Artworks · Georges Rouault

Tailpiece (page 27) from RÉINCARNATIONS DU PÈRE UBU

1916 · Wood engraving, printed in black

irreg. composition 1 3/4 x 7 15/16" (4.5 x 20.2 cm)

Museum of Modern Art

GOOD VOTER (plate, facing page 22) from RÉINCARNATIONS DU PÈRE UBU

1916 · Etching, soft ground etching, aquatint, and drypoint with roulette over photogravure, printed in black

plate 10 5/8 x 6 7/8" (27 x 17.5 cm)

Museum of Modern Art

THE POLITICIAN (plate, facing page 18) from RÉINCARNATIONS DU PÈRE UBU

1916 · Etching, soft ground etching, aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 11 13/16 x 7 5/8" (30 x 19.4 cm)

Museum of Modern Art

Headpiece (page 17) from RÉINCARNATIONS DU PÈRE UBU

1916 · Wood engraving, printed in black

irreg. composition 2 1/16 x 7 15/16" (5.2 x 20.1 cm)

Museum of Modern Art

Tailpiece (page 16) from RÉINCARNATIONS DU PÈRE UBU

1916 · Wood engraving, printed in black

irreg. composition 3 11/16 x 7 15/16" (9.4 x 20.2 cm)

Museum of Modern Art

GOOD CANDIDATE BOUDOUBADABOU (plate, facing page 14) from RÉINCARNATIONS DU PÈRE UBU

1916 · Etching, soft ground etching, aquatint and lift ground aquatint with roulette over photogravure, printed in black

plate 11 13/16 x 7 9/16" (30 x 19.3 cm)

Museum of Modern Art

Duplicate of in-text plate from page 99 from (Prospectus for) Réincarnations du Père Ubu

1916 · Wood engraving, printed in black

irreg. composition 7 3/8 x 7 7/8" (18.7 x 20 cm)

Museum of Modern Art

Duplicate of title page from (Prospectus for) Réincarnations du Père Ubu

1916 · Wood engraving, printed in black

irreg. composition 6 7/8 x 8 7/16" (17.5 x 21.5 cm)

Museum of Modern Art

Duplicate of plate from page 160 from (Prospectus for) Réincarnations du Père Ubu

1916 · Wood engraving, printed in black

irreg. composition 11 1/2 x 7 3/4" (29.3 x 19.7 cm)

Museum of Modern Art

Variant of frontispiece from (Prospectus for) Réincarnations du Père Ubu

1916 · Etching and lift ground aquatint with roulette, printed in black

plate 11 9/16 x 7 11/16" (29.4 x 19.5 cm)

Museum of Modern Art

Circus Trainer

1915 · Gouache and crayon on paper

15 5/8 x 10 3/8" (39.7 x 26.3 cm)

Museum of Modern Art

The Three Judges

1913 · Gouache and oil on board

29 7/8 x 41 5/8" (75.9 x 105.7 cm)

Museum of Modern Art

RÉINCARNATIONS DU PÈRE UBU

1913 · 22 etchings (15 over photogravure) with aquatint, lift ground aquatint, soft ground etching, drypoint, and/or roulette, printed in black on cream, smooth, laid Arches or Rives BKF paper; and 104 wood engravings cut by Georges Aubert (including front cover and table of plates), printed in black on ivory, smooth, wove Vidalon paper (except cover)

irreg. page 17 5/16 x 12 13/16" (44 x 32.5 cm)

Museum of Modern Art

Sometimes the Way is Beautiful

1912 · Gouache and black ink on wove paper prepared with a pink wash, laid down on canvas, laid down on masonite

Max: 38.9 × 54.4 cm (15 3/8 × 21 7/16 in.)

Art Institute of Chicago

Clown

1912 · Oil on canvas

35 3/8 x 26 7/8" (89.8 x 68.2 cm)

Museum of Modern Art

Seated Nude

1910 · Etching

Plate: 5 13/16 x 3 1/2" (14.8 x 8.9 cm)

Museum of Modern Art

Seated Nude

1910 · Etching

plate: 5 13/16 x 3 1/2" (14.8 x 8.9 cm); sheet: 8 7/8 x 4 15/16" (22.5 x 12.5 cm)

Museum of Modern Art

Clown with Monkey

1910 · Monotype

plate: 22 5/8 x 15 1/4" (57.5 x 38.7 cm); sheet: 24 13/16 x 17 3/8" (63 x 44.2 cm)

Museum of Modern Art

The Bride (Aunt Sallys)

1907 · Oil paint on paper on canvas

support: 749 x 1054 mm frame: 1030 x 1340 x 100 mm

Tate

Nude

1906 · Watercolor and gouache, with pastel and touches of colored pencil on cream laid paper, laid down on cream wove paper

40 × 33.7 cm (15 3/4 × 13 5/16 in.)

Art Institute of Chicago

Woman at a Table (The Procuress)

1906 · Watercolor and pastel on board

12 1/8 x 9 1/2" (31 x 24.1 cm)

Museum of Modern Art

Two Nudes

1905 · Oil paint on paper

39 1/2 × 25 5/8 in. (100.3 × 65.1 cm)

The Metropolitan Museum of Art

Circus Act

1905 · Pastel, charcoal, watercolor, and ink on paper

10 1/4 x 13 1/2" (26.0 x 34.3 cm)

Museum of Modern Art

Head of a Woman

1904 · Gouache, with touches of pen and brown ink, over blue crayon on tan wove paper, laid down on tan wood-pulp laminate board

25 × 19.2 cm (9 7/8 × 7 9/16 in.)

Art Institute of Chicago

The Meal

1900 · Pastel on paper

support: 276 x 283 mm

Tate

Lawyer

1891 · Gouache, with touches of yellow crayon, and traces of metallic gold paint on cream wove paper, tipped on cream wove paper

Primary support: 30.2 × 19.3 cm (11 15/16 × 7 5/8 in.); Secondary support: 32.5 × 21.6 cm (12 13/16 × 8 9/16 in.)

Art Institute of Chicago

It is In His Death that We Have Been Baptized, plate 30 from Miserere

1891 · Heliogravure, with sugar-lift and burnishing on paper

Plate: 54.5 × 42 cm (21 1/2 × 16 9/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Portrait Sketch of Verlaine

1891 · Lithograph on paper

Image: 41 × 30 cm (16 3/16 × 11 13/16 in.); Sheet: 67 × 52.8 cm (26 7/16 × 20 13/16 in.)

Art Institute of Chicago

Entretien avec M. Clot

Watercolor, crayon, ink, gilt paint, and turpentine wash on paper

26 3/8 x 19 1/4" (67.0 x 48.8 cm)

Museum of Modern Art