Artworks · Gilbert & George

Fates

2005 · 54 digital prints on paper with ink

image: 4260 x 7600 mm

Tate

Named

2001 · 90 photographs, gelatine silver print with dye on paper mounted onto panel

displayed: 3550 x 15300 mm

Tate

Naked Eye

1994 · 27 photographs, colour, on paper mounted onto board

image, each: 845 x 710 mm overall: 2530 x 6390 mm

Tate

The Singing Sculpture (1969-91)

1993 · Color photogravure relief print on Dufex (textured foil), mounted on ragboard with screenprinted inscription in gold-colored ink

Image/Dufex: 46.2 × 60 cm (18 1/4 × 23 5/8 in.); Sheet: 78.4 × 86 cm (30 7/8 × 33 7/8 in.)

Art Institute of Chicago

Light Headed

1991 · 15 hand-coloured photographs, gelatin silver print on paper on board

unconfirmed (displayed): 2535 x 3550 x 23 mm

Tate

Family Tree

1991 · 18 photographs, gelatin silver print on paper with dye on paper mounted onto board

displayed: 2538 x 3540 x 25 mm

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Faith Drop

1991 · 15 photographs, gelatin silver print on paper with dye on paper mounted onto board

displayed: 2538 x 3540 x 25 mm

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Here

1987 · Hand-dyed photographs on thirty-five sheets of paper, in thirty-five artist frames

9 ft. 10 3/4 in. × 11 ft. 7 1/8 in. × 3/4 in. (301.6 × 353.4 × 1.9 cm) Each: 23 3/4 × 19 7/8 × 3/4 in. (60.3 × 50.5 × 1.9 cm)

The Metropolitan Museum of Art

Death Hope Life Fear

1984 · 252 photographs, black and white, on paper with dye mounted onto panels

object: 4220 x 2500 mm object: 4220 x 6520 mm object: 4220 x 2500 mm object: 4220 x 6520 mm

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Existers

1984 · 28 photographs, gelatin silver print on paper with dye and silver leaf on board

object: 2410 x 3510 mm

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Speakers

1983 · gelatin silver print, hand-colored photo-piece

Overall: 241.9 x 303.9 cm (95 1/4 x 119 5/8 in.); Each section: 60.5 x 50.3 cm (23 13/16 x 19 13/16 in.)

Cleveland Museum of Art

Deatho Knocko

1982 · 56 photographs, gelatin silver print on paper mounted onto board

displayed: 4235 x 4040 mm

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Thirst

1982 · 16 photographs, gelatin silver print on paper with dye on paper mounted onto board

displayed: 2424 x 2020 x 25 mm

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Hunger

1982 · 16 photographs, gelatin silver print on paper with dye on paper mounted onto board

displayed: 2424 x 2020 x 25 mm

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Coronation Cross

1981 · 49 postcards on paper on board

unconfirmed: 1330 x 997 mm

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Happy

1980 · 16 photographs, black and white with dye on paper mounted onto board

displayed: 2422 x 2014 mm

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England

1980 · 30 photographs, black and white, with dye on paper

support: 3026 x 3026 mm

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CRUSADE

1980 · 16 hand-coloured photographs, gelatin silver print on paper on board

displayed: 2424 x 2020 x 25 mm

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Fallen Leaves

1980 · 16 hand-coloured photographs, gelatin silver print on paper on board

displayed: 2424 x 2020 x 25 mm

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Gilbert & George, New Photo-Pieces

1978 · Lithographic halftone in black and red (recto); offset lithograph in black (verso) on coated, ivory wove paper (postcard)

14.7 × 11.5 cm (5 13/16 × 4 9/16 in.)

Art Institute of Chicago

The Alcoholic

1978 · Sixteen gelatin silver prints

60.3 × 50.2 cm (23 3/4 × 19 3/4 in.), each; 242 × 202 cm (95 1/4 × 79 3/8 in.), installed

Art Institute of Chicago

Cunt Scum

1977 · 16 photographs, black and white, on paper mounted onto board

unconfirmed: 2413 x 2007 mm

Tate

Red Morning Trouble

1977 · 25 photographs, black and white with dye on paper mounted onto board

displayed: 3025 x 2525 mm

Tate

Coming

1975 · Chromogenic print with text

9 1/8 × 13 7/8" (23.2 × 35.2 cm)

Museum of Modern Art

The Red Sculpture

1975 · Chromogenic print with text

9 1/8 × 13 7/8" (23.2 × 35.2 cm)

Museum of Modern Art

Human Bondage and Dark Shadow

1975 · Chromogenic print with text

9 1/8 × 13 7/8" (23.2 × 35.2 cm)

Museum of Modern Art

Ready

1975 · Chromogenic print with text

9 1/8 × 13 7/8" (23.2 × 35.2 cm)

Museum of Modern Art

Cherry Blossom

1975 · Chromogenic print with text

9 1/8 × 13 7/8" (23.2 × 35.2 cm)

Museum of Modern Art

Bad Thoughts and Broken Hearts

1975 · Chromogenic print with text

9 1/8 × 13 7/8" (23.2 × 35.2 cm)

Museum of Modern Art

Wooden Air

1975 · Chromogenic print with text

9 1/8 × 13 7/8" (23.2 × 35.2 cm)

Museum of Modern Art

Bloody Life and Dusty Corners

1975 · Chromogenic print with text

9 1/8 × 13 7/8" (23.2 × 35.2 cm)

Museum of Modern Art

Gone

1975 · Chromogenic print with text

9 1/8 × 13 7/8" (23.2 × 35.2 cm)

Museum of Modern Art

Red Boxers

1975 · Chromogenic print with text

9 1/8 × 13 7/8" (23.2 × 35.2 cm)

Museum of Modern Art

The Red Sculpture

1975 · Chromogenic print with text

9 1/8 × 13 7/8" (23.2 × 35.2 cm)

Museum of Modern Art

The Red Sculpture Album

1975 · Artist book with 11 chromogenic color prints and text

15 3/16 × 19 7/8" (38.5 × 50.5 cm)

Museum of Modern Art

Postcard Sculpture 1974

1974 · 55 postcards on board

support: 1270 x 947 mm frame: 1275 x 949 x 25 mm

Tate

Untitled

1974 · Gelatin silver prints and dye

5 1/16 × 6 5/16" (12.8 × 16 cm)

Museum of Modern Art

You O.K. Sir?

1973 · Color lithographic halftone (recto); offset lithograph in black, with pen and red ink (verso) on cream wove paper

20.2 × 25.4 cm (8 × 10 in.)

Art Institute of Chicago

VVVvvvvv

1973 · Color lithographic halftone (recto); offset lithograph in black, with pen and red ink (verso) on cream wove paper

20.2 × 25.4 cm (8 × 10 in.)

Art Institute of Chicago

Stagger Stagger

1973 · Lithographic halftone in brown and black (recto); offset lithograph in black, with pen and red ink (verso) on cream wove paper

20.2 × 25.4 cm (8 × 10 in.)

Art Institute of Chicago

Early Days

1973 · Lithographic halftone in brown and black (recto); offset lithograph in black, with pen and red ink (verso) on cream wove paper

20.2 × 25.5 cm (8 × 10 1/16 in.)

Art Institute of Chicago

Who said gin?

1973 · Lithographic halftone in black and brown (recto); lithograph in black, with pen and red ink (verso) on cream wove paper

20.2 × 25.5 cm (8 × 10 1/16 in.)

Art Institute of Chicago

Whoops

1973 · Lithographic halftone in black and brown (recto); offset lithograph in black, with pen and red ink (verso) on cream wove paper

20.2 × 25.3 cm (8 × 10 in.)

Art Institute of Chicago

Wonderful Stuff!

1973 · Color lithographic halftone (recto); offset lithograph in black, with pen and red ink (verso) on cream wove paper

20.2 × 25.5 cm (8 × 10 1/16 in.)

Art Institute of Chicago

In the Bush

1972 · Video, monitor, black and white and sound (mono)

duration: 16 min.

Tate

Gordon’s Makes Us Drunk

1972 · Video, monitor, black and white and sound (mono)

duration: 12 min.

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Balls: The Evening Before the Morning After - Drinking Sculpture

1972 · 114 photographs, black and white, on paper mounted between glass and card

image: 2108 x 4382 mm

Tate

Gentlemen...

1972 · Offset lithograph in black on coated, ivory wove paper (postcard)

14 × 9 cm (5 9/16 × 3 9/16 in.)

Art Institute of Chicago