Artworks · George Overbury ("Pop") Hart

The Poultry Man

1929 · etching and aquatint on paper

plate: 10 1/2 x 12 1/2 in. (26.7 x 31.6 cm) sheet: 13 x 14 3/4 in. (33.0 x 37.5 cm)

Smithsonian American Art Museum

The Plains of Etla

1927 · pencil and ink on paper

Smithsonian American Art Museum

The Jury

1927 · Photolithograph on Japanese paper

Image: 33.1 × 44.6 cm (13 1/16 × 17 9/16 in.); Sheet: 40.5 × 52.4 cm (16 × 20 11/16 in.)

Art Institute of Chicago

Matinee

1926 · Aquatint and soft ground etching on ivory wove paper

Plate: 13 × 20.8 cm (5 1/8 × 8 1/4 in.); Sheet: 19 × 26 cm (7 1/2 × 10 1/4 in.)

Art Institute of Chicago

Excursion Boat

1926 · Aquatint on cream wove paper

Plate: 26 × 34 cm (10 1/4 × 13 7/16 in.); Sheet: 29.5 × 41 cm (11 5/8 × 16 3/16 in.)

Art Institute of Chicago

Dias de fiesta

1926 · Aquatint and soft ground etching on paper

Plate: 19.5 × 27.6 cm (7 11/16 × 10 7/8 in.); Sheet: 23 × 34.2 cm (9 1/16 × 13 1/2 in.)

Art Institute of Chicago

Pig Market, Mexico

1926 · aquatint and softground etching

image: 8 3/4 x 12 1/2 in. (22.2 x 31.8 cm)

Smithsonian American Art Museum

Sea Waves

1926 · aquatint and soft-ground etching on paper

plate: 9 7/8 x 7 7/8 in. (25.2 x 20.1 cm) sheet: 16 1/8 x 12 in. (41.0 x 30.5 cm)

Smithsonian American Art Museum

The Poultryman

1926 · aquatint, softground etching and drypoint on paper

plate: 10 3/8 x 12 3/8 in. (26.4 x 31.4 cm)

Smithsonian American Art Museum

The Matinee

1926 · softground etching and aquatint on paper

plate: 5 1/8 x 8 1/8 in. (13.0 x 20.6 cm)

Smithsonian American Art Museum

Market Plaza, Mexico

1926 · Aquatint and soft ground etching on paper

Plate: 23.6 × 32.2 cm (9 5/16 × 12 11/16 in.); Sheet: 31.5 × 42.6 cm (12 7/16 × 16 13/16 in.)

Art Institute of Chicago

The Brook

1926 · Monotype and soft ground etching on ivory wove paper

Plate: 30.2 × 23 cm (11 15/16 × 9 1/16 in.); Sheet: 37.8 × 28 cm (14 15/16 × 11 1/16 in.)

Art Institute of Chicago

Pig Market, Mexico

1926 · Aquatint and soft ground etching on ivory wove paper

Plate: 22.2 × 31.4 cm (8 3/4 × 12 3/8 in.); Sheet: 28.8 × 40 cm (11 3/8 × 15 3/4 in.)

Art Institute of Chicago

Dance of Centaurs

1926 · Aquatint and etching

plate: 12 3/4 x 9 1/8" (32.4 x 23.2cm)

Museum of Modern Art

Virginia Reel, Amusement Park

1926 · Etching and aquatint

plate: 5 1/4 x 8 1/8" (13.4 x 20.6cm)

Museum of Modern Art

Awaiting the Boats' Return

1925 · Drypoint on copper on buff wove paper

Plate: 12.3 × 17.4 cm (4 7/8 × 6 7/8 in.); Sheet: 18 × 24 cm (7 1/8 × 9 1/2 in.)

Art Institute of Chicago

Bathers

1925 · Drypoint on cream wove paper

Plate: 14.6 × 20 cm (5 3/4 × 7 7/8 in.); Sheet: 32 × 29.5 cm (12 5/8 × 11 5/8 in.)

Art Institute of Chicago

A Bit of Santo Domingo

1925 · Drypoint and soft ground etching in brown on buff wove paper

Plate: 15 × 22.6 cm (5 15/16 × 8 15/16 in.); Sheet: 23.5 × 30 cm (9 5/16 × 11 13/16 in.)

Art Institute of Chicago

Picnic Party

1925 · Monotype and soft ground etching on paper

Plate: 21.1 × 31.8 cm (8 5/16 × 12 9/16 in.); Sheet: 28.4 × 40 cm (11 3/16 × 15 3/4 in.)

Art Institute of Chicago

The Working People

1925 · etching on paper

plate: 6 5/8 x 9 1/2 in. (16.8 x 24.1 cm)

Smithsonian American Art Museum

Springtime in New Orleans

1925 · lithograph

12 3/4 x 16 1/4 in. (32.4 x 41.3 cm)

Smithsonian American Art Museum

Springtime, New Orleans

1925 · Lithograph on buff wove paper

Image: 24 × 32 cm (9 1/2 × 12 5/8 in.); Sheet: 31.8 × 38.8 cm (12 9/16 × 15 5/16 in.)

Art Institute of Chicago

The Poultryman

1925 · Colored aquatint on buff wove paper

Plate: 26.8 × 31.2 cm (10 9/16 × 12 5/16 in.); Sheet: 34 × 38 cm (13 7/16 × 15 in.)

Art Institute of Chicago

Landscape, Santo Domingo

1925 · Etching and drypoint

plate: 6 x 8 7/8" (15.2 x 22.5cm)

Museum of Modern Art

Springtime, New Orleans

1925 · Lithograph

composition: 9 9/16 x 12 5/8" (24.3 x 32cm); plate: 10 5/16 x 13 1/8" (26.2 x 33.3cm)

Museum of Modern Art

The Rainbow

1924 · Lithograph on cream wove paper

Image: 24 × 34.7 cm (9 1/2 × 13 11/16 in.); Sheet: 28.2 × 39.4 cm (11 1/8 × 15 9/16 in.)

Art Institute of Chicago

The Gallery

1924 · Lithograph on white wove paper

Image: 12.6 × 23.4 cm (5 × 9 1/4 in.); Sheet: 18.2 × 28.9 cm (7 3/16 × 11 7/16 in.)

Art Institute of Chicago

Bringing Goats to Market

1924 · Drypoint on zinc on ivory wove paper

Plate: 18.4 × 23.1 cm (7 1/4 × 9 1/8 in.); Sheet: 27.9 × 34.9 cm (11 × 13 3/4 in.)

Art Institute of Chicago

Voodoo Dance (West Indies)

1924 · Lithograph on brown wove paper

Image: 20.4 × 17 cm (8 1/16 × 6 3/4 in.); Sheet: 26 × 22 cm (10 1/4 × 8 11/16 in.)

Art Institute of Chicago

Gamblers

1924 · Hand-colored lithograph in orange and black on ivory wove paper

Image: 16 × 23 cm (6 5/16 × 9 1/16 in.); Sheet: 21 × 28 cm (8 5/16 × 11 1/16 in.)

Art Institute of Chicago

Mammy

1924 · Drypoint, sandpaper, and roulette on ivory wove paper

Plate: 23.8 × 18.2 cm (9 3/8 × 7 3/16 in.); Sheet: 36 × 28 cm (14 3/16 × 11 1/16 in.)

Art Institute of Chicago

Haiti Market

1924 · lithograph on paper

plate: 7 7/8 x 13 in. (20.0 x 33.0 cm)

Smithsonian American Art Museum

Dias de Fiesta (Dias de Fiesta #1, study for print)

1924 · pencil, carbon pencil and watercolor on paperboard: card stock

sheet: 8 7/8 x 11 1/8 in. (22.6 x 28.1 cm)

Smithsonian American Art Museum

Boats and Natives

1924 · drypoint, sandpaper and roulette on paper

plate: 7 x 10 7/8 in. (17.9 x 27.6 cm)

Smithsonian American Art Museum

Boy and Donkeys

1924 · softground etching, drypoint and chine-colle on paper

plate: 6 1/4 x 9 3/8 in. (15.8 x 23.8 cm)

Smithsonian American Art Museum

Boy and Donkeys (Donkey Boy)

1924 · softground etching, drypoint and chine-colle on paper

plate: 6 1/4 x 9 1/4 in. (15.9 x 23.5 cm)

Smithsonian American Art Museum

Dias de Fiesta #1

1924 · softground etching and aquatint on paper

plate: 7 3/4 x 10 7/8 in. (19.7 x 27.6 cm)

Smithsonian American Art Museum

Dias de Fiesta #2

1924 · softground etching and aquatint on paper

7 1/4 x 9 1/4 in. (18.4 x 23.5 cm)

Smithsonian American Art Museum

The Gamblers

1924 · hand-colored lithograph on paper

6 5/8 x 9 in. (16.8 x 22.9 cm)

Smithsonian American Art Museum

Haiti Market

1924 · Lithograph

composition: 7 11/16 x 12 5/8" (19.6 x 32.1 cm); plate: 8 3/16 x 13" (20.8 x 33 cm); sheet: 12 3/4 x 15 7/8" (32.4 x 40.4 cm)

Museum of Modern Art

Atlantic City

1924 · Lithograph

composition: 7 1/4 x 8 1/2" (18.4 x 21.6cm); plate: 7 9/16 x 8 7/8" (19.2 x 22.5cm)

Museum of Modern Art

The Rainbow

1924 · Lithograph

composition: 9 x 13 1/4" (22.9 x 33.7cm); plate: 9 1/2 x 13 11/16" (24.1 x 34.7cm)

Museum of Modern Art

Moonlight in Jungle

1924 · Lithograph

plate: 8 1/4 x 9 3/4" (21 x 24.8cm)

Museum of Modern Art

The Gallery, French Opera House, New Orleans

1924 · Lithograph

composition: 4 15/16 x 9 3/16" (12.6 x 23.3cm)

Museum of Modern Art

Sunday Picnic

1923 · Hand-colored lithograph in brown on ivory wove paper

Image: 13.5 × 22 cm (5 3/8 × 8 11/16 in.); Sheet: 19 × 28 cm (7 1/2 × 11 1/16 in.)

Art Institute of Chicago

Chicken Vender

1923 · Drypoint and sandpaper on cream wove paper

Plate: 23.8 × 17.4 cm (9 3/8 × 6 7/8 in.); Sheet: 35 × 28.4 cm (13 13/16 × 11 3/16 in.)

Art Institute of Chicago

Sea Waves

1923 · color aquatint and softground etching on paper

plate: 9 3/4 x 7 7/8 in. (24.7 x 19.9 cm)

Smithsonian American Art Museum

Cockfight, Santo Domingo

1923 · hand-colored lithograph on paper

image: 7 3/4 x 12 3/4 in. (19.7 x 32.4 cm)

Smithsonian American Art Museum