Artworks · Giovanni Battista Foggini

Façade van een gebouw

1723 · pen on chalk, ink, paper

width: 211 cm, height: 301 cm

Rijksmuseum

Linkerdeel van een altaar

1723 · pen on chalk, paper, ink

height: 301 cm, width: 211 cm

Rijksmuseum

David Victorious over Goliath

1722 · terracotta

Overall: 41.3 x 47.6 x 31.5 cm (16 1/4 x 18 3/4 x 12 3/8 in.)

Cleveland Museum of Art

A Reliquary of Saint Sigismondo

1719 · pen and brown ink over black chalk on laid paper

sheet: 48 x 30.1 cm (18 7/8 x 11 7/8 in.)

National Gallery of Art

Bacchus and Ariadne

1711 · bronze

overall: 39.1 x 32.9 x 23.9 cm (15 3/8 x 12 15/16 x 9 7/16 in.)

National Gallery of Art

Ontwerp voor een met pietre dure panelen ingelegd met verguld brons gemonteerd kistje

1710 · pen on paper, ink

width: 639 cm, height: 461 cm

Rijksmuseum

Study of a Stallion

1700 · black chalk and brush and gray wash

Sheet: 19 x 24.6 cm (7 1/2 x 9 11/16 in.); Secondary Support: 28.1 x 34.7 cm (11 1/16 x 13 11/16 in.)

Cleveland Museum of Art

Ontwerp voor een lijst met twee putti

1700 · drawing on graphite (mineral), ink

width: 117 cm, height: 147 cm

Rijksmuseum

Ontwerp voor een reliekhouder

1700 · brush on ink, graphite (mineral), paper

height: 464 cm, width: 175 cm

Rijksmuseum

Ferdinando II de' Medici, Grand Duke of Tuscany

1690 · marble

overall: 79.5 x 73.2 x 40 cm (31 5/16 x 28 13/16 x 15 3/4 in.)

National Gallery of Art

Vittoria della Rovere, Grand Duchess of Tuscany

1690 · marble

overall: 83 x 71.2 x 34 cm (32 11/16 x 28 1/16 x 13 3/8 in.)

National Gallery of Art

Wall Decoration for Cosimo III de' Medici

1690 · Pen and brown ink, brush and watercolor, black chalk, graphite on white laid paper

65.2 x 42.2 cm (25 11/16 x 16 5/8 in.)

Cooper Hewitt, Smithsonian Design Museum

Apollo Flaying Marsyas

1686 · Bronze

height: 59.8 cm (23 9/16 in.)

Cleveland Museum of Art

The suicide of Ajax

1685 · Bronze

Height: 18 3/4 in. (47.6 cm)

The Metropolitan Museum of Art

Prometheus Chained by Mercury

1685 · casting on bronze (metal)

height: 43 cm

Rijksmuseum

Design for a Gilt Bronze Ornament

1680 · Pen and black and brown ink, brush and wash, white gouache, graphite on off-white laid paper

27.2 x 20.6 cm (10 11/16 x 8 1/8 in.)

Cooper Hewitt, Smithsonian Design Museum

Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany

1675 · Marble with base of gray marble

Overall (confirmed): 39 1/8 × 31 × 16 7/8 in., 391 lb. (99.4 × 78.7 × 42.9 cm, 177.4 kg)

The Metropolitan Museum of Art

Ferdinando de' Medici, Grand Prince of Tuscany

1675 · Marble, gray marble

Overall (confirmed): 38 3/4 × 28 7/8 × 14 in., 337 lb. (98.4 × 73.3 × 35.6 cm, 152.9 kg)

The Metropolitan Museum of Art

Ferdinando de' Medici, Grand Prince of Tuscany

1675 · Marble, gray marble

Overall (confirmed): 38 3/4 × 28 7/8 × 14 in., 337 lb. (98.4 × 73.3 × 35.6 cm, 152.9 kg)

The Metropolitan Museum of Art

Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany

1675 · Marble with base of gray marble

Overall (confirmed): 39 1/8 × 31 × 16 7/8 in., 391 lb. (99.4 × 78.7 × 42.9 cm, 177.4 kg)

The Metropolitan Museum of Art

Cosimo III de' Medici, b. 1642, Grand Duke of Tuscany 1670–1723

1671 · Terracotta

Height (with pedestal): 18 in. (45.7 cm)

The Metropolitan Museum of Art

A Monstrance with Two Angels Supporting a Chalice

1652 · black chalk and pen and brown ink, partially squared in black chalk, on laid paper

overall: 42.3 x 23.7 cm (16 5/8 x 9 5/16 in.)

National Gallery of Art

Design for a Sculptural Ornament With an Eagle, Volutes and Leaves.

1652 · Pen and brown ink, with brush and gray and yellow wash

sheet: 5 5/16 x 4 7/16 in. (13.5 x 11.3 cm)

The Metropolitan Museum of Art

Design for an Entrance Portal

1652 · Pen and brown ink, over traces of black chalk

sheet: 6 1/16 x 5 7/8 in. (15.4 x 15 cm)

The Metropolitan Museum of Art

Two Views of a Design for a Shallow (Drinking?) Bowl wih Handles

1652 · Pen and brown ink, brush and light brown wash, over traces of black chalk

sheet: 8 5/8 x 6 5/8 in. (21.9 x 16.8 cm)

The Metropolitan Museum of Art

Design for the Top of an Arch, Decorated with a Cherub (recto); Design for the Frame of a Frieze (verso)

1652 · Pen and brown ink, brush and brown wash over traces of black chalk (recto); pen and brown ink over traces of black chalk (verso)

sheet: 2 1/2 x 3 11/16 in. (6.4 x 9.3 cm)

The Metropolitan Museum of Art

View in 3/4 of a Design for a Headpiece Decorated with a Shell and Large Plume

1652 · Pen and brown ink, brush and light brown wash over traces of black chalk

sheet: 6 9/16 x 4 1/2 in. (16.6 x 11.5 cm)

The Metropolitan Museum of Art

Design for an Casket heavily decorated Foliate Scrolls, Garlands and a Satyr Mask

1652 · Pen and brown ink, brush and gray wash over traces of graphite

sheet: 6 x 9 5/16 in. (15.2 x 23.7 cm)

The Metropolitan Museum of Art

Design for an Overdoor or the Top of a Niche with a Bust and Garland-bearing Putti

1652 · Pen and brown ink, brush and gray-brown wash, over traces of black chalk

sheet: 6 7/8 x 7 3/4 in. (17.5 x 19.7 cm)

The Metropolitan Museum of Art

Design for an Equestrian Statue in a Cartouche (recto); Sketches for a Frieze with Sea-Shells and Floral Ornament (verso).

1652 · Pen and brown ink, over traces of black chalk; verso: Pen and brown ink, over traces of black chalk

sheet: 3 9/16 x 2 5/8 in. (9 x 6.7 cm)

The Metropolitan Museum of Art

Design for the Right Half of an Overdoor Decoration with a Bust

1652 · Pen and brown ink, brush and gray-brown wash. A vertical graphite line through the center of the design

sheet: 5 13/16 x 5 in. (14.7 x 12.7 cm)

The Metropolitan Museum of Art

Design for an Alcove with a Coat of Arms Flanked by Putti Bearing a Crown, Supported by Pilasters with Human Heads in Capitals

1652 · Pen and brown ink, brush and gray, brown-pink and yellow wash over traces of graphite; framing lines at lower edge in pen and brown ink

sheet: 11 5/16 x 9 3/4 in. (28.7 x 24.8 cm)

The Metropolitan Museum of Art

Medici Coat of Arms on top of a Window of Door Frame

1652 · Pen and brown ink, over traces of black chalk

sheet: 2 1/8 x 2 1/2 in. (5.4 x 6.3 cm)

The Metropolitan Museum of Art

Design for a Frame Decorated with a Shell Motif

1652 · Pen and brown ink, over traces of black chalk

sheet: 4 x 2 11/16 in. (10.2 x 6.8 cm)

The Metropolitan Museum of Art

Design for a Proscenium or Alcove

1652 · Pen and brown ink, over traces of black chalk

sheet: 4 9/16 x 5 11/16 in. (11.6 x 14.5 cm)

The Metropolitan Museum of Art

Design for a Term Shaped like a Winged Female Figure

1652 · Pen and brown ink, over traces of black chalk

sheet: 5 3/8 x 1 11/16 in. (13.7 x 4.3 cm)

The Metropolitan Museum of Art

Design for a Term shaped like a Winged Female Figure

1652 · Pen and brown ink, over traces of black chalk

sheet: 4 5/8 x 1 1/2 in. (11.7 x 3.8 cm)

The Metropolitan Museum of Art

Design for a Decorative Oval Frame (Recto). Half sketch for a Decorative Oval Frame (Verso).

1652 · Pen and brown ink over traces of black and brown chalk (recto). Pen and brown ink over traces of black chalk (verso)

sheet: 7 3/8 x 6 in. (18.7 x 15.3 cm)

The Metropolitan Museum of Art

Design for a Lidded Gadrooned Vase with Satyr Heads Holding Garlands

1652 · Pen and brown ink over traces of black chalk

sheet: 9 1/8 x 4 1/2 in. (23.2 x 11.5 cm)

The Metropolitan Museum of Art

Design for a Proscenium or Monumental Alcove

1652 · Pen and dark brown ink, over traces of black chalk

sheet: 4 1/8 x 2 13/16 in. (10.5 x 7.2 cm)

The Metropolitan Museum of Art

Design for a Cartouche

1652 · Black chalk

sheet: 2 1/2 x 5 11/16 in. (6.4 x 14.5 cm)

The Metropolitan Museum of Art

Design for a Console or Capital with a Cherub

1652 · Pen and brown ink, over traces of black chalk

sheet: 2 7/16 x 1 15/16 in. (6.2 x 5 cm)

The Metropolitan Museum of Art

Design for an Altar with a Painting of the Adoration of the Shepherds and God the Father Above

1652 · Pen and brown ink, brush and gray wash over traces of graphite

sheet: 9 3/4 x 5 7/8 in. (24.7 x 15 cm)

The Metropolitan Museum of Art

Design for the Upper Half of a Wall Elevation with a Semicircular Window

1652 · Pen and brown and black ink, brush and brown wash, over traces of black chalk

sheet: 6 9/16 x 6 15/16 in. (16.6 x 17.7 cm)

The Metropolitan Museum of Art

Design for Vase with Eagles

1652 · Pen and brown ink, brush and gray wash, over traces of black chalk. A vertical line in leadpoint through the center to create the symmetry of the drawing

sheet: 10 11/16 x 10 7/8 in. (27.1 x 27.6 cm)

The Metropolitan Museum of Art

Sheet with sketches and designs for two vases, three classical heads en profil and two slave figures (recto); Design for a Vase and a Nude Male Figure (verso)

1652 · Pen and brown ink, brush and gray wash over traces of black chalk. Verso: pen and brown ink, brush and gray wash, black chalk

sheet: 8 1/8 x 5 11/16 in. (20.6 x 14.4 cm)

The Metropolitan Museum of Art

Design for a Frieze Decorated With a Palmette and Tendrils (recto); Two Designs for a Rosette (verso)

1652 · Pen and brown ink, over traces of black chalk

sheet: 1 5/8 x 4 5/16 in. (4.2 x 11 cm)

The Metropolitan Museum of Art

Design for the Frame of a Mirror or Fire Screen (recto); Various Sketches (verso).

1652 · Pen and brown ink, over traces of black chalk. Verso: pen and brown ink

sheet: 6 3/4 x 3 1/4 in. (17.1 x 8.2 cm)

The Metropolitan Museum of Art