Artworks · Georges Rouault

Headpiece (page 109) from PASSION

1928

composition 3 15/16 x 7 7/8" (10 x 20 cm)

Museum of Modern Art

LADY WITH A CREST (plate, facing page 94) from PASSION

1928 · Aquatint, lift ground aquatint, soft ground etching, and engraving with roulette, printed in color

plate 12 3/8 x 8 3/8" (31.4 x 21.3 cm)

Museum of Modern Art

Plate (page 2) from PASSION

1928

composition 11 7/8 x 7 7/8" (30.1 x 20 cm)

Museum of Modern Art

Plate (page 68) from PASSION

1928

irreg. composition 11 3/4 x 7 13/16" (29.8 x 19.8 cm)

Museum of Modern Art

Headpiece (page 69) from PASSION

1928

composition 7 7/16 x 7 13/16" (18.9 x 19.9 cm)

Museum of Modern Art

ASSISTANT EXECUTIONER (CARRYING WOOD FOR THE CROSS) (plate, facing page 142) from PASSION

1928 · Aquatint, lift ground aquatint, soft ground etching, and engraving with roulette, printed in color

plate 12 1/4 x 8 1/2" (31.1 x 21.6 cm)

Museum of Modern Art

CHRIST AT THE GATES OF THE CITY (frontispiece) from PASSION

1928 · Aquatint, lift ground aquatint, and soft ground etching with roulette, printed in color

plate 12 3/8 x 8 7/8" (31.4 x 22.5 cm)

Museum of Modern Art

CHRIST AT THE OUTSKIRTS OF THE CITY (plate facing page 8) from PASSION

1928 · Aquatint, lift ground aquatint, etching and soft ground etching with roulette, printed in color

composition 11 15/16 x 8 1/4" (30.4 x 20.9 cm)

Museum of Modern Art

Plate (page 56) from PASSION

1928

composition 11 3/4 x 7 7/8" (29.8 x 20 cm)

Museum of Modern Art

TRAMP (plate, facing page 14) from PASSION

1928 · Aquatint, lift ground aquatint, etching, and soft ground etching with roulette, printed in color

plate 11 15/16 x 8 1/8" (30.3 x 20.6 cm)

Museum of Modern Art

Gustave Moreau, from Souvenir Intimes

1927 · Lithograph on ivory wove paper

Image: 23 × 17 cm (9 1/16 × 6 3/4 in.); Sheet: 45 × 32.5 cm (17 3/4 × 12 13/16 in.)

Art Institute of Chicago

Satan IV, plate twelve from Les Fleurs du Mal

1927 · Etching, drypoint, sugar-lift, burnishing on off-white wove paper

Plate: 34.5 × 25 cm (13 5/8 × 9 7/8 in.); Sheet: 38 × 28.5 cm (15 × 11 1/4 in.)

Art Institute of Chicago

When You Were Sleeping, My Beautiful Gloomy One, plate six from Les Fleurs du Mal

1927 · Etching, drypoint, roulette, scraping and burnishing on ivory wove paper

Plate: 26 × 36 cm (10 1/4 × 14 3/16 in.); Sheet: 32.5 × 44.5 cm (12 13/16 × 17 9/16 in.)

Art Institute of Chicago

In These Dark Times of Vanity and Unbelief, Our Lady of The Ends of the Earth keeps watch, plate 56 from Miserere

1927 · Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper

Plate: 58.5 × 43.3 cm (23 1/16 × 17 1/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

De profundis, plate 47 from Miserere

1927 · Heliogravure, with aquatint, burnishing, and drypoint on paper

Plate: 43 × 60 cm (16 15/16 × 23 5/8 in.); Sheet: 50.5 × 65.5 cm (19 15/16 × 25 13/16 in.)

Art Institute of Chicago

This Will Be the Last Time, Dear Father!, plate 36 from Miserere

1927 · Heliogravure, sugar- lift, scraping, burnishing, and drypoint on paper

Plate: 58.8 × 43 cm (23 3/16 × 16 15/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Lord, it is You, Who I Recognize, plate 32 from Miserere

1927 · Heliogravure, with sugar-lift, burnishing, drypoint and scraping on paper

Plate: 57 × 45 cm (22 1/2 × 17 3/4 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Self-Portrait, from Souvenirs Intimes

1927 · Lithograph in black on ivory wove paper

Image: 23 × 17.2 cm (9 1/16 × 6 13/16 in.); Sheet: 46.8 × 33 cm (18 7/16 × 13 in.)

Art Institute of Chicago

Le Cirque (plate, preceding page 249) from Tableaux de Paris

1927 · Lithograph from an illustrated book with nine etchings (three with drypoint, one with aquatint), six lithographs, and five drypoints (one with roulette)

irreg. composition 8 15/16 x 6 3/8" (22.8 x 16.2 cm)

Museum of Modern Art

"ARISE, YE DEAD!," plate LIV (folio 169) from MISERERE

1927 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 23 1/4 x 17 1/2" (59 x 44.4 cm)

Museum of Modern Art

IN THESE DARK TIMES OF VAINGLORY AND UNBELIEF, OUR LADY OF LAND'S END KEEPS VIGIL, plate LVI (folio 175) from MISERERE

1927 · Lift ground aquatint, aquatint, etching, soft ground etching, and drypoint with roulette over photogravure, printed in black

plate 23 1/4 x 17 1/8" (59 x 43.5 cm)

Museum of Modern Art

WAR, WHICH ALL MOTHERS HATE, plate XLII (folio 133) from MISERERE

1927 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 23 x 17 3/8" (58.5 x 44.2 cm)

Museum of Modern Art

OUT OF THE DEPTHS..., plate XLVII (folio 148) from MISERERE

1927 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 17 x 23 3/4" (43.2 x 60.3 cm)

Museum of Modern Art

LORD, IT IS THOU, I KNOW THEE!, plate XXXII (folio 103) from MISERERE

1927 · Lift ground aquatint and drypoint with roulette over photogravure, printed in black

plate 22 9/16 x 17 11/16" (57.4 x 45 cm)

Museum of Modern Art

THIS WILL BE THE LAST TIME, LITTLE FATHER!, plate XXXVI (folio 115) from MISERERE

1927 · Lift ground aquatint and drypoint with roulette over photogravure, printed in black

plate 23 5/16 x 17" (59.3 x 43.2 cm)

Museum of Modern Art

MY SWEET HOMELAND, WHAT HAS BECOME OF YOU?, plate XLIV (folio 139) from MISERERE

1927 · Lift ground aquatint and drypoint with roulette over photogravure, printed in black

plate 16 1/2 x 23 7/16" (42 x 59.5 cm)

Museum of Modern Art

Trial proof for Lord, It Is Thou, I Know Thee!, plate XXXII from Miserere

1927 · Aquatint and drypoint with roulette over photogravure, with pen and ink additions

plate: 22 5/8 x 17 11/16" (57.4 x 45 cm); sheet (irreg.): 25 11/16 x 19 7/8" (65.3 x 50.5 cm)

Museum of Modern Art

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere

1927 · Aquatint and drypoint with roulette over photogravure

plate: 23 3/8 x 17" (59.3 x 43.2 cm); sheet (irreg.): 25 11/16 x 19 3/4" (65.2 x 50.1 cm)

Museum of Modern Art

Trial proof for "Arise, Ye Dead!," plate LIV from Miserere

1927 · Aquatint and drypoint with roulette over photogravure

Museum of Modern Art

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere

1927 · Aquatint, etching, and drypoint with roulette over photogravure

plate: 23 1/4 x 17 1/8" (59 x 43.5 cm); sheet (irreg.): 25 1/2 x 19 13/16" (64.8 x 50.3 cm)

Museum of Modern Art

Trial proof for War, Which All Mothers Hate, plate XLII from Miserere

1927 · Aquatint and drypoint with roulette over photogravure, with pen and ink additions

plate: 23 1/8 x 17 7/16" (58.8 x 44.3 cm); sheet (irreg.): 25 9/16 x 19 13/16" (65 x 50.3 cm)

Museum of Modern Art

Trial proof for Out Of The Depths..., plate XLVII from Miserere

1927 · Aquatint and drypoint with roulette over photogravure

plate: 17 x 23 3/4" (43.2 x 60.3 cm); sheet (irreg.): 19 7/8 x 25 11/16" (50.5 x 65.2 cm)

Museum of Modern Art

Virgin of the Seven Swords, plate 53 from Miserere

1926 · Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper

Plate: 57.5 × 40.8 cm (22 11/16 × 16 1/8 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Virgin of the Seven Swords, plate 53 from Miserere

1926 · Heliogravure, with sugar-lift aquatint, burnishing, and drypoint, with touches of blue chalk on paper

Plate: 57.5 × 40.8 cm (22 11/16 × 16 1/8 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

With Tooth and Nail, plate 50 from Miserere

1926 · Heliogravure, with sugar-lift aquatint, scraping, burnishing, and drypoint on paper

Plate: 57.2 × 44.2 cm (22 9/16 × 17 7/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

The Chinese, They Say, Invented Gunpowder and Made Us a Gift of it, plate 38 from Miserere

1926 · Heliogravure, with scraping, burnishing, roulette, and drypoint on paper

Plate: 57.5 × 41 cm (22 11/16 × 16 3/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Even the Ruins Have Been Destroyed, plate 34 from Miserere

1926 · Heliogravure, with sugar-lift, scraping, roulette, and drypoint on paper

Plate: 57.5 × 44.5 cm (22 11/16 × 17 9/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Mortality has her Tears, plate 27 from Miserere

1926 · Heliogravure with sugar-lift aquatint, drypoint, burnishing on paper

Plate: 58 × 42 cm (22 7/8 × 16 9/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Are we not Slaves?, plate six from Miserere

1926 · Heliogravure, burnishing, drypoint, roulette on paper

Plate: 59 × 43.5 cm (23 1/4 × 17 3/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Virgin of the Seven Swords, plate 53 from Miserere

1926 · Heliogravure, with aquatint and brush on paper

Plate: 57.5 × 40.8 cm (22 11/16 × 16 1/8 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Gustave Moreau (with a small hat), from Souvenirs Intimes

1926 · Lithograph on ivory wove paper

Image: 23 × 17 cm (9 1/16 × 6 3/4 in.); Sheet: 32.5 × 25 cm (12 13/16 × 9 7/8 in.)

Art Institute of Chicago

Verlaine

1926 · Lithograph on paper

Image: 28.2 × 32 cm (11 1/8 × 12 5/8 in.); Sheet: 61 × 45.6 cm (24 1/16 × 18 in.)

Art Institute of Chicago

Among so many different commands lies the beautiful task of sowing on a hostile earth, plate 22 from Miserere

1926 · Aquatint on paper

Plate: 58.5 × 43 cm (23 1/16 × 16 15/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Self-Portrait with Cap

1926 · Lithograph

composition: 9 3/16 x 6 13/16" (23.3 x 17.3cm); sheet: 12 15/16 x 9 15/16" (32.9 x 25.3cm)

Museum of Modern Art

SELF PORTRAIT WITH CAP

1926 · Lithograph, printed in black

Comp. 9 1/16 x 6 3/4" (23.0 x 17.2 cm)

Museum of Modern Art

GUSTAVE MOREAU WITH WHITE BEARD

1926 · Lithograph, printed in black

Comp. 9 3/16 x 6 3/4" (23.3 x 17.1 cm)

Museum of Modern Art

Portrait of Charles Baudelaire

1926 · Lithograph

Comp. 10 7/16 x 6 1/2" (26.8 x 16.5 cm)

Museum of Modern Art

Gustave Moreau with the Small Hat

1926 · Lithograph, printed in black

Comp. 9 1/16 x 6 11/16" (23.0 x 17.0 cm)

Museum of Modern Art