Artworks · Giovanni Domenico Tiepolo

Profile of an Old Man with a Beard

1762 · etching on laid paper

plate: 12.7 × 10 cm (5 × 3 15/16 in.) sheet: 17 × 13.5 cm (6 11/16 × 5 5/16 in.)

National Gallery of Art

Old Man with a Sword

1762 · etching

National Gallery of Art

Old Man Meditating

1762 · etching

National Gallery of Art

Profile of an Old Man with a Hat

1760 · etching on laid paper

plate: 12.2 × 9.1 cm (4 13/16 × 3 9/16 in.) sheet: 28 × 21.6 cm (11 × 8 1/2 in.)

National Gallery of Art

Satyr Surprising a Satyress

1759 · Pen and brown and black ink, brush and brown and gray wash, on ivory laid paper

19.3 × 27.6 cm (7 5/8 × 10 7/8 in.)

Art Institute of Chicago

Head of a Philosopher

1758 · Oil on canvas

60.5 × 45.8 cm (23 3/4 × 18 in.)

Art Institute of Chicago

Saint Gaetano of Thiene

1757 · etching touched with pen and brown ink on laid paper

plate: 36.8 x 21.8 cm (14 1/2 x 8 9/16 in.) sheet: 42.6 x 26.6 cm (16 3/4 x 10 1/2 in.)

National Gallery of Art

Marriage of Angelica and Medoro

1757 · Etching on paper

Plate: 23.6 × 25.8 cm (9 5/16 × 10 3/16 in.); Sheet: 29.5 × 32 cm (11 5/8 × 12 5/8 in.)

Art Institute of Chicago

St. Gaetano of Thiene

1757 · Etching on paper

Plate: 37 × 22 cm (14 5/8 × 8 11/16 in.); Sheet: 54.1 × 39.4 cm (21 5/16 × 15 9/16 in.)

Art Institute of Chicago

Aeneas Introduces His Son Ascanius to Dido

1757 · Etching on paper

Plate: 23.7 × 29.2 cm (9 3/8 × 11 1/2 in.); Sheet: 39.2 × 52.9 cm (15 7/16 × 20 7/8 in.)

Art Institute of Chicago

Angelica Bound and about to be Devoured by the Sea Monster

1757 · Etching on paper

Plate: 24.4 × 20.4 cm (9 5/8 × 8 1/16 in.); Sheet: 24.5 × 20.7 cm (9 11/16 × 8 3/16 in.)

Art Institute of Chicago

Two Old Men

1755 · Two etchings on paper

L image: 25.5 × 7.8 cm (10 1/16 × 3 1/8 in.); L plate: 27.9 × 8.7 cm (11 × 3 7/16 in.); R image: 25.5 × 7.9 cm (10 1/16 × 3 1/8 in.); R plate: 28 × 9 cm (11 1/16 × 3 9/16 in.); Sheet: 36.5 × 51.4 cm (14 3/8 × 20 1/4 in.)

Art Institute of Chicago

God the Father Supported by Angels in Clouds, II

1754 · Pen and brown ink, with brush and brown-gray wash, over traces of black chalk, on paper

28 × 19.7 cm (11 1/16 × 7 13/16 in.)

Art Institute of Chicago

God the Father Seated in Clouds Surrounded by Angels and Putti

1753 · pen and gray ink with golden brown wash over black chalk on laid paper

overall (approximate): 25 × 17.3 cm (9 13/16 × 6 13/16 in.)

National Gallery of Art

The Madonna and Child at Left, with a File of Angels

1753 · etching [proof]

National Gallery of Art

Joseph and Mary Prepare to Leave

1753 · etching [proof]

plate: 18.9 x 24.8 cm (7 7/16 x 9 3/4 in.)

National Gallery of Art

Joseph and Mary Prepare to Leave

1753 · etching

plate: 18.7 x 24.5 cm (7 3/8 x 9 5/8 in.) page size: 24.5 x 34.5 cm (9 5/8 x 13 9/16 in.)

National Gallery of Art

The Episode of the Falling Idol

1753 · etching

National Gallery of Art

The Flight with Joseph in the Foreground

1753 · etching

National Gallery of Art

The Madonna and Child at Left, with a File of Angels

1753 · etching

National Gallery of Art

The Holy Family Arriving at a City Gate

1753 · etching

National Gallery of Art

Joseph Kneels with the Child before Mary on the Donkey

1753 · etching

National Gallery of Art

The Flight, Holy Family Walking with Angel

1753 · etching

National Gallery of Art

The Madonna and Child at Left, with a File of Angels

1753 · etching

National Gallery of Art

The Flight, with Madonna at Right Supported by Angels

1753 · etching

National Gallery of Art

The Holy Family Arriving at a City Gate

1753 · etching

National Gallery of Art

The Flight, Joseph at Right and Mary and Angel at Left

1753 · etching

National Gallery of Art

The Episode of the Falling Idol

1753 · etching

National Gallery of Art

The Rest on the Flight, with Holy Family under a Tree

1753 · etching

National Gallery of Art

The Flight with Joseph in the Foreground

1753 · etching

National Gallery of Art

The Flight with Obelisk at the Left

1753 · etching

National Gallery of Art

The Holy Family Being Ferried Across the River

1753 · etching

National Gallery of Art

The Madonna, Child, and Angels Entering the Boat

1753 · etching

National Gallery of Art

The Holy Family Disembarking

1753 · etching

National Gallery of Art

The Holy Family at the Bank of the River

1753 · etching

National Gallery of Art

The Holy Family Preparing to Embark

1753 · etching

National Gallery of Art

The Flight, Holy Family at the Right, Joseph Looking to the Left

1753 · etching

National Gallery of Art

The Flight, Holy Family Walking with Angel

1753 · etching

National Gallery of Art

The Flight with the Holy Family at the Left

1753 · etching

National Gallery of Art

Joseph, Standing, Adores the Child

1753 · etching

National Gallery of Art

The Holy Family Passes under a City Arch

1753 · etching

National Gallery of Art

The Flight with the Holy Family at the Right

1753 · etching

National Gallery of Art

Joseph and Mary Prepare to Leave

1753 · etching

National Gallery of Art

Joseph Relays to Mary God's Command to Flee

1753 · etching

National Gallery of Art

Joseph Kneels with the Child before Mary on the Donkey

1753 · etching

National Gallery of Art

Title Page

1753 · etching

National Gallery of Art

Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg

1753 · etching

National Gallery of Art

Frontispiece: The Arms of Carl Philipp von Greiffenklau Carried Aloft by an Angel, from The Flight into Egypt

1753 · Etching on paper

19 × 23.7 cm (7 1/2 × 9 3/8 in.)

Art Institute of Chicago