Artworks · George Richmond

Study of a Female Nude, Seated

1870 · Red and black chalk

Sheet: 8 7/16 x 11 1/4 in. (21.5 x 28.5 cm)

The Metropolitan Museum of Art

Study for a Male Figure in "Comus–The Measure" (recto); Reclining Male Nude (verso)

1864 · Black chalk

Sheet: 11 7/16 × 8 3/4 in. (29 × 22.2 cm)

The Metropolitan Museum of Art

Portrait of a Woman

1851 · watercolor with gouache and graphite

Sheet: 43.1 x 34.7 cm (16 15/16 x 13 11/16 in.); Secondary Support: 51 x 43 cm (20 1/16 x 16 15/16 in.)

Cleveland Museum of Art

A Farm near the Sea at Margate, Kent

1850 · watercolor over graphite with gum arabic

sheet: 17.9 × 26.2 cm (7 1/16 × 10 5/16 in.)

National Gallery of Art

A Field near Margate

1850 · Watercolour and gouache on paper

support: 180 x 264 mm

Tate

Study of a Tree

1848 · Watercolor

Sheet: 8 7/8 x 7 5/16 in. (22.5 x 18.5 cm)

The Metropolitan Museum of Art

Maatschappij tot Bevordering van Landbouw en Veeteelt in Zeeland, penning uitgereikt aan L. Klaassen

1848 · striking (metalworking) on bronze (metal)

diameter: 5.1 cm, weight: 57.77 cm

Rijksmuseum

Mrs. Anne Walbanke-Childers

1843 · watercolor over graphite with gouache and gum arabic on wove paper, laid down on card

sheet: 52.7 × 38 cm (20 3/4 × 14 15/16 in.) mount: 64 × 49 cm (25 3/16 × 19 5/16 in.)

National Gallery of Art

Bezoek van Victoria en Albert, koning en koningin van Engeland aan het atelier van G.R. Collis, opvolger van sir Edward Thomason, penning geslagen ter ere van de hertogin van Sutherland

1843 · striking (metalworking) on bronze (metal)

diameter: 7.4 cm, weight: 1117 cm

Rijksmuseum

Portret van een zittende dame bij een doorkijk naar buiten

1842 · brush on watercolor (paint), paper

height: 489 cm, width: 381 cm

Rijksmuseum

Cedar Trees in a Park

1840 · Black, red and white chalk on brown paper

Sheet: 4 5/16 × 7 5/8 in. (10.9 × 19.4 cm)

The Metropolitan Museum of Art

Study of a Plant

1840 · Black chalk

Sheet: 7 × 4 7/16 in. (17.8 × 11.2 cm)

The Metropolitan Museum of Art

Study of a Man Gazing Down

1840 · Pen and brown ink

Sheet: 7 1/16 × 5 7/16 in. (18 × 13.8 cm)

The Metropolitan Museum of Art

Landscape at Margate

1840 · Black chalk

Sheet: 4 1/2 × 7 1/4 in. (11.4 × 18.4 cm)

The Metropolitan Museum of Art

Portrait of E.M. Ward, RA (1816-1879)

1839 · Chalk and watercolour on paper

support: 276 x 215 mm

Tate

Tom -- Florence

1838 · graphite, white gouache, and pen and brown ink on tan wove paper

sheet: 27.4 × 18.5 cm (10 13/16 × 7 5/16 in.) mount: 35.8 × 24.7 cm (14 1/8 × 9 3/4 in.)

National Gallery of Art

Studies of Sheep in Pasture

1837 · pen and brown ink on wove paper

overall: 12.1 x 18.7 cm (4 3/4 x 7 3/8 in.)

National Gallery of Art

Portrait of Two Children

1837 · Watercolor and gouache (bodycolor) with touches of gum and gold, on yellow paper

sheet: 22 7/8 x 16 5/8 in. (58.1 x 42.2 cm)

The Metropolitan Museum of Art

Portrait of Henry Walter. Verso: Profile of a Woman

1829 · Graphite, gouache and watercolour on paper. Verso: graphite and ink on paper

support: 178 x 124 mm

Tate

Hagar and Ishmael in the Wilderness (recto); Two Portrait Studies of the Artist's Wife, and a Study of a Leg and Torso (verso)

1829 · Recto: graphite, pen and black ink, brush and black wash, with white gouache (bodycolor)

The Metropolitan Museum of Art

Christ and the Woman of Samaria

1828 · Tempera and shell gold on mahoghany

support: 410 x 498 mm frame: 565 x 657 x 50 mm

Tate

A Portrait of Welby Sherman Asleep in a Chair

1828 · graphite with touches of watercolor

Sheet: 16 x 13.2 cm (6 5/16 x 5 3/16 in.)

Cleveland Museum of Art

Study for ‘Christ and the Woman of Samaria’

1827 · Ink on paper

support: 108 x 140 mm

Tate

The Shepherd

1827 · Line engraving on paper

image: 178 x 114 mm

Tate

The Fatal Bellman (‘The Robber’)

1827 · Line engraving on paper

image: 70 x 48 mm

Tate

A Figure Weeping Over a Grave

1827 · Pen and brown ink over graphite

lunette: 3 1/8 x 5 in. (8 x 12.7 cm)

The Metropolitan Museum of Art

The Fatal Bellman

1827 · Etching in black on cream vellum

Plate: 6.7 × 4.6 cm (2 11/16 × 1 13/16 in.); Sheet: 8.3 × 6.2 cm (3 5/16 × 2 1/2 in.)

Art Institute of Chicago

The Creation of Light

1826 · Tempera, gold and silver on mahogany

support: 480 x 417 mm frame: 602 x 539 x 66 mm

Tate

Tracing of Title-Page of Blake’s ‘Book of Job’

1826 · Graphite on paper

support: 214 x 157 mm

Tate

Abel the Shepherd

1825 · Tempera on oak

support: 229 x 305 mm frame: 334 x 406 x 40 mm

Tate

Fettered Nude Figure Reclining by a Rock

1825 · Ink and watercolour on paper

support: 235 x 343 mm

Tate

Portrait of a Woman

1825 · watercolor with graphite heightened with white paint

Sheet: 27.8 x 21.6 cm (10 15/16 x 8 1/2 in.)

Cleveland Museum of Art

Elijah and the Angel

1824 · Ink and watercolour on paper

support: 140 x 140 mm

Tate

Two Male Figures

1824 · pen and brown ink

Sheet: 14.9 x 16 cm (5 7/8 x 6 5/16 in.)

Cleveland Museum of Art

Burdock

1820 · Black and white chalk on blue-gray paper

Sheet: 4 1/2 × 5 1/4 in. (11.4 × 13.4 cm)

The Metropolitan Museum of Art

Study of a Seated Man Wearing a Helmet

1809 · pen and brown ink with graphite on thin laid paper

sheet: 33.1 × 21.5 cm (13 1/16 × 8 7/16 in.)

National Gallery of Art