Artworks · Giotto

Ascension of Christ

1780 · Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on blue laid paper, tipped onto cream laid paper

20.1 × 23.7 cm (7 15/16 × 9 3/8 in.)

Art Institute of Chicago

Wedding Procession of Mary and Joseph

1780 · Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on blue laid paper, tipped on to cream wove card

20 × 22.8 cm (7 7/8 × 9 in.)

Art Institute of Chicago

Prayer for the Flowering of the Rods

1780 · Pen and brown ink with brush and gray wash, heightened with lead white (oxidized), on blue laid paper, tipped on to cream laid paper

19.1 × 22.5 cm (7 9/16 × 8 7/8 in.)

Art Institute of Chicago

Navicella (recto); Two Drawings of Ships (verso)

1410 · pen and brown ink (iron gall)

Sheet: 27.2 x 37.2 cm (10 11/16 x 14 5/8 in.); Secondary Support: 32.8 x 42.8 cm (12 15/16 x 16 7/8 in.)

Cleveland Museum of Art

The Adoration of the Magi

1337 · Tempera on wood, gold ground

Overall, with engaged frame, 26 1/8 x 18 3/8 in. (66.4 x 46.7 cm); painted surface, including tooled border, 21 3/8 x 15 in. (54.3 x 38.1 cm)

The Metropolitan Museum of Art

Saints John the Evangelist and Mary Magdalene

1330 · Tempera on wood, gold ground

23 x 15 5/8 in. (58.4 x 39.7 cm)

The Metropolitan Museum of Art

The Adoration of the Magi

1315 · Tempera on wood, gold ground

17 3/4 x 17 1/4 in. (45.1 x 43.8 cm)

The Metropolitan Museum of Art

Madonna and Child

1310 · tempera on poplar panel

painted surface: 85.4 × 61.8 cm (33 5/8 × 24 5/16 in.) overall (including added strips): 87.7 × 63.2 × 1.3 cm (34 1/2 × 24 7/8 × 1/2 in.) framed: 128.3 x 72.1 x 5.1 cm (50 1/2 x 28 3/8 x 2 in.)

National Gallery of Art