Artworks · Georges Rouault

845 artworks · page 12 of 18

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere

1926 · Aquatint, drypoint and photogravure with ink additions

plate: 23 1/16 x 16 5/8" (58.6 x 42.3 cm); sheet: 25 9/16 x 19 3/4" (65 x 50.2 cm)

Museum of Modern Art

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere

1926 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

plate: 22 13/16 x 17 9/16" (58 x 44.6 cm); sheet (irreg.): 25 1/2 x 19 7/8" (64.8 x 50.5 cm)

Museum of Modern Art

"The Righteous, like Sandalwood, Perfume the Axe That Falls on Them" («Le Juste comme le bois de santal parfume la hache qui le frappe»), plate XLVI from Miserere

1926 · Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 23 1/4 x 16 9/16" (59 x 42.1 cm)

Museum of Modern Art

"Jesus Will Be in Agony until the End of the World..." («Jésus sera en agonie jusqu'à la fin du monde...»), plate XXXV from Miserere

1926 · Aquatint, etching, and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 22 15/16 x 16 1/4" (58.3 x 41.3 cm)

Museum of Modern Art

"Obedient Unto Death, Even the Death of the Cross" («Obéissant jusqu'à la mort et à la mort de la croix »), plate LVII from Miserere

1926 · Aquatint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 22 15/16 x 16 5/8" (58.2 x 42.3 cm)

Museum of Modern Art

In So Many Different Ways, The Noble Vocation of Sowing Hostile Land (En tant d'ordres divers le beau métier d'ensemencer une terre hostile), plate XXII from Miserere

1926 · Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 23 1/4 x 16 15/16" (59 x 43 cm)

Museum of Modern Art

Virgin of the Seven Swords (Vierge aux sept glaives), plate LIII from Miserere

1926 · Aquatint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 22 15/16 x 16 1/16" (58.2 x 40.8 cm)

Museum of Modern Art

Are We Not All Convicts? (Ne sommes-nous pas forçats?), plate VI from Miserere

1926 · Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 23 3/8 x 17 3/16" (59.3 x 43.7 cm)

Museum of Modern Art

The Chinese Invented Gunpowder, They Say, and Made Us a Gift of It (Chinois inventa, dit-on, la poudre à canon, nous en fit don), plate XXXVIII from Miserere

1926 · Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 22 11/16 x 16 1/4" (57.7 x 41.3 cm)

Museum of Modern Art

Girl, from Maîtres et Petits Maîtres d'aujourd'hui

1925 · Lithograph on ivory Japanese paper

Image: 32.5 × 23 cm (12 13/16 × 9 1/16 in.); Sheet: 55.5 × 33.5 cm (21 7/8 × 13 1/4 in.)

Art Institute of Chicago

The White Horse, from Saltimbanques

1925 · Lithograph on ivory wove paper

Image: 30 × 23.5 cm (11 13/16 × 9 5/16 in.); Sheet: 45 × 32.5 cm (17 3/4 × 12 13/16 in.)

Art Institute of Chicago

Acrobat

1925 · Lithograph

Comp. 12 3/4 x 9 1/4" (32.5 x 23.4 cm)

Museum of Modern Art

Christ Crucified between Mary and St. John (Le Christ)

1925 · Lithograph, printed in black

Museum of Modern Art

RÉINCARNATIONS DU PÈRE UBU

1925 · Relief halftone reproduction after Rouault portrait of Vollard

irreg. page 7 7/8 x 5 1/2" (20 x 14 cm)

Museum of Modern Art

SKELETON, plate IX (page 63) from LES FLEURS DU MAL

1925 · Lift ground aquatint with roulette over photogravure, printed in black

plate 13 15/16 x 10 3/16" (35.5 x 25.9 cm)

Museum of Modern Art

THE MOCKING OF CHRIST, plate II (page 19) from LES FLEURS DU MAL

1925 · Lift ground aquatint and drypoint over photogravure, printed in black

plate 13 7/8 x 10 1/4" (35.3 x 26.1 cm)

Museum of Modern Art

SATAN III, plate VIII (page 53) from LES FLEURS DU MAL

1925 · Etching and drypoint over photogravure, printed in black

plate 13 15/16 x 10 5/16" (35.5 x 26.2 cm)

Museum of Modern Art

SATAN II, plate VII (page 47) from LES FLEURS DU MAL

1925 · Drypoint with roulette over photogravure, printed in black

plate 13 3/4 x 10 1/16" (34.9 x 25.6 cm)

Museum of Modern Art

IT IS A BEAUTIFUL WOMAN WITH A HANDSOME NECK..., plate XIV (page 97) from LES FLEURS DU MAL

1925 · Lift ground aquatint and drypoint with roulette over photogravure, printed in black

plate 13 7/8 x 9 15/16" (35.3 x 25.2 cm)

Museum of Modern Art

WHILE YOU SLEEP, MY BEAUTIFUL MYSTERIOUS ONE..., plate VI (page 41) from LES FLEURS DU MAL

1925 · Drypoint with roulette over photogravure, printed in black

plate 10 9/16 x 14 1/4" (26.8 x 36.2 cm)

Museum of Modern Art

DEBAUCHERY AND DEATH, plate XIII (page 91) from LES FLEURS DU MAL

1925 · Etching and drypoint with roulette over photogravure, printed in black

plate 12 5/16 x 9 3/4" (31.3 x 24.8 cm)

Museum of Modern Art

SATAN IV plate XII (page 85) from LES FLEURS DU MAL

1925 · Lift ground aquatint and drypoint over photogravure, printed in black

plate 13 11/16 x 9 15/16" (34.7 x 25.3 cm)

Museum of Modern Art

PROUD, AS LONG AS ALIVE, OF HER NOBLE STATURE..., plate XI (page 75) from LES FLEURS DU MAL

1925 · Lift ground aquatint and drypoint with roulette over photogravure, printed in black

plate 14 1/8 x 10 5/16" (35.9 x 26.2 cm)

Museum of Modern Art

PROSTITUTION BREAKING OUT IN THE STREETS..., plate X (page 69) from LES FLEURS DU MAL

1925 · Lift ground aquatint and drypoint over photogravure, printed in black

plate 13 7/16 x 9 1/2" (34.1 x 24.2 cm)

Museum of Modern Art

NUDE IN PROFILE, plate V (page 35) from LES FLEURS DU MAL

1925 · Lift ground aquatint and drypoint over photogravure, printed in black

plate 13 5/16 x 9 3/4" (33.8 x 24.8 cm)

Museum of Modern Art

LES FLEURS DU MAL

1925 · 10 lift ground aquatints over photogravure, with drypoint, etching, and/or roulette; and 4 drypoints with roulette over photogravure (2 with etching) printed in black

irreg. page 17 9/16 x 13 3/8" (44 x 34 cm)

Museum of Modern Art

SATAN, plate I (page 11) from LES FLEURS DU MAL

1925 · Lift ground aquatint and drypoint over photogravure, printed in black

plate 13 15/16 x 10 1/4" (35.5 x 26 cm)

Museum of Modern Art

CHRIST, plate III (page 23) from LES FLEURS DU MAL

1925 · Lift ground aquatint and drypoint with roulette over photogravure, printed in black

plate 13 15/16 x 10 1/16" (35.5 x 25.6 cm)

Museum of Modern Art

FLOWER OF EVIL, plate IV (page 29) from LES FLEURS DU MAL

1925 · Lift ground aquatint and drypoint over photogravure, printed in black

plate 13 7/8 x 10 3/16" (35.3 x 25.9 cm)

Museum of Modern Art

The Clown, from Maîtres et Petits Maîtres d'aujourd'hui

1924 · Lithograph on ivory wove paper

Image: 34.5 × 22.5 cm (13 5/8 × 8 7/8 in.); Sheet: 50 × 33 cm (19 11/16 × 13 in.)

Art Institute of Chicago

The Bilboquet Player

1924 · Lithograph, printed in black

Sheet 19 3/4 x 12 11/16" (50.2 x 32.2 xcm) Comp.12 5/8 x 9 3/16" (32.0 x 23.3 cm)

Museum of Modern Art

The Parade (Le Parade), second plate

1924 · Lithograph

Comp. 12 1/16 x 9" (30.6 x 22.9 cm)

Museum of Modern Art

The Circus Rider (L'Ecuyère)

1924 · Lithograph

Comp. 15 5/8 x 8 13/16" (39.8 x 22.4 cm)

Museum of Modern Art

Wandering Circus. Clown and Acrobats (Cirque forain. Clown et acrobates)

1924 · Lithograph

Comp. 13 1/4 x 8 7/8" (33.6 x 22.5 cm)

Museum of Modern Art

CONFIDING: TWO PROGNASTICATORS

1924 · Lithograph, printed in black

Comp. 12 x 9 1/8" (30.4 x 23.2 cm)

Museum of Modern Art

The Juggler. Wandering Circus (Le Jongleur. Cirque forain)

1924 · Lithograph

Comp. 12 5/8 x 8 3/8" (32.0 x 21.2 cm)

Museum of Modern Art

Acrobats

1924 · Lithograph

Comp. 12 3/4 x 9 3/16" (32.5 x 23.3 cm)

Museum of Modern Art

Clowns and Dancer (Clowns et danseuse)

1924 · Lithograph

Comp. 12 7/16 x 10 3/16" (31.6 x 25.8 cm)

Museum of Modern Art

The Speaker (L'Orateur)

1924 · Lithograph

Comp. 11 5/16 x 8 13/16" (28.7 x 22.2 cm)

Museum of Modern Art

We Will Be Strong (Nous serons forts), first plate

1924 · Lithograph

Comp. 12 1/16 x 8 9/16" (32.3 x 21.7 cm)

Museum of Modern Art

Démagogie: Mr. Moche

1924 · Lithograph

Comp. 12 1/2 x 8 15/16" (31.7 x 22.6 cm)

Museum of Modern Art

The Circus Rider (L'Ecuyère)

1924 · Lithograph

composition: 12 1/2 x 8 9/16" (31.7 x 21.8cm); sheet: 18 11/16 x 13" (47.5 x 33 cm)

Museum of Modern Art

Flotsam (Les Épaves)

1924 · Lithograph

composition: 12 1/2 x 8 3/4" (31.7 x 22.3cm); sheet: 19 13/16 x 12 15/16" (50.4 x 32.8 cm)

Museum of Modern Art

The Future Belongs to Us. Citizen Gaspard. Second Plate

1924 · Lithograph, printed in black

Comp. 13 7/16 x 8 11/16" (34.1 x 22.1 cm)

Museum of Modern Art

The Bilboquet Player (Le Bilboquet)

1924 · Lithograph

composition: 12 5/16 x 8 15/16" (31.3 x 22.7cm); sheet: 18 3/4 x 13" (47.6 x 33 cm)

Museum of Modern Art

The Prostitute (La Prostituée)

1924 · Lithograph

composition: 12 7/8 x 9" (32.7 x 22.8cm); sheet: 19 11/16 x 12 7/8" (50 x 32.7 cm)

Museum of Modern Art

The Trio (Le Trio), second plate

1924 · Lithograph

composition: 12 3/4 x 10 11/16" (32.4 x 27.1cm); sheet: 18 13/16 x 12 7/8" (47.8 x 32.7 cm)

Museum of Modern Art

The Little Circus Rider (La Petite ecuyère)

1924 · Lithograph

composition: 11 15/16 x 9 7/16" (30.4 x 24cm); sheet: 18 13/16 x 12 7/8" (47.8 x 32.7 cm)

Museum of Modern Art

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