Artworks · Henry Fuseli

The Changeling

1775 · Charcoal and brush and gray wash, heightened with touches of white gouache, over traces of graphite, on ivory laid paper, laid down on white tissue paper

53.1 × 63.6 cm (20 15/16 × 25 1/16 in.)

Art Institute of Chicago

Portrait of a Young Lady Drawn in Left Profile

1773 · Graphite

sheet: 11 7/16 x 7 1/16 in. (29 x 18 cm)

The Metropolitan Museum of Art

Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)

1771 · Oil paint over charcoal (recto), and black chalk (verso), on ivory laid paper

53.9 × 37.2 cm (21 1/4 × 14 11/16 in.)

Art Institute of Chicago

Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon

1770 · Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card

Both sides: 35.7 × 57.2 cm (14 1/16 × 22 9/16 in.); Secondary support: 42 × 36.9 cm (16 9/16 × 14 9/16 in.)

Art Institute of Chicago

Odin in the Underworld

1770 · Brush and gray wash and graphite, with touches of pen and brown ink and red chalk, on cream laid paper

58.6 × 44.4 cm (23 1/8 × 17 1/2 in.)

Art Institute of Chicago

Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man

1770 · Brush and brown wash, heightened with white gouache, over graphite, on cream laid paper, laid down on ivory laid paper, laid down on ivory laid paper

57.3 × 46.2 cm (22 9/16 × 18 1/4 in.)

Art Institute of Chicago

Menelaus and Patroclus, after the Antique (recto and verso)

1770 · Pen and brown ink (recto); pen and ink over graphite (verso)

Sheet: 9 7/16 in. × 7 in. (24 × 17.8 cm)

The Metropolitan Museum of Art

Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

1770 · Oil on canvas

Edges irregular, approx.: 40.6 × 29.8 cm (16 × 11 3/4 in.); Framed: 52.3 × 41.6 cm (20 9/16 × 16 3/8 in.)

Art Institute of Chicago

The Discovery (recto), Two Sketches of Standing Male Figures (verso)

1767 · Pen and brown ink and brush and brown wash, over graphite with traces of opaque brown paint (recto), graphite (verso), on cream laid paper, tipped onto ivory laid paper

52.9 × 65.8 cm (20 7/8 × 25 15/16 in.)

Art Institute of Chicago

Midnight

1765 · pen and brown ink with brown wash on laid paper

Overall (approximate): 21 x 33 cm (8 1/4 x 13 in.) support: 28 x 40 cm (11 x 15 3/4 in.)

National Gallery of Art

Titans Storming Mount Olympus

1765 · Pen and black ink and brush and black, gray, and pale brown wash, heightened with touches of white chalk, on cream laid paper, perimeter mounted on tan laid paper

56 × 70 cm (22 1/16 × 27 9/16 in.)

Art Institute of Chicago

The Cave of Despair

1764 · Pen and black ink, with brush and brown and gray wash and touches of red gouache, over graphite and touches of charcoal, on ivory laid paper

33.1 × 50.4 cm (13 1/16 × 19 7/8 in.)

Art Institute of Chicago

Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso)

1764 · Pen and brown ink over graphite on paper; verso, pen and brown ink; framing lines in graphite

The Metropolitan Museum of Art

Portrait of Fuseli (recto); Sketch of a Hand (verso)

1761 · Black chalk (recto), and black and white chalk on gray prepared ground (verso), on tan wove paper

40.5 × 28.8 cm (16 × 11 3/8 in.)

Art Institute of Chicago

Studies of Nudes

1761 · Black crayon or charcoal, touched with white, on a fragment of tan laid paper

12.9 × 33.8 cm (5 1/8 × 13 5/16 in.)

Art Institute of Chicago

Studies of Nudes

1761 · Black crayon or charcoal on a fragment of tan laid paper (recto), fragment of graphite sketch (verso)

25.9 × 9.7 cm (10 1/4 × 3 7/8 in.)

Art Institute of Chicago

Studies of Nudes

1761 · Black crayon or charcoal heightened with white, on a fragment of tan laid paper, laid down on white Japanese tissue

12.9 × 53 cm (5 1/8 × 20 7/8 in.)

Art Institute of Chicago

Studies of Nudes

1761 · Black crayon or charcoal heightened with white, on a fragment of tan laid paper, laid down on white Japanese tissue

12.7 × 48 cm (5 × 18 15/16 in.)

Art Institute of Chicago

Seated Warrior (recto); Striding Warrior (verso)

1761 · Pen and brown ink on ivory laid paper (recto and verso), tipped onto cream wove paper

33 × 23.5 cm (13 × 9 5/16 in.)

Art Institute of Chicago

Seated Troubadour Looking at Woman Asleep on Ledge

1750 · Pen and brown ink, with traces of graphite on ivory laid paper

27.6 × 25.2 cm (10 7/8 × 9 15/16 in.)

Art Institute of Chicago

The Duke of Gloucester Lying in Wait for Lady Anne at the Funeral Procession of Her Father-in-law, King Henry VI (recto); Standing Male Nude, Leaning Forward (verso)

1750 · Pen and brown ink, and brush and brown and gray wash, over graphite (recto), and graphite (verso), on tan laid paper

63.8 × 87.9 cm (25 1/8 × 34 5/8 in.)

Art Institute of Chicago

A Sheet of Studies: Three Figures of Recumbent Women. A Head of a Man. Verso: Half Length Figure of a Woman in Profile, and a Study of a Head and Arm; a Nude Male Figure

Ink, graphite, watercolour and gouache on paper. Verso: ink on paper

support: 190 x 232 mm

Tate

Self-Portrait as a Faun. Verso: Head of a Woman Three-Quarters to Left

Graphite and chalk on paper. Verso: graphite on paper

support: 322 x 427 mm frame: 552 x 435 x 25 mm

Tate

2. Caricature of Northcote

Ink on paper

support: 229 x 165 mm

Tate