Artworks · Howard Hodgkin

Herb Garden from Alan Cristea Gallery Twentieth Anniversary Portfolio

2015 · Carborundum relief from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut)

composition and sheet: 11 1/4 × 15 1/16" (28.5 × 38.3 cm)

Museum of Modern Art

Seafood

2001 · Etching, aquatint and carborundum on paper

support: 434 x 525 mm

Tate

Strictly Personal

2001 · Etching, aquatint and carborundum on paper

support: 302 x 350 mm

Tate

Rain

2001 · Etching, aquatint and carborundum on paper

support: 276 x 326 mm

Tate

Tears, Idle Tears

2001 · Etching, aquatint and carborundum on paper

support: 295 x 375 mm

Tate

Come into the Garden, Maud

2000 · Oil paint on wood

support: 1898 x 2508 mm

Tate

Spring Rain

2000 · Oil on wood

38 3/4 × 42" (98.4 × 106.7 cm)

Museum of Modern Art

Norwich

1999 · Etching, aquatint and carborundum on paper

support: 434 x 482 mm

Tate

Books for the Paris Review

1997 · Etching, aquatint and carborundum on paper

support: 375 x 415 mm

Tate

Venice, Night

1995 · Etching, aquatint and handcolouring on paper, 2 sheets

image: 1590 x 1950 mm

Tate

Indian Tree

1990 · Etching on paper

image: 916 x 1210 mm

Tate

Moroccan Door

1990 · Etching on paper

image: 768 x 1140 mm

Tate

After Degas

1990 · Color carborundum etching, with green tempera wash, on ivory wove paper

25.3 × 32.9 cm (10 × 13 in.)

Art Institute of Chicago

FEAR GIVES EVERYTHING ITS HUE, ITS HIGH, back endpaper (double page plate prior to back flyleaf; variant of front endpaper) from THE WAY WE LIVE NOW

1990 · Lift ground aquatint, printed in color with tempera additions

composition 11 1/4 x 16 5/8" (28.5 x 42.2 cm)

Museum of Modern Art

As You'd Been Wont - Wantonly/Wantonly/Eros Past from The Way We Live Now

1990 · Aquatint, with tempera additions

composition: 11 5/8 x 16 15/16" (29.5 x 43 cm)

Museum of Modern Art

The Way We Live Now

1990 · Illustrated book with 7 aquatints and 1 tempera (dust jacket)

page (each): 11 × 8 3/8" (28 × 21.2 cm)

Museum of Modern Art

BUT HE DID STOP SMOKING/HE DIDN'T MISS CIGARETTES AT ALL, plate 4 (four-page fold-out plate between pages 32 and 33) from THE WAY WE LIVE NOW

1990 · Lift ground aquatint, printed in color with tempera additions

composition 11 3/16 x 33 1/16" (28.4 x 84 cm)

Museum of Modern Art

IN TOUCH/CHECKING IN, plate 1 (double page plate between pages 8 and 9) from THE WAY WE LIVE NOW

1990 · Lift ground aquatint, printed in color with tempera additions

irreg. composition 11 1/4 x 16" (28.5 x 40.7 cm)

Museum of Modern Art

THE HOSPITAL ROOM WAS CHOKED WITH FLOWERS/EVERYBODY LIKES FLOWERS/SURPLUS FLOWERS/THE ROOM...WAS FILLING UP WITH FLOWERS, plate 3 (three-page fold-out plate between pages 24 and 25) from THE WAY WE LIVE NOW

1990 · Lift ground aquatint, printed in color with tempera additions

composition 11 1/4 x 24 13/16" (28.5 x 63 cm)

Museum of Modern Art

Dust jacket from THE WAY WE LIVE NOW

1990 · Tempera

irreg composition 6 1/2 x 35 1/4" (16.5 x 89.5 cm)

Museum of Modern Art

AS YOU'D BEEN WONT - WANTONLY/WANTONLY/EROS PAST, plate 2 (double page plate between pages 16 and 17) from THE WAY WE LIVE NOW

1990 · Lift ground aquatint, printed in color with tempera additions

composition 11 1/4 x 16 1/2" (28.5 x 42 cm)

Museum of Modern Art

FEAR GIVES EVERYTHING ITS HUE, ITS HIGH, front endpaper (double page plate between front flyleaf and page 1) from THE WAY WE LIVE NOW

1990 · Lift ground aquatint, printed in color with tempera additions

irreg. composition 11 1/4 x 16 5/8" (28.5 x 42.2 cm)

Museum of Modern Art

After Degas

1990 · Color carborundum etching, hand-colored with green egg tempera wash

Image and Sheet: 25.6 x 33 cm (10 1/16 x 13 in.)

Cleveland Museum of Art

Large Flower (Furnishing Fabric)

1985 · Cotton, plain weave; flat bed screen printed; glazed

217.8 × 40.4 cm (85 3/4 × 55 1/4 in.); Repeat: 63.1 × 89 cm (24 7/8 × 35 in.)

Art Institute of Chicago

David's Pool at Night

1985 · Soft ground etching and aquatint with hand-coloring in black ink on white wove paper

63.7 × 79 cm (25 1/8 × 31 1/8 in.)

Art Institute of Chicago

Rain

1984 · Oil paint on composite panel

support: 1640 x 1795 x 51 mm

Tate

Water (Furnishing Fabric)

1983 · Cotton, plain weave; screen printed; glazed

112.6 × 140.8 cm (44 3/8 × 55 3/8 in.); Repeat: 90.8 × 32.9 cm (35 3/4 × 13 in.)

Art Institute of Chicago

Sarajevo 1984 Winter Olympics

1983 · Lithograph

36 × 24" (91.4 × 61 cm)

Museum of Modern Art

Welcome

1983 · Lithograph

composition and sheet: 33 7/16 × 24 7/16" (85 × 62 cm)

Museum of Modern Art

Red Eye

1981 · Gouache and lithograph on paper

image: 262 x 312 mm

Tate

Two To Go

1981 · Lithograph with gouache additions

composition and sheet: 36 1/8 × 48 1/4" (91.8 × 122.6 cm)

Museum of Modern Art

Those ... Plants

1980 · Gouache and etching on paper

support: 822 x 1041 mm

Tate

Artist and Model

1980 · Gouache and etching on paper

support: 819 x 1041 mm

Tate

Moonlight

1980 · Gouache and lithograph on paper

support: 1118 x 1413 mm

Tate

Lotus

1980 · Screenprint on paper

image: 724 x 908 mm

Tate

After Lunch

1980 · Soft ground etching and aquatint, with hand-coloring with gouache, on buff wove paper

57 × 76 cm (22 1/2 × 29 15/16 in.)

Art Institute of Chicago

After Lunch

1980 · Etching and aquatint with gouache additions

composition (irreg.): 22 7/16 × 30 1/16" (57 × 76.3 cm); sheet: 22 7/16 × 30 1/16" (57 × 76.3 cm)

Museum of Modern Art

Clean Sheets

1979 · Oil paint on wood

559 x 914 mm

Tate

Here We are in Croydon

1979 · Watercolour, gouache and lithograph on paper

image: 559 x 765 mm

Tate

Cardo’s Bar (Black)

1979 · Oil paint and etching on paper

image: 116 x 153 mm

Tate

Cardo’s Bar (Red)

1979 · Oil paint, watercolour and etching on paper

image: 121 x 153 mm

Tate

Thinking Aloud in the Museum of Art

1979 · Etching on paper

image: 755 x 1003 mm

Tate

Early Evening in the Museum of Art

1979 · Gouache and etching on paper

unconfirmed: 750 x 984 mm

Tate

All alone in the Museum of Art

1979 · Gouache and etching on paper

unconfirmed: 748 x 985 mm

Tate

Late Afternoon in the Museum of Art

1979 · Etching on paper

unconfirmed: 757 x 995 mm

Tate

For Bernard Jacobson

1979 · Lithograph on paper

image: 1057 x 1499 mm

Tate

In the Museum of Modern Art

1979 · Four etchings, two with hand additions

Museum of Modern Art

For Bernard Jacobson

1979 · Lithograph on two sheets, with hand additions in tempera and crayon

Comp and sheet: 41 3/4 x 59 1/2" (106.0 x 151.1 cm)

Museum of Modern Art