Artworks · Giovanni Battista Tiepolo

Soldier with Horse and Attendant

1785 · etching

National Gallery of Art

Women and Men Regarding a Burning Pyre of Bones

1785 · etching

National Gallery of Art

Young Soldier with Philosopher and Seated Woman

1785 · etching

National Gallery of Art

Woman, Satyr Child, and Goat in a Landscape

1785 · etching

National Gallery of Art

Standing Woman and Seated Men before an Obelisk

1785 · etching

National Gallery of Art

Standing Philosopher and Two Other Figures

1785 · etching

National Gallery of Art

Soldier Seated on a Tomb with Surrounding Figures

1785 · etching

National Gallery of Art

Seated Youth Leaning Against an Urn

1785 · etching on laid paper

National Gallery of Art

Three Soldiers and a Youth

1785 · etching

National Gallery of Art

Title Page

1785 · engraving

National Gallery of Art

Frontispiece from Capricci

1785 · Etching on paper

11.4 × 16.5 cm (4 1/2 × 6 1/2 in.)

Art Institute of Chicago

Madonna of the Goldfinch

1767 · oil on canvas

overall: 62 x 49.5 cm (24 7/16 x 19 1/2 in.)

National Gallery of Art

Madonna of the Goldfinch

1767 · oil on canvas

overall: 63.1 x 50.3 cm (24 13/16 x 19 13/16 in.) framed: 86.4 x 73 x 8.9 cm (34 x 28 3/4 x 3 1/2 in.)

National Gallery of Art

Immaculate Conception

1767 · oil paint

width: 26 cm, height: 49 cm

Rijksmuseum

Wealth and Benefits of the Spanish Monarchy under Charles III

1762 · oil on canvas

overall: 181.8 x 104.3 cm (71 9/16 x 41 1/16 in.) framed: 192.4 x 115.3 cm (75 3/4 x 45 3/8 in.)

National Gallery of Art

Study for a Ceiling with the Personification of Counsel

1762 · oil on canvas

overall: 27 x 49 cm (10 5/8 x 19 5/16 in.)

National Gallery of Art

Head of a Magician

1760 · pen and brown ink with brown wash over black chalk on laid paper (still mounted on original Tiepolo album page)

overall: 24.6 x 19.6 cm (9 11/16 x 7 11/16 in.)

National Gallery of Art

The Apotheosis of the Spanish Monarchy

1760 · Oil on canvas

Oval painted surface, 32 1/8 x 26 1/8 in. (81.6 x 66.4 cm)

The Metropolitan Museum of Art

Saint Thecla Praying for the Plague-Stricken

1758 · Oil on canvas

32 x 17 5/8 in. (81.3 x 44.8 cm)

The Metropolitan Museum of Art

A Venetian Lawyer at His Desk

1755 · pen and black ink with gray wash on laid paper

overall: 20.5 x 14 cm (8 1/16 x 5 1/2 in.)

National Gallery of Art

Apollo Pursuing Daphne

1755 · oil on canvas

overall: 68.5 x 87 cm (26 15/16 x 34 1/4 in.) framed: 88.3 x 105.7 x 5.7 cm (34 3/4 x 41 5/8 x 2 1/4 in.)

National Gallery of Art

Young Lady in a Tricorn Hat

1755 · oil on canvas

overall: 62.2 x 49.3 cm (24 1/2 x 19 7/16 in.) framed: 80 x 68 x 7.6 cm (31 1/2 x 26 3/4 x 3 in.)

National Gallery of Art

The Holy Family

1754 · pen and brown ink with gray-brown wash on cream laid paper

sheet: 22.3 x 19.2 cm (8 3/4 x 7 9/16 in.)

National Gallery of Art

Caricature of a Man, Full-Length, Facing Left

1754 · Pen and brown ink, brush and brown wash, on ivory laid paper

22.4 × 14.9 cm (8 7/8 × 5 7/8 in.)

Art Institute of Chicago

A Standing Oriental Holding a Rod

1753 · pen and brown ink with brown wash on laid paper

overall: 22.8 x 15.7 cm (9 x 6 3/16 in.)

National Gallery of Art

A Standing Oriental Wearing a Greatcoat

1753 · pen and brown ink with brown wash on laid paper

overall: 22.1 x 14.7 cm (8 11/16 x 5 13/16 in.)

National Gallery of Art

Male Nude Leaning on His Elbow (verso)

1752 · red chalk heightened with white chalk on blue laid paper

sheet: 28.8 x 36.8 cm (11 5/16 x 14 1/2 in.)

National Gallery of Art

A Seated Male Nude

1752 · red chalk heightened with white chalk on blue laid paper

sheet: 28.9 × 37 cm (11 3/8 × 14 9/16 in.)

National Gallery of Art

A Magician Indicating a Burning Skull to Two Youths, from the Scherzi di Fantasia

1752 · Etching on off-white laid paper

Plate: 22.6 × 18.8 cm (8 15/16 × 7 7/16 in.); sheet: 36.1 × 24.9 cm (14 1/4 × 9 13/16 in.)

Art Institute of Chicago

Allegory of the Planets and Continents

1752 · Oil on canvas

73 x 54 7/8 in. (185.4 x 139.4 cm)

The Metropolitan Museum of Art

The Investiture of Bishop Harold as Duke of Franconia

1751 · Oil on canvas

28 1/4 x 20 1/4 in. (71.8 x 51.4 cm)

The Metropolitan Museum of Art

Figure on a Cloud

1750 · pen and brown ink and wash on laid paper

overall: 21.5 x 18.1 cm (8 7/16 x 7 1/8 in.)

National Gallery of Art

A Woman Seated on a Cloud, Seen from Below

1750 · pen and brown ink with brown wash on laid paper

overall: 23.3 x 17.7 cm (9 3/16 x 6 15/16 in.)

National Gallery of Art

Three Cherubs and a Beribboned Staff

1750 · red chalk on blue paper heightened with white chalk; the tow upper cherubs' heads incised for transfer

overall: 38.5 × 23.2 cm (15 3/16 × 9 1/8 in.)

National Gallery of Art

The Discovery of the Tomb of Punchinello

1750 · etching on laid paper tinted with yellow-green watercolor

sheet (trimmed to plate mark): 23.5 x 18.3 cm (9 1/4 x 7 3/16 in.)

National Gallery of Art

Rest on the Flight into Egypt

1750 · Pen and brown ink and brush and gray wash, with black chalk, on ivory laid paper, tipped on ivory laid paper

28.5 × 20.8 cm (11 1/4 × 8 1/4 in.)

Art Institute of Chicago

Study for Detail: The Goddess Diana

1750 · Red chalk, heightened with touches of white chalk, on blue laid paper

17.9 × 24 cm (7 1/16 × 9 1/2 in.)

Art Institute of Chicago

The Holy Family, Saint Joseph with a Book

1750 · Pen and brown iron gall ink and brush and brown wash, with black chalk (recto) and black chalk (verso) on off-white laid paper, tipped on to ivory laid paper

Primary support: 27.7 × 19.9 cm (10 15/16 × 7 7/8 in.); Secondary support: 30.1 × 22.1 cm (11 7/8 × 8 3/4 in.)

Art Institute of Chicago

Study for Detail: Head of a Cherub

1750 · Red chalk, heightened with touches of white chalk, on blue laid paper

17.9 × 24 cm (7 1/16 × 9 1/2 in.)

Art Institute of Chicago

Scene from Ancient History

1750 · oil on canvas

overall (oval): 140.3 x 109.3 cm (55 1/4 x 43 1/16 in.) framed: 165.7 x 134.6 cm (65 1/4 x 53 in.)

National Gallery of Art

The Head of a Young Man in Profile to the Left (recto); Studies of Allegorical Figures (verso)

1749 · Red chalk, with touches of white chalk (recto and verso), on blue laid paper with blind incising around recto

22.7 × 24.2 cm (8 15/16 × 9 9/16 in.)

Art Institute of Chicago

Study of a Draped Figure

1745 · red chalk on laid paper

sheet: 24.2 × 16.3 cm (9 1/2 × 6 7/16 in.) mount: 28.3 × 20.6 cm (11 1/8 × 8 1/8 in.)

National Gallery of Art

Bacchus and Ariadne

1745 · pen and brown ink and brown wash over black chalk on laid paper

overall: 21.9 x 18.1 cm (8 5/8 x 7 1/8 in.)

National Gallery of Art

Death giving audience

1745 · paper

National Gallery of Art

Bacchus and Ariadne

1743 · oil on canvas

overall: 214 × 232.4 cm (84 1/4 × 91 1/2 in.)

National Gallery of Art

Democritus and Heraclitus Laughing and Sorrowing over the Follies of the World

1742 · Black chalk, with pen and black and brown ink and brush and various brown washes, heightened with white gouache, on cream laid paper

40.5 × 27.2 cm (16 × 10 3/4 in.)

Art Institute of Chicago

Armida Abandoned by Rinaldo

1742 · Oil on canvas

186.7 × 259.4 cm (73 1/2 × 102 1/8 in.); Framed: 195 × 270.5 × 9.5 cm (76 3/4 × 106 1/2 × 3 3/4 in.)

Art Institute of Chicago

Rinaldo and Armida in Her Garden

1742 · Oil on canvas

186.7 × 259.4 cm (73 1/2 × 102 1/8 in.); Framed: 194.3 × 270.5 × 7.9 cm (76 1/2 × 106 1/2 × 3 1/8 in.)

Art Institute of Chicago