22.2 × 19.6 cm (8 3/4 × 7 3/4 in.)

Art Institute of Chicago

The Entombment of Christ

1590 · Pen and brown ink and brush and brown wash, heightened with gold metallic paint, on blue laid paper, laid down on thin tan laid paper

22.3 × 14 cm (8 13/16 × 5 9/16 in.)

Art Institute of Chicago

Portrait of a Gentleman

1585 · Oil on canvas

108 × 81.3 cm (42 1/2 × 32 in.); Framed: 124.5 × 106.7 × 12.1 cm (49 × 42 × 4 3/4 in.)

Art Institute of Chicago

Study for Venice, Crowned by Victory, Receiving Her Subject Peoples

1578 · Pen and black and brown ink, with brush and brown wash, heightened with lead white (partially oxidized), on laid paper prepared with orange wash, laid down on tan laid paper

19.3 × 25.1 cm (7 5/8 × 9 15/16 in.)

Art Institute of Chicago

Sketches for a Lamentation and a Pietà, and of Various Figures, Heads, and an Arm (recto); Sketches of the Dead Christ, and of Various Figures and Heads (verso)

1575 · Pen and brown ink with brush and brown wash (recto and verso), on ivory laid paper

27.5 × 19.5 cm (10 7/8 × 7 11/16 in.)

Art Institute of Chicago

The Flagellation of Christ

1544 · Pen and brown and black ink and brush and iron-gall ink wash, over black chalk, heightened with white gouache, on tan laid paper, pieced along right edge and incised

41.3 × 29 cm (16 5/16 × 11 7/16 in.)

Art Institute of Chicago