Artworks · Herman Armour Webster

A Street in Toledo

1905 · Etching on cream Japanese paper

Image: 19 × 14 cm (7 1/2 × 5 9/16 in.); Sheet: 25 × 21 cm (9 7/8 × 8 5/16 in.)

Art Institute of Chicago

Mirada - Alhambra

1905 · Etching in brown-black on thin, cream wove paper

Image: 15.5 × 10.5 cm (6 1/8 × 4 3/16 in.); Sheet: 25 × 19 cm (9 7/8 × 7 1/2 in.)

Art Institute of Chicago

A Street in Toledo

1905 · Etching on ivory Japanese paper

Image: 19 × 14 cm (7 1/2 × 5 9/16 in.); Sheet: 23.5 × 17.5 cm (9 5/16 × 6 15/16 in.)

Art Institute of Chicago

Paysanne

1904 · Etching in brown-black on ivory laid paper

Image: 10 × 5 cm (3 15/16 × 2 in.); Sheet: 14.5 × 8.5 cm (5 3/4 × 3 3/8 in.)

Art Institute of Chicago

Paysanne

1904 · Etching on ivory laid paper

Image: 10 × 5 cm (3 15/16 × 2 in.); Sheet: 14 × 8.5 cm (5 9/16 × 3 3/8 in.)

Art Institute of Chicago

Villiers

1904 · Etching in brown on cream Japanese paper

Image: 10 × 14 cm (3 15/16 × 5 9/16 in.); Sheet: 13 × 16.5 cm (5 1/8 × 6 1/2 in.)

Art Institute of Chicago

The Court, Bourron

1904 · Etching on ivory wove paper

Image: 14.5 × 11.5 cm (5 3/4 × 4 9/16 in.); Sheet: 18 × 15 cm (7 1/8 × 5 15/16 in.)

Art Institute of Chicago

Le Loing à Gretz

1904 · Etching in brown on cream Japanese paper

Image: 10.5 × 14.5 cm (4 3/16 × 5 3/4 in.); Sheet: 14 × 22 cm (5 9/16 × 8 11/16 in.)

Art Institute of Chicago

Valley of the Loing

1904 · Etching on cream Japanese paper

Image: 10 × 23.5 cm (3 15/16 × 9 5/16 in.); Sheet: 12.5 × 26.5 cm (4 15/16 × 10 7/16 in.)

Art Institute of Chicago

Paysanne

1904 · Etching on cream laid paper

Image: 10.5 × 5 cm (4 3/16 × 2 in.); Sheet: 14.5 × 8.5 cm (5 3/4 × 3 3/8 in.)

Art Institute of Chicago

A Thatched House Near Havre, France

1900 · Etching on ivory laid paper

Plate: 12.2 × 16 cm (4 13/16 × 6 5/16 in.); Sheet: 15.5 × 19.5 cm (6 1/8 × 7 11/16 in.)

Art Institute of Chicago

La Rue de la Boucherie, Limoges

1900 · Charcoal, with touches of red, blue, and yellow chalks, on paper

Image: 29.5 × 39.5 cm (11 5/8 × 15 9/16 in.); Sheet: 31 × 42.5 cm (12 1/4 × 16 3/4 in.)

Art Institute of Chicago

La Porte, Vannes

1900 · Charcoal, with touches of red, green, and yellow chalks (recto) and graphite (verso), on paper

Image: 27 × 37 cm (10 11/16 × 14 5/8 in.); Sheet: 28 × 38 cm (11 1/16 × 15 in.)

Art Institute of Chicago

Ponte della Grazia, Florence

1898 · Pen and brown ink and brush and gray wash, over graphite, on white wove paper

20.8 × 31.6 cm (8 1/4 × 12 1/2 in.)

Art Institute of Chicago

Canal, Venice

1898 · Pen and brown ink and brush and gray wash, over graphite, on white wove paper

22.1 × 31.7 cm (8 3/4 × 12 1/2 in.)

Art Institute of Chicago

Ponte alla Carraia, Florence

1898 · Pen and brown ink and brush and gray wash, over graphite, on white wove paper

18.3 × 32.7 cm (7 1/4 × 12 7/8 in.)

Art Institute of Chicago

Venice

1898 · Pen and brown ink and brush and gray wash, with graphite, on cream wove paper

18.7 × 25.3 cm (7 3/8 × 10 in.)

Art Institute of Chicago

Ponte Santa Trinita, No.4

1898 · Pen and brown ink and brush and gray wash, with scraping and graphite, on white wove paper

21.7 × 32.9 cm (8 9/16 × 13 in.)

Art Institute of Chicago

The Valentre Bridge, Cahors

1898 · Pen and brown ink, with brush and brown and gray wash, over graphite, on white wove paper

27.7 × 37.3 cm (10 15/16 × 14 11/16 in.)

Art Institute of Chicago

Canal at Quimper (recto); Boats at Entrance to Canal (verso)

1898 · Charcoal, with touches of stumping (recto), and charcoal (verso), on cream wove paper

28.4 × 40.8 cm (11 3/16 × 16 1/8 in.)

Art Institute of Chicago

Notre Dame des Andelys

etching

Cleveland Museum of Art

Quay Montebello

etching

Cleveland Museum of Art

Head of an Old Man

etching

Cleveland Museum of Art

Le Père Voisin

lithograph

Cleveland Museum of Art