Artworks · Giovanni Benedetto Castiglione, Italian

Pan Sitting Opposite a Vase

1660 · figures, print — etching on paper

12.5 × 22.1 cm (4 15/16 × 8 11/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Bacchanal Before a Herm

1660 · oil and red-brown pigment

Sheet: 41.2 x 55.7 cm (16 1/4 x 21 15/16 in.)

Cleveland Museum of Art

The Assumption

1660 · Pen and brown ink on paper

19.9 × 13.5 cm (7 13/16 × 5 5/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Allegory of Transience

1655 · figures, print — etching on paper

18.2 × 26.3 cm (7 3/16 × 10 3/8 in.)

Cooper Hewitt, Smithsonian Design Museum

La Mèlancolie

1655 · etching

Cleveland Museum of Art

The Oath of Abraham’s Servant

1650 · oil on canvas

Framed: 71.2 x 94 x 9 cm (28 1/16 x 37 x 3 9/16 in.); Unframed: 56 x 78.4 cm (22 1/16 x 30 7/8 in.)

Cleveland Museum of Art

Noah and the Animals Entering the Ark

1650 · Etching on ivory paper

Plate: 20.6 × 40.5 cm (8 1/8 × 16 in.); Sheet: 21.7 × 41.2 cm (8 9/16 × 16 1/4 in.)

Art Institute of Chicago

Circe with Companions of Ulysses Changed into Animals

1650 · Etching on ivory laid paper

Image/sheet; cut within plate: 21.5 × 30.9 cm (8 1/2 × 12 3/16 in.)

Art Institute of Chicago

The Genius of Castiglione

1648 · etching

Cleveland Museum of Art

Fete of Pan

1648 · etching

Cleveland Museum of Art

Virgin and Child with God the Father and Angels

1647 · figures, print — etching on paper

24.2 × 42.2 cm (9 1/2 × 16 5/8 in.)

Cooper Hewitt, Smithsonian Design Museum

A Pagan Sacrifice

1645 · Oil paint on tan laid paper, laid down on cream wove paper

57.6 × 42.5 cm (22 11/16 × 16 3/4 in.)

Art Institute of Chicago

The Angel Departing from the Family of Tobit (?)

1645 · Red oil paint on ivory laid paper

41.9 × 54.6 cm (16 1/2 × 21 1/2 in.)

Art Institute of Chicago

Diogenes Seeking an Honest Man

1645 · Etching on cream laid paper

Image: 21.9 × 30.6 cm (8 5/8 × 12 1/16 in.); Plate: 22 × 31 cm (8 11/16 × 12 1/4 in.)

Art Institute of Chicago

Seated Woman, Mother and Child

1645 · Pen and brown ink on paper

11.1 × 20.2 cm (4 3/8 × 7 15/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Tobit Burying the Dead

1640 · oil and dark red pigment with oil and brown pigment; framing lines in gold paint over oil and dark red pigment

Sheet: 27.7 x 41.4 cm (10 7/8 x 16 5/16 in.)

Cleveland Museum of Art

Caravan at Rest Near a Herm

1640 · Pen and ink, brush and bistre wash on paper, lined

41.5 × 27.7 cm (16 5/16 × 10 7/8 in.)

Cooper Hewitt, Smithsonian Design Museum

The Creation of Adam

1637 · Monotype in black ink on ivory laid paper

30.3 × 20.3 cm (11 15/16 × 8 in.)

Art Institute of Chicago

Study for the Painting Pastoral Journey, Figures and Cattle in a Landscape

1633 · Pen and brown ink on off-white laid paper

17.8 x 28.7 cm (7 x 11 5/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Melancholia

1629 · Etching on ivory laid paper

Image/sheet; cut within plate: 21.7 × 11.7 cm (8 9/16 × 4 5/8 in.)

Art Institute of Chicago

The Holy Family

1620 · figures, drawing — graphite, red chalk, pen and ink, brush and sepia wash on paper

20.9 × 14.8 cm (8 1/4 × 5 13/16 in.)

Cooper Hewitt, Smithsonian Design Museum