Artworks · George Grosz

Professor Freud gewidmet (plate, folio 65) from Ecce Homo

1922 · One from an illustrated book with 100 offset lithograph reproductions

composition (irreg.): 11 1/8 × 6 15/16" (28.3 × 17.7 cm); page (each approx.): 13 11/16 × 9 13/16" (34.8 × 25 cm)

Museum of Modern Art

Dämmerung (plate, folio 99) from Ecce Homo

1922 · One from an illustrated book with 100 offset lithograph reproductions

composition (irreg.): 10 3/8 × 7 15/16" (26.3 × 20.1 cm); page (each approx.): 13 11/16 × 9 13/16" (34.8 × 25 cm)

Museum of Modern Art

Plate I from Ecce Homo

1922 · One from an illustrated book with 100 offset lithograph reproductions

composition (irreg.): 10 1/2 × 7 13/16" (26.6 × 19.8 cm); page (each approx.): 13 11/16 × 9 13/16" (34.8 × 25 cm)

Museum of Modern Art

Café (plate, folio 51) from Ecce Homo

1922 · One from an illustrated book with 100 offset lithograph reproductions

composition (irreg.): 9 13/16 × 7 15/16" (24.9 × 20.2 cm); page (each approx.): 13 11/16 × 9 13/16" (34.8 × 25 cm)

Museum of Modern Art

Krach (plate, folio 84) from Ecce Homo

1922 · One from an illustrated book with 100 offset lithograph reproductions

composition (irreg.): 10 5/8 × 7 3/4" (27 × 19.7 cm); page (each approx.): 13 11/16 × 9 13/16" (34.8 × 25 cm)

Museum of Modern Art

Schwere Zeiten (plate, folio 34) from Ecce Homo

1922 · One from an illustrated book with 100 offset lithograph reproductions

composition (irreg.): 10 1/16 × 6 13/16" (25.6 × 17.3 cm); page (each approx.): 13 11/16 × 9 13/16" (34.8 × 25 cm)

Museum of Modern Art

Der besessene Forstadjunkt (plate, folio 30) from Ecce Homo

1922 · One from an illustrated book with 100 offset lithograph reproductions

composition (irreg.): 8 3/16 × 10 1/4" (20.8 × 26 cm); page (each approx.): 13 11/16 × 9 13/16" (34.8 × 25 cm)

Museum of Modern Art

Krise (plate, folio 93) from Ecce Homo

1922 · One from an illustrated book with 100 offset lithograph reproductions

composition (irreg.): 11 7/16 × 8 3/8" (29 × 21.3 cm); page (each approx.): 13 11/16 × 9 13/16" (34.8 × 25 cm)

Museum of Modern Art

Mord (plate, folio 16) from Ecce Homo

1922 · One from an illustrated book with 100 offset lithograph reproductions

composition (irreg.): 8 7/8 × 5 7/8" (22.6 × 14.9 cm); page (each approx.): 13 11/16 × 9 13/16" (34.8 × 25 cm)

Museum of Modern Art

Esplanade (plate, folio 76) from Ecce Homo

1922 · One from an illustrated book with 100 offset lithograph reproductions

composition (irreg.): 10 13/16 × 7 13/16" (27.4 × 19.8 cm); page (each approx.): 13 11/16 × 9 13/16" (34.8 × 25 cm)

Museum of Modern Art

Dissonant Flute (Verstimmte Flöte)

1922 · Lithograph

composition (irreg.): 15 3/4 x 12 3/4" (40 x 32.4 cm); sheet: 25 9/16 x 19 3/4" (65 x 50.2 cm)

Museum of Modern Art

The Blessing of Heaven Is Visibly upon Me (Gottes sichtbarer Segen ist bei mir) from the portfolio The Robbers (Die Räuber)

1922 · Offset lithograph

composition (irreg.): 17 13/16 x 14 7/16" (45.3 x 36.7 cm); sheet (irreg.): 25 1/2 x 18 11/16" (64.8 x 47.5 cm)

Museum of Modern Art

Methusalem. Costume design for the play Methusalem

1922 · Watercolor, ink, metallic paint, and pencil on paper

20 3/4 x 16 1/4" (52.6 x 41.1 cm)

Museum of Modern Art

The New Generation (Nachwuchs)

1921 · Offset lithograph

composition (irreg.): 19 3/4 x 12 3/8" (50.2 x 31.5 cm); sheet: 25 3/4 x 19 11/16" (65.4 x 50 cm)

Museum of Modern Art

Gypsy Music (Zigeunermusik)

1921 · Lithograph

composition: 19 3/16 x 13 5/8" (48.8 x 34.6 cm); sheet: 23 15/16 x 19 5/8" (60.8 x 49.8 cm)

Museum of Modern Art

Let Those Swim Who Can - The Heavy May Sink! (Schwimme, wer schwimmen kann, und wer zu plump ist, geh' unter!) from the portfolioThe Robbers (Die Räuber)

1921 · Offset lithograph

composition (irreg.): 17 3/8 x 15 1/4" (44.2 x 38.7 cm); sheet: 25 3/8 x 19 5/8" (64.4 x 49.8 cm)

Museum of Modern Art

Dr. Huelsenbeck Near the End

1920 · Pen and brush and black ink on cream wove paper

47.7 × 37.5 cm (18 13/16 × 14 13/16 in.)

Art Institute of Chicago

Sons who are Heroes, study for "Halting-place, Ghent" (recto); Crippled Soldier (verso)

1920 · Pen and black ink (recto and verso) on cream wove paper

53 × 43.3 cm (20 7/8 × 17 1/16 in.)

Art Institute of Chicago

War Invalid and Workers

1920 · Lithograph on ivory laid paper

Image: 35.5 × 28.6 cm (14 × 11 5/16 in.); Sheet: 48.5 × 39 cm (19 1/8 × 15 3/8 in.)

Art Institute of Chicago

People in the Street from In the Shadows (Im Schatten)

1920 · One from a portfolio of ten offset lithographs (including title page)

composition (irreg.): 12 1/2 x 15 1/8" (31.8 x 38.4 cm)'; sheet: 14 1/8 x 18 7/8" (35.8 x 48 cm)

Museum of Modern Art

Dawn from In the Shadows (Im Schatten)

1920 · One from a portfolio of ten offset lithographs (including title page)

composition (irreg.): 14 3/4 x 10 5/8" (37.4 x 27 cm); sheet (irreg.): 18 7/8 x 13 15/16" (48 x 35.4 cm)

Museum of Modern Art

Inflation from In the Shadows (Im Schatten)

1920 · One from a portfolio of ten offset lithographs (including title page)

composition (irreg.): 13 9/16 x 9 1/2" (34.4 x 24.1 cm); sheet (irreg.): 19 x 14" (48.2 x 35.5 cm)

Museum of Modern Art

Dusk from In the Shadows (Im Schatten)

1920 · One from a portfolio of ten offset lithographs (including title page)

composition (irreg.): 15 3/16 x 11" (38.6 x 28 cm); sheet: 19 x 14 1/16" (48.3 x 35.7 cm)

Museum of Modern Art

Matchseller and Patrol from In the Shadows (Im Schatten)

1920 · One from a portfolio of ten offset lithographs (including title page)

composition (irreg.): 9 13/16 x 8 3/16" (25 x 20.8 cm); sheet: 19 1/16 x 13 15/16" (48.4 x 35.4 cm)

Museum of Modern Art

Outside the Factories from In the Shadows (Im Schatten)

1920 · One from a portfolio of ten offset lithographs (including title page)

composition (irreg.): 13 x 9 15/16" (33 x 25.2 cm); sheet (irreg.): 19 3/16 x 14 1/16" (48.8 x 35.7 cm)

Museum of Modern Art

Pay Day from In the Shadows (Im Schatten)

1920 · One from a portfolio of ten offset lithographs (including title page)

composition (irreg.): 15 3/16 x 11" (38.6 x 28 cm); sheet: 19 x 14 1/16" (48.3 x 35.7 cm)

Museum of Modern Art

War Invalid and Workers from In the Shadows (Im Schatten)

1920 · One from a portfolio of ten offset lithographs (including title page)

composition (irreg.): 14 1/8 x 11 1/4" (35.8 x 28.5 cm); sheet (irreg.): 19 1/8 x 14" (48.5 x 35.5 cm)

Museum of Modern Art

Title page from In the Shadows (Im Schatten)

1920 · One from a portfolio of ten offset lithographs (including title page)

composition (irreg.): 9 1/2 x 7" (24.2 x 17.8 cm); sheet: 18 3/4 x 14" (47.6 x 35.5 cm)

Museum of Modern Art

Ants from In the Shadows (Im Schatten)

1920 · One from a portfolio of ten offset lithographs (including title page)

composition (irreg.): 10 1/4 x 14 13/16" (26.1 x 37.7 cm); sheet: 14 1/16 x 19 1/8" (35.7 x 48.6 cm)

Museum of Modern Art

Table of contents from the portfolio Got mit uns (God with Us)

1920 · Letterpress and line block

Page: 18 13/16 x 15 5/16" (47.8 x 38.9 cm)

Museum of Modern Art

Death on the Street (Tod auf der Strasse) from the deluxe periodical in portfolio form Die Schaffenden, vol. 4, no. 4

1920 · Lithograph

composition (irreg.): 10 1/2 x 7 3/8" (26.6 x 18.7 cm); sheet: 16 1/16 x 12 3/16" (40.8 x 31 cm)

Museum of Modern Art

In the Shadows (Im Schatten)

1920 · Portfolio of ten offset lithographs (including title page)

composition (various dimensions, see child records); sheet (each approx.): 18 x 15" (45.7 x 38.1 cm)

Museum of Modern Art

"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen)

1920 · Watercolor, ink, pencil, and cut-and-pasted printed paper on paper

16 1/2 x 12" (41.9 x 30.5 cm)

Museum of Modern Art

Republican Automatons (Republikanische Automaten)

1920 · Watercolor and pencil on paper

23 5/8 x 18 5/8" (60 x 47.3 cm)

Museum of Modern Art

Dispute by Moonlight (Disput bei Mondschein) (recto); Two Men (verso)

1920 · Ink on paper (recto and verso)

26 3/4 x 19 5/8" (68 x 49.9 cm)

Museum of Modern Art

He Made Fun of Hindenburg (Er hat Hindenburg verspottet) (plate 11) from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

1920 · Lithograph from an illustrated book with fifteen lithographs, eight woodcuts, eight reproductions and one lithographed cover

composition (irreg.): 9 5/16 x 6 7/8" (23.7 x 17.5 cm); page: 13 1/2 x 9 1/2" (34.3 x 24.2 cm)

Museum of Modern Art

Cafe Neptune

1919 · Watercolor and pen and brush and black ink, with touches of graphite, on cream wove paper

50 × 38.7 cm (19 11/16 × 15 1/4 in.)

Art Institute of Chicago

The Pimps of Death

1919 · Lithograph in black on ivory laid paper

Image/plate: 38.5 × 30.2 cm (15 3/16 × 11 15/16 in.); Sheet: 47.8 × 38.9 cm (18 7/8 × 15 3/8 in.)

Art Institute of Chicago

Cover from the portfolio God with Us (Gott mit uns)

1919 · Letterpress and line block

composition (front cover; irreg.): 16 1/4 x 8 1/8" (41.3 x 20.6 cm); composition (back cover; irreg.): 5 7/8 x 3 15/16" (14.9 x 10 cm); cover (closed): 19 3/8 x 15 3/4 x 7/16" (49.2 x 40 x 1.1 cm); cover (open): 19 3/8 x 31 1/2" (49.2 x 80 cm)

Museum of Modern Art

Ich dien (Feierabend) from the portfolio God with Us (Gott mit uns)

1919 · Offset lithograph

composition: 15 1/4 x 11 3/4" (38.7 x 29.8 cm); sheet: 19 x 15 1/2" (48.3 x 39.3 cm)

Museum of Modern Art

Blood Is the Best Sauce (Die Kommunisten fallen - und die Devisen steigen) from the portfolio God with Us (Gott mit uns)

1919 · Offset lithograph

composition (irreg.): 12 1/8 x 17 3/4" (30.8 x 45.1 cm); sheet: 15 1/4 x 19" (38.7 x 48.3 cm)

Museum of Modern Art

The World Made Safe for Democracy (Die vollendete Demokratie) from the portfolio God with Us (Gott mit uns)

1919 · Offset lithograph

composition (irreg.): 17 3/8 x 11 7/8" (44.1 x 30.2 cm); sheet (irreg.): 18 7/8 x 15 1/2" (48 x 39.4 cm)

Museum of Modern Art

Made in Germany (Den macht uns keiner nach) from the portfolio God with Us (Gott mit uns)

1919 · Offset lithograph

composition (irreg.): 11 3/16 x 9 9/16" (28.4 x 24.3 cm); sheet: 19 x 15 3/8" (48.3 x 39.1 cm)

Museum of Modern Art

The Germans to the Front (Für deutsches Recht und deutsche Sitte) from the portfolio God with Us (Gott mit uns)

1919 · Offset lithograph

composition (irreg.): 15 x 12 5/16" (38.1 x 31.3 cm); sheet: 19 x 15 3/8" (48.2 x 39.1 cm)

Museum of Modern Art

God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns)

1919 · Offset lithograph

composition (irreg.): 11 9/16 x 16 7/8" (29.3 x 42.8 cm); sheet: 15 7/16 x 18 7/8" (39.2 x 48 cm)

Museum of Modern Art

God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns)

1919 · Offset lithograph

composition (irreg.): 11 9/16 x 17" (29.3 x 43.2 cm); sheet: 15 7/16 x 19" (39.2 x 48.2 cm)

Museum of Modern Art

The End of the Day

1919 · Ink on paper

18 5/8 x 14 3/4" (47.5 x 37.5 cm)

Museum of Modern Art

Beauty Contest in the Motzstrasse

1918 · Lithograph in black on cream wove paper

Image: 28.5 × 42.4 cm (11 1/4 × 16 3/4 in.); Sheet: 37.5 × 49.4 cm (14 13/16 × 19 1/2 in.)

Art Institute of Chicago