Artworks · Heinrich Aldegrever

Wedding medallion

1600 · Silver

Diameter: 1 7/8 in. (4.8 cm)

The Metropolitan Museum of Art

Wedding medallion

1600 · Silver

Diameter: 1 7/8 in. (4.8 cm)

The Metropolitan Museum of Art

Mars, from The Seven Planets

1578 · Pen and brown ink, over graphite, on cream laid paper, laid down on green laid paper

10.2 × 7.2 cm (4 1/16 × 2 7/8 in.)

Art Institute of Chicago

Reverse Copy of The Judgment of Solomon

1569 · Engraving

Sheet: 6 3/8 × 4 11/16 in. (16.2 × 11.9 cm)

The Metropolitan Museum of Art

The Two Elders Convicted by the Testimony of Daniel

1555 · etching

National Gallery of Art

The Two Elders Stoned by the People

1555 · etching

National Gallery of Art

The Two Elders Before the Judge

1555 · etching

National Gallery of Art

Susanna Surprised by the Two Elders

1555 · etching

National Gallery of Art

The Judgment of Solomon

1555 · Engraving in black on ivory laid paper

Plate: 11.3 × 7.9 cm (4 1/2 × 3 1/8 in.); Sheet: 11.4 × 8.2 cm (4 1/2 × 3 1/4 in.)

Art Institute of Chicago

Lot and His Family Fleeing from Sodom, from The Story of Lot

1555 · Engraving in black on ivory laid paper

Plate: 11.5 × 8 cm (4 9/16 × 3 3/16 in.); Sheet: 12.4 × 8 cm (4 15/16 × 3 3/16 in.)

Art Institute of Chicago

Daniel Cross-Examining the Elders, from The Story of Susanna

1555 · Engraving; first state of two

Sheet: 4 1/2 × 3 3/16 in. (11.5 × 8.1 cm)

The Metropolitan Museum of Art

Susanna Accused of Adultery, from The Story of Susanna

1555 · Engraving

Sheet: 4 9/16 × 3 1/4 in. (11.6 × 8.3 cm)

The Metropolitan Museum of Art

Lot with His Daughters, from The Story of Lot

1555 · Engraving

Sheet: 4 1/2 × 3 1/4 in. (11.5 × 8.2 cm)

The Metropolitan Museum of Art

Susanna Surprised by the Elders, from The Story of Susanna

1555 · Engraving; first state of three

Sheet: 4 7/16 × 3 3/16 in. (11.3 × 8.1 cm)

The Metropolitan Museum of Art

Lot Prevents the Sodomites from Violence, from The Story of Lot

1555 · Engraving

Sheet: 4 1/2 × 3 1/4 in. (11.5 × 8.2 cm)

The Metropolitan Museum of Art

The Stoning of the Elders, from The Story of Susanna

1555 · Engraving; first state of two

Sheet: 4 1/2 × 3 1/8 in. (11.4 × 8 cm)

The Metropolitan Museum of Art

Lot and His Family Fleeing from Sodom, from The Story of Lot

1555 · Engraving

Sheet: 4 1/2 × 3 1/8 in. (11.4 × 8 cm)

The Metropolitan Museum of Art

Lot Welcomes the Angels, from The Story of Lot

1555 · Engraving

Sheet: 4 1/2 × 3 1/4 in. (11.5 × 8.3 cm)

The Metropolitan Museum of Art

A Man Overpowered By Thieves

1554 · black ink and gray wash on buff laid paper

overall: 8.1 x 11.1 cm (3 3/16 x 4 3/8 in.)

National Gallery of Art

The Rich Man at the Table

1554 · etching

National Gallery of Art

The Rich Man on His Death Bed

1554 · etching

National Gallery of Art

The Good Samaritan Ministering to the Traveler

1554 · etching

National Gallery of Art

The Good Samaritan Paying for the Lodgings of the Traveler

1554 · etching

National Gallery of Art

The Good Samaritan Placing the Traveler on a Mule

1554 · etching

National Gallery of Art

Traveler among Thieves

1554 · etching

National Gallery of Art

Copy of The Rich Man Transported to Hell, from "The Parable of the Rich Man and Lazarus"

1554 · Engraving

Sheet: 3 1/8 × 4 5/16 in. (8 × 10.9 cm)

The Metropolitan Museum of Art

The Rich Man on His Deathbed, from The Parable of the Rich Man and Lazarus

1554 · Engraving

Sheet: 3 1/8 × 4 5/16 in. (8 × 10.9 cm)

The Metropolitan Museum of Art

The Good Samaritan Paying the Innkeeper for the Care of the Wounded Man, from "The Parable of the Good Samaritan"

1554 · Engraving

Sheet: 3 1/16 × 4 1/4 in. (7.8 × 10.8 cm)

The Metropolitan Museum of Art

The Good Samaritan Tending the Traveller's Wounds with Oil and Wine or The Priest and the Levite Passing, from "The Parable of the Good Samaritan"

1554 · Engraving

Sheet: 3 1/8 × 4 5/16 in. (7.9 × 10.9 cm)

The Metropolitan Museum of Art

The Rich Man in Hell, Seeing Lazarus Embraced by Abraham, from The Parable of the Rich Man and Lazarus

1554 · Engraving

Sheet: 3 1/8 × 4 3/16 in. (8 × 10.7 cm)

The Metropolitan Museum of Art

Copy of The Good Samaritan Paying the Innkeeper for the Care of the Wounded Man

1554 · Engraving

Sheet: 3 1/8 × 3 7/8 in. (8 × 9.8 cm)

The Metropolitan Museum of Art

The Rich Man Transported to Hell, from The Parable of the Rich Man and Lazarus, from The Parable of the Rich Man and Lazarus

1554 · Engraving

Sheet: 3 1/8 × 4 5/16 in. (8 × 10.9 cm)

The Metropolitan Museum of Art

The Good Samaritan Putting the Traveller on His Donkey, from "The Parable of the Good Samaritan"

1554 · Engraving

Sheet: 3 1/8 × 4 5/16 in. (7.9 × 10.9 cm)

The Metropolitan Museum of Art

The Rich Man at His Table, from The Parable of the Rich Man and Lazarus

1554 · Engraving

Sheet: 3 1/8 × 4 5/16 in. (8 × 10.9 cm)

The Metropolitan Museum of Art

Lazarus at the Rich Man's Gate

1554 · Engraving

Sheet: 3 1/8 × 4 5/16 in. (8 × 11 cm)

The Metropolitan Museum of Art

The Rich Man at His Table, from The Parable of the Rich Man and Lazarus

1554 · Engraving

Sheet: 3 1/8 × 4 5/16 in. (8 × 11 cm)

The Metropolitan Museum of Art

The Nativity

1553 · engraving

National Gallery of Art

The Annunciation

1553 · engraving

National Gallery of Art

Ornament

1553 · engraving

National Gallery of Art

Ornament with Vase and Two Female Figures

1553 · engraving

National Gallery of Art

The Night

1553 · engraving

National Gallery of Art

Sophonisba

1553 · engraving

National Gallery of Art

Titus Manlius Beheading His Son

1553 · engraving

National Gallery of Art

The Severe Father

1553

National Gallery of Art

The Virgin with the Child on the Crescent

1553 · etching

National Gallery of Art

The Virgin Seated

1553 · etching

National Gallery of Art

Christ on the Cross

1553 · etching

National Gallery of Art

The Virgin and Child on a Crescent Moon

1553 · Engraving in black on ivory laid paper

Image/plate/sheet: 11.7 × 7.5 cm (4 5/8 × 3 in.)

Art Institute of Chicago