Artworks · George Stubbs

A Couple of Foxhounds

1792 · Oil paint on canvas

support: 1016 x 1270 mm frame: 1180 x 1440 x 115 mm

Tate

Reapers

1791 · stipple and roulette on laid paper

sheet: 48.26 × 68.58 cm (19 × 27 in.), trimmed to platemark

National Gallery of Art

Reapers

1791 · Engraving on paper

image: 482 x 685 mm

Tate

Hay-Makers

1791 · Stipple engraving, with roulette, on ivory laid paper

Image/plate: 48.4 × 68.5 cm (19 1/16 × 27 in.); Sheet: 53.7 × 71.3 cm (21 3/16 × 28 1/8 in.)

Art Institute of Chicago

A Sleeping Leopard

1791 · Soft-ground etching with roulette work; second state of two

7 1/8 x 9 5/16 in. (18.1 x 23.7 cm)

The Metropolitan Museum of Art

Labourers

1789 · mezzotint

National Gallery of Art

Labourers

1789 · Engraving on paper

image: 530 x 707 mm

Tate

Labourers

1789 · Etching, with stipple engraving, roulette, rocker and burnishing, on ivory wove paper

Image/plate: 52.6 × 70 cm (20 3/4 × 27 9/16 in.); Sheet: 55.5 × 72.2 cm (21 7/8 × 28 7/16 in.)

Art Institute of Chicago

A Lion Resting on a Rock

1788 · Engraving on paper

image: 227 x 314 mm

Tate

A Horse Attacked by a Lion (A Lion Devouring a Horse)

1788 · Etching on paper

image: 250 x 335 mm

Tate

A Foxhound

1788 · Engraving on paper

image: 92 x 115 mm

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A Foxhound Viewed from Behind

1788 · Engraving on paper

image: 84 x 107 mm

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Liggende tijger en slapend jachtluipaard

1788 · soft-ground etching on paper

width: 326 cm, height: 252 cm

Rijksmuseum

A Horse Attacked by a Lion

1788 · etching and engraving

Cleveland Museum of Art

A Tyger (A Recumbent Leopard by a Tree)

1788 · Etching with roulette in black on off-white wove paper

Sheet: 25.6 × 32.8 cm (10 1/8 × 12 15/16 in.); Image: 22.5 × 31.3 cm (8 7/8 × 12 3/8 in.)

Art Institute of Chicago

A Horse Affrighted at a Lion

1788 · Etching with roulette work; third state of three

sheet: 9 7/8 x 12 in. (25.1 x 30.5 cm)

The Metropolitan Museum of Art

A Lion (A Lion Resting on a Rock)

1788 · Etching with roulette work; only state

13 1/4 x 10 1/4 in. (33.7 x 26.0 cm)

The Metropolitan Museum of Art

Dog (A Foxhound Viewed from Behind)

1788 · Roulette work with etching; first and only state

4 1/8 x 5 in. (10.5 x 12.7 cm)

The Metropolitan Museum of Art

A Tyger (A Recumbent Leopard by a Tree)

1788 · Etching with roulette work; first and only state

10 x 13 in. (25.4 x 33.0 cm)

The Metropolitan Museum of Art

Bay Hunter by a Lake

1787 · Oil paint on oak

support: 905 x 1372 mm

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Reapers

1785 · Oil paint on wood

support: 899 x 1368 mm

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Haymakers

1785 · Oil paint on wood

support: 895 x 1353 mm

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Portrait of a Young Gentleman Out Shooting

1781 · Enamel paint on Wedgwood biscuit earthenware

support: 457 x 622 mm

Tate

White Poodle in a Punt

1780 · oil on canvas

overall: 127 x 101.5 cm (50 x 39 15/16 in.)

National Gallery of Art

Leopards at Play

1780 · Copper plate

object: 381 x 483 mm

Tate

Leopards at Play

1780 · Etching and engraving on paper

image: 356 x 467 mm

Tate

Horse in the Shade of a Wood

1780 · Oil paint on wood

support: 597 x 762 mm frame: 770 x 940 x 85 mm

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A Horse Affrighted by a Lion

1777 · Etching and engraving on cream laid paper

Image: 34.1 × 45.9 cm (13 7/16 × 18 1/8 in.); Sheet: 36.5 × 47.7 cm (14 3/8 × 18 13/16 in.)

Art Institute of Chicago

A Horse Frightened by a Lion

1777 · Etching with engraving on paper

Image: 34.5 × 46 cm (13 5/8 × 18 1/8 in.); Plate: 37.4 × 48 cm (14 3/4 × 18 15/16 in.); Sheet: 38.5 × 50 cm (15 3/16 × 19 11/16 in.)

Art Institute of Chicago

Mother and Child

1774 · Enamel on metal

support: 305 x 305 mm

Tate

Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances

1769 · oil on canvas

overall: 100.2 x 126.6 cm (39 7/16 x 49 13/16 in.) framed: 120.7 x 146.4 x 7.6 cm (47 1/2 x 57 5/8 x 3 in.)

National Gallery of Art

Horse Attacked by a Lion

1769 · Enamel on copper

support: 241 x 283 mm frame: 514 x 560 x 74 mm

Tate

Otho, with John Larkin up

1768 · Oil paint on canvas

support: 1013 x 1270 mm frame: 1207 x 1460 x 105 mm

Tate

The Third Duke of Dorset's Hunter with a Groom and a Dog

1768 · Oil on canvas

40 x 49 3/4 in. (101.6 x 126.4 cm)

The Metropolitan Museum of Art

The Anatomy of the Horse

1766 · Book with twenty-four engravings in black on cream laid paper, in box

Box: 51.4 × 64.7 × 4.3 cm (20 1/4 × 25 1/2 × 1 3/4 in.); Book: 48 × 61.3 × 2.4 cm (18 15/16 × 24 3/16 × 1 in.)

Art Institute of Chicago

The Anatomy of the Horse, including a particular description of the bones, cartilages, muscles, fascias, ligaments, nerves, arteries, veins, and glands

1766 · Illustrations: etching

18 1/4 x 23 in. (46.4 x 58.4 cm)

The Metropolitan Museum of Art

Newmarket Heath, with a Rubbing-Down House

1765 · Oil paint on canvas

support: 302 x 419 mm frame: 425 x 535 x 60 mm

Tate

Horse Frightened by a Lion

1763 · Oil paint on canvas

unconfirmed: 705 x 1019 mm frame: 885 x 1208 x 85 mm

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Horse Devoured by a Lion

1763 · Oil paint on canvas

support: 692 x 1035 mm frame: 897 x 1243 x 80 mm

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Mares and Foals in a River Landscape

1763 · Oil paint on canvas

support: 1016 x 1619 mm frame: 1229 x 1815 x 64 mm

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A Grey Hunter with a Groom and a Greyhound at Creswell Crags

1762 · Oil paint on canvas

support: 445 x 679 mm frame: 620 x 855 x 110 mm

Tate

Josiah Wedgewood

1744 · Black chalk on cream wove paper

20.4 × 14.1 cm (8 1/16 × 5 9/16 in.)

Art Institute of Chicago

Study of an Eagle

Ink, watercolour, graphite and chalk on paper

support: 303 x 209 mm

Tate