Artworks · Guido Reni

Pictorial print

1830 · Cotton

L. 17 x W. 34 1/2 inches

The Metropolitan Museum of Art

Le Char de l'Aurore (The Chariot of Dawn) (Furnishing Fabric)

1785 · Cotton, plain weave; copperplate printed

a: 175.3 × 140.4 cm (69 × 55 1/4 in.); b: 212 × 95.2 cm (83 1/2 × 37 1/2 in.); c: 205.2 × 77.5 cm (80 3/4 × 30 1/2 in.)

Art Institute of Chicago

Portret van Beatrice Cenci

1778 · etching on paper

width: 187 cm, height: 232 cm

Rijksmuseum

Putto Holding Staff

1648 · Black chalk with pen and brown ink on cream laid paper

27.8 × 18.8 cm (11 × 7 7/16 in.)

Art Institute of Chicago

Salome with the Head of Saint John the Baptist

1634 · Oil on canvas

248.5 × 174 cm (97 3/4 × 68 1/2 in.); Framed: 285 × 210.2 × 8.9 cm (112 3/16 × 82 3/4 × 3 1/2 in.)

Art Institute of Chicago

Head of Saint Francis

1632 · black, red and white chalk on blue laid paper

overall (approximate): 24.3 x 21.5 cm (9 9/16 x 8 7/16 in.)

National Gallery of Art

Saint Jerome

1630 · Etching and engraving in black on ivory laid paper

Plate: 21.6 × 13.9 cm (8 9/16 × 5 1/2 in.); Sheet: 22.7 × 15 cm (8 15/16 × 5 15/16 in.)

Art Institute of Chicago

Science or The Love of Study

1630 · Etching on ivory laid paper

16.1 × 19.3 cm (6 3/8 × 7 5/8 in.)

Art Institute of Chicago

The Immaculate Conception

1627 · Oil on canvas

105 1/2 x 73 in. (268 x 185.4 cm)

The Metropolitan Museum of Art

The Immaculate Conception

1627 · Oil on canvas

105 1/2 x 73 in. (268 x 185.4 cm)

The Metropolitan Museum of Art

Abduction of Helen

1627 · Pen and brown ink, with brush and brown and gray wash, heightened with lead white (partially oxidized), on cream laid paper prepared with brown wash, laid down on cream laid paper

45.7 × 54.5 cm (18 × 21 1/2 in.)

Art Institute of Chicago

The Reclining Headless Body of Holofernes; Study of Female Semi-Nude Figure (on a small separate, unrelated sheet of blue paper, pasted onto the lower left of the large sheet)

1625 · Black chalk on brownish paper that may have been originally blue (Holofernes); black chalk on blue paper (female figure)

15 x 10 1/4 in. (38.1 x 26 cm)

The Metropolitan Museum of Art

The Head of a Woman Looking Up (Judith)

1625 · Red and black chalk, on originally blue paper now faded to light brown-gray

13 1/4 × 8 7/8 in. (33.6 × 22.6 cm)

The Metropolitan Museum of Art

Charity

1625 · Oil on canvas

54 x 41 3/4 in. (137.2 x 106 cm)

The Metropolitan Museum of Art

The Head of Christ

1623 · black, red, and white chalks on gray-green laid paper

overall: 37.9 x 28 cm (14 15/16 x 11 in.)

National Gallery of Art

Study for King David, with Harp and Psalm Book

1621 · Red chalk, with stumping, on cream laid paper

44 × 34.2 cm (17 3/8 × 13 1/2 in.)

Art Institute of Chicago

The Virgin holding the infant Christ on her lap, an oval composition, after Reni

1620 · Etching

Sheet (Trimmed): 7 5/16 × 5 13/16 in. (18.5 × 14.7 cm)

The Metropolitan Museum of Art

Vision of Saint Philip Neri

1617 · Red chalk, heightened with lead white (discolored), on buff laid paper, laid down on cream wove paper

20.3 × 15 cm (8 × 5 15/16 in.)

Art Institute of Chicago

Saint Francis of Assisi, with two Monks of his Order

1611 · Pen and brown ink, with brush and gray and brown wash and traces of graphite, on cream laid paper, laid down on tan laid paper

18.1 × 17 cm (7 3/16 × 6 3/4 in.)

Art Institute of Chicago

Two Putti with Potted Plant

1611 · Red chalk on ivory laid paper, laid down on ivory card

31.5 × 22.6 cm (12 7/16 × 8 15/16 in.)

Art Institute of Chicago

Head of Putto

1611 · Red chalk on cream laid paper, laid down on cream card

19.4 × 18.9 cm (7 11/16 × 7 1/2 in.)

Art Institute of Chicago

Studies van voeten, hoofd en schouders van een op de rug geziene man

1608 · paper, chalk

width: 276 cm, height: 168 cm

Rijksmuseum

Studies voor lichaamsdelen van de heilige Floriaan

1608 · paper, chalk

width: 276 cm, height: 168 cm

Rijksmuseum

Descent of the Holy Spirit

1607 · Pen and brown ink, with brush and brown wash, heightened with gold paint, over black chalk, on brown laid paper, squared in black chalk, laid down on board

33.9 × 37.2 cm (13 3/8 × 14 11/16 in.)

Art Institute of Chicago

David with the Head of Goliath

1605 · Pen and brown ink and brush and brown wash on cream laid paper, laid down on tan wove card

40 × 28.2 cm (15 3/4 × 11 1/8 in.)

Art Institute of Chicago

Musician Angels in Clouds (recto); Seated Cleric (verso)

1600 · Black chalk, heightened with traces of white chalk (recto and verso), on blue laid paper

15.8 × 29.5 cm (6 1/4 × 11 5/8 in.)

Art Institute of Chicago

The Virgin holding the infant Christ with the fingers of her right hand hidden, a circular composition

1600 · Etching

Sheet (Trimmed): 6 1/4 × 6 1/4 in. (15.8 × 15.9 cm)

The Metropolitan Museum of Art

Study for Saint Benedict Receiving Gifts from the Peasants

1599 · Black chalk, heightened with traces of white chalk, on tan laid paper with blue fibers, laid down on ivory laid paper

19.8 × 19.7 cm (7 13/16 × 7 13/16 in.)

Art Institute of Chicago

Triumphal arch covered in foliage with mounted troops below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598

1599 · Etching

Sheet (Trimmed): 8 7/16 × 5 13/16 in. (21.4 × 14.7 cm)

The Metropolitan Museum of Art

Triumphal column with female figure of Fame holding a trumpet at the top, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598

1598 · Etching

Sheet (Trimmed): 8 9/16 × 5 9/16 in. (21.7 × 14.2 cm)

The Metropolitan Museum of Art

Triumphal arch surmounted by woman seated on a dolphin, four standing figures below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598

1598 · Etching

Sheet (Trimmed): 8 11/16 × 6 3/16 in. (22.1 × 15.7 cm)

The Metropolitan Museum of Art

Triumphal arch surmounted by a statue of Moses, buildings seen through the arch below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598

1598 · Etching

Sheet (Trimmed): 8 9/16 × 5 11/16 in. (21.8 × 14.4 cm)

The Metropolitan Museum of Art

Triumphal arch surmounted by a statue representing the city of Bologna, buildings seen through the arch below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598

1598 · Etching

Sheet (Trimmed): 8 9/16 × 5 7/8 in. (21.7 × 15 cm)

The Metropolitan Museum of Art

Façade of a triumphal monument with three scenes depicting deeds of Pope Clement VIII, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598

1598 · Etching

Sheet (Trimmed): 7 7/8 × 10 3/8 in. (20 × 26.4 cm)

The Metropolitan Museum of Art

The Porta Galliera, the entrance gate to Bologna and drawbridge with temporary decorations for the entry of Pope Clement VIII in Bologna in 1598

1598 · Etching

Sheet (Trimmed): 8 5/8 × 5 13/16 in. (21.9 × 14.7 cm)

The Metropolitan Museum of Art

Façade of the Palazzo del Senato in Bologna with the Papal arms at center, with temporary decorations for the entry of Pope Clement VIII in Bologna in 1598

1598 · Etching

Sheet (Trimmed): 8 7/16 × 5 15/16 in. (21.5 × 15.1 cm)

The Metropolitan Museum of Art

The arcade of the palace of the Archbishop of Bologna with temporary decorations for the entry of Pope Clement VIII in Bologna in 1598

1598 · Etching

Sheet (Trimmed): 6 1/8 × 8 3/4 in. (15.5 × 22.2 cm)

The Metropolitan Museum of Art

The Porta Galliera, the entrance gate to Bologna and drawbridge with temporary decorations for the entry of Pope Clement VIII in Bologna in 1598

1598 · Etching

Sheet (Trimmed): 8 5/8 × 5 13/16 in. (21.9 × 14.7 cm)

The Metropolitan Museum of Art

Triumphal column with female figure of Fame holding a trumpet at the top, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598

1598 · Etching

Sheet (Trimmed): 8 9/16 × 5 9/16 in. (21.7 × 14.2 cm)

The Metropolitan Museum of Art

Apollo Killing Lion

1595 · Brush and black wash, heightened with touches of white gouache, on blue prepared ground, on tan laid paper

29.3 × 20.7 cm (11 9/16 × 8 3/16 in.)

Art Institute of Chicago

Adoration of the Shepherds

1595 · Pen and brown ink with brush and brown wash, heightened with white gouache, over black chalk on brown laid paper, laid down on ivory laid paper

41 × 43.7 cm (16 3/16 × 17 1/4 in.)

Art Institute of Chicago

Half-length Draped Figure

1595 · Red chalk on ivory laid paper, tipped onto cream wove paper

18.7 × 13.3 cm (7 3/8 × 5 1/4 in.)

Art Institute of Chicago

The Virgin holding the infant Christ, a circular composition, counterproof

1595 · Etching, counterproof

Sheet (Trimmed): 7 3/8 × 6 5/8 in. (18.8 × 16.9 cm)

The Metropolitan Museum of Art

The Virgin with the infant Christ seated on a cushion and the young Saint John the Baptist at his feet, an oval composition

1595 · Etching

Sheet (Trimmed to oval): 6 1/4 × 5 9/16 in. (15.8 × 14.1 cm)

The Metropolitan Museum of Art

The Virgin holding the infant Christ, an oval composition, counterproof

1595 · Etching, counterproof

Sheet (Trimmed): 4 13/16 × 6 3/16 in. (12.3 × 15.7 cm)

The Metropolitan Museum of Art

Saint Christopher walking with the infant Christ on his left shoulder, counterproof

1595 · Etching, counterproof

Sheet (Trimmed): 10 1/4 × 8 3/8 in. (26.1 × 21.2 cm)

The Metropolitan Museum of Art

The young Saint John the Baptist kneeling before the young Christ who embraces him, a lamb at right

1595 · Etching

Sheet (Trimmed): 6 1/4 × 5 3/16 in. (15.8 × 13.2 cm)

The Metropolitan Museum of Art

Charity

1595 · Oil on canvas

54 x 41 3/4 in. (137.2 x 106 cm)

The Metropolitan Museum of Art