Artworks · Giuseppe Galli Bibiena, Italian

Young Woman with Hunter

1745 · Oil on canvas

88 × 70.8 cm (34 5/8 × 27 7/8 in.); Framed: 102.9 × 86.4 × 6.7 cm (40 1/2 × 34 × 2 5/8 in.)

Art Institute of Chicago

Stage Design: Garden Scene with a Fountain, Part V, Plate 8, "Architettura e Prospettive," Augsburg

1740 · theater, print — etching with engraving in black ink on white paper

Platemark: 34.1 × 51.1 cm (13 7/16 × 20 1/8 in.)

Cooper Hewitt, Smithsonian Design Museum

Stage Design: A Banquet Hall

1740 · theater, print — engraving on off-white laid paper

Cooper Hewitt, Smithsonian Design Museum

Monumental Vaulted Hall with Staircase

1725 · pen and brown ink and brush and gray wash, with brush and brown wash and traces of yellow gouache; framing lines in brown ink

Sheet: 31.6 x 45 cm (12 7/16 x 17 11/16 in.); Image: 31 x 44.4 cm (12 3/16 x 17 1/2 in.)

Cleveland Museum of Art

Framed Design for an Altar

1710 · Pen and brown ink, brush and brown and gray wash over traces of leadpoint, on cream laid paper; vertical line in leadpoint trough the center to create the symmetry of the design

1-3 1/4 x 8- 3/4 in. (33.6 x 22.2 cm) irregular borders

The Metropolitan Museum of Art

Perspective Sketch for a Palace Interior

1710 · Pen and brown ink, brush and gray wash, over traces of graphite; framing lines in pen and black ink, brush and light pink wash.

sheet: 5 3/8 x 3 11/16 in. (13.6 x 9.3 cm)

The Metropolitan Museum of Art

Design for a Stage Set with a Monumental Arcaded Courtyard

1710 · Pen and brown ink, with brush and gray wash

sheet: 11 3/4 x 13 3/8 in. (29.8 x 34 cm)

The Metropolitan Museum of Art

Stage Design: Palace Interior

1700 · theater, drawing — pen and brown ink, brush and wash on laid paper

H x W: 31.7 × 47.5 cm (12 1/2 × 18 11/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Perspectival Sketch for a Palace Interior

1696 · Pen and brown ink, brush and gray wash, over traces of graphite; framing lines in pen and black ink, brush and light pink wash

sheet: 5 7/16 x 3 11/16 in. (13.8 x 9.4 cm)

The Metropolitan Museum of Art

Elevation of a Catafalque: the Central Part Comprised of a Series of Steps to Top; with Statues and Central Cartouche with a Figural Scene: a Figure Kneeling before Virgin and Child (?)

1696 · Pen and brown ink

20-1/4 x 14-1/2 in. (51.4 x 36.8 cm)

The Metropolitan Museum of Art

Design for a Stage Set: The Gallery of a Magnificent Palace Decorated with Mirrors

1696 · Pen and brown ink, brush and gray wash over traces of black chalk (recto and verso)

sheet: 7 13/16 x 8 1/4 in. (19.9 x 21 cm)

The Metropolitan Museum of Art

Half Ground Plan and Half Elevation of a Catafalque for Cosimo III dei Medici, Grand Duke of Tuscany (1642–1723)

1696 · Pen and brown ink, brush and gray wash

19-7/8 x 13-7/8 in. (50.5 x 35.2 cm)

The Metropolitan Museum of Art

Two Monks in a Landscape

1640 · Oil on canvas

64.2 × 77.2 cm (25 1/4 × 30 3/8 in.); Framed: 82.9 × 95.3 × 7.7 cm (32 5/8 × 37 1/2 × 3 in.)

Art Institute of Chicago

Sinan Reis and Hayreddin Barbarossa

1525 · Tempera on canvas

66.5 × 63.7 cm (26 3/16 × 25 1/16 in.); Framed: 73.7 × 71.2 × 5.1 cm (29 × 28 × 2 in.)

Art Institute of Chicago

Madonna and Child

1300 · Marble

118.1 × 36.8 × 41.3 cm (46 1/2 × 14 1/2 × 16 1/4 in.)

Art Institute of Chicago

Casket

1100 · Ivory, brass, tempera, and gold leaf

9.5 × 15.9 × 9.7 cm (3 3/4 × 6 1/4 × 3 13/16 in.)

Art Institute of Chicago

Stage Design: Architectural Fantasy

Pen and brown ink, brush and gray and blue-gray wash on paper

53.6 × 96.1 cm (21 1/8 × 37 13/16 in.)

Cooper Hewitt, Smithsonian Design Museum