Artworks · George Grosz

Plate (facing page 168) from The Voice of the City and Other Stories

1935 · Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions

composition (irreg.): 6 15/16 × 4 15/16" (17.7 × 12.5 cm); page: 10 1/4 × 7 3/8" (26 × 18.7 cm)

Museum of Modern Art

Plate (facing page 132) from The Voice of the City and Other Stories

1935 · Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions

composition (irreg.): 7 5/16 × 5 3/8" (18.6 × 13.6 cm); page (each): 10 1/4 × 7 3/8" (26 × 18.7 cm)

Museum of Modern Art

Plate (facing page 160) from The Voice of the City and Other Stories

1935 · Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions

composition (irreg.): 7 1/8 × 5 1/8" (18.1 × 13 cm); page (each): 10 1/4 × 7 3/8" (26 × 18.7 cm)

Museum of Modern Art

Plate (facing page 14) from The Voice of the City and Other Stories

1935 · Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions

composition (irreg.): 7 3/16 × 5 1/2" (18.3 × 13.9 cm); page (each): 10 1/4 × 7 3/8" (26 × 18.7 cm)

Museum of Modern Art

Man About Town (plate facing page 30) from The Voice of the City and Other Stories

1935 · Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions

composition (irreg.): 7 1/2 × 5 3/16" (19 × 13.1 cm); page (each): 10 1/4 × 7 3/8" (26 × 18.7 cm)

Museum of Modern Art

Plate (facing page 50) from The Voice of the City and Other Stories

1935 · Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions

composition (irreg.): 7 1/16 × 5 3/16" (17.9 × 13.2 cm); page (each): 10 1/4 × 7 3/8" (26 × 18.7 cm)

Museum of Modern Art

The Bowery (plate facing page 2) from The Voice of the City and Other Stories

1935 · Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions

composition (irreg.): 6 15/16 × 4 13/16" (17.7 × 12.3 cm); page (each): 10 1/4 × 7 3/8" (26 × 18.7 cm)

Museum of Modern Art

Plate (facing page 62) from The Voice and the City and Other Stories

1935 · Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions

composition (irreg.): 7 5/16 × 5 1/4" (18.5 × 13.3 cm); page (each): 10 1/4 × 7 3/8" (26 × 18.7 cm)

Museum of Modern Art

Plate (facing page 146) from The Voice of the City and Other Stories

1935 · Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions

composition (irreg.): 7 1/2 × 5 3/16" (19 × 13.2 cm); page (each): 10 1/4 × 7 3/8" (26 × 18.7 cm)

Museum of Modern Art

Plate (facing page 218) from The Voice of the City and Other Stories

1935 · Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions

composition (irreg.): 7 3/16 × 5 3/16" (18.2 × 13.1 cm); page (each): 10 1/4 × 7 3/8" (26 × 18.7 cm)

Museum of Modern Art

Plate (facing page 68) from The Voice and the City and Other StoriesThe Voice of the City and Other Stories

1935 · Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions

composition (irreg.): 7 3/8 × 5 1/2" (18.7 × 14 cm); page (each): 10 1/4 × 7 3/8" (26 × 18.7 cm)

Museum of Modern Art

Coney Island (plate facing page 38) from The Voice of the City and Other Stories

1935 · Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions

composition (irreg.): 7 1/4 × 5 1/4" (18.4 × 13.3 cm); page (each): 10 1/4 × 7 3/8" (26 × 18.7 cm)

Museum of Modern Art

Eviction (Per Gerichtsbeschluss entlassen) from the portfolio Interregnum

1935 · Offset lithograph

composition (irreg.): 11 3/8 x 8 1/2" (28.9 x 21.6 cm); sheet: 16 x 11 7/16" (40.6 x 29.1 cm)

Museum of Modern Art

He Didn't Believe Me (Er glaubte nicht) from the portfolio Interregnum

1935 · Offset lithograph

composition (irreg.): 11 3/16 x 8 1/2" (28.4 x 21.6 cm); sheet: 16 x 11 7/16" (40.7 x 29.1 cm)

Museum of Modern Art

Saints (Heilige) from the portfolio Interregnum

1935 · Offset lithograph

composition: 8 1/2 × 9 13/16" (21.6 × 25 cm); sheet: 17 11/16 × 11 7/16" (45 × 29.1 cm)

Museum of Modern Art

The Dignity of Labor (Arbeit adelt) from the portfolio Interregnum

1935 · Offset lithograph

composition (irreg.): 8 11/16 x 11 1/4" (22 x 28.5 cm); sheet: 11 9/16 x 15 15/16" (29.4 x 40.5 cm)

Museum of Modern Art

That'll Learn'em (Das wird ihm auf die Sprünge helfen) from the portfolio Interregnum

1935 · Offset lithograph

composition (irreg.): 8 9/16 x 10 11/16" (21.7 x 27.1 cm); sheet: 11 9/16 x 15 15/16" (29.4 x 40.5 cm)

Museum of Modern Art

Last Day

1934 · Watercolor, with touches of gouache, over graphite, selectively gum(?) varnished, on ivory wove paper

70 × 52.5 cm (27 9/16 × 20 11/16 in.)

Art Institute of Chicago

Punishment (Strafe)

1934 · Watercolor and opaque watercolor on paper

27 1/2 x 20 1/2" (69.8 x 52.1 cm)

Museum of Modern Art

The Hero (Der Held) from The American Scene, no. 1

1933 · One from a portfolio of six lithographs

composition (irreg.): 12 11/16 x 8 7/8" (32.2 x 22.5 cm); sheet: 15 7/8 x 11 3/8" (40.4 x 28.9 cm)

Museum of Modern Art

The Voice of the City and Other Stories

1933 · Illustrated book with twenty-six line block and twenty-one offset lithography reproductions

page (each): 10 1/4 × 7 3/8" (26 × 18.7 cm); overall (closed): 10 11/16 × 7 11/16 × 1" (27.2 × 19.6 × 2.6 cm)

Museum of Modern Art

A Married Couple

1930 · Watercolour on paper

support: 660 x 473 mm

Tate

The Avenue of Success

1930 · Watercolor, with brush and brown ink, on grayish-white wove paper

67 × 49 cm (36 × 28 in.)

Art Institute of Chicago

An Orderly. Costume design for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa)

1930 · Watercolor, ink and pencil on paper

26 1/8 x 19" (66.4 x 48.3 cm)

Museum of Modern Art

Fritzke and Birkholz. Costume designs for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa)

1930 · Watercolor and ink on paper

20 5/8 x 27 1/2" (52.4 x 69.9 cm)

Museum of Modern Art

Two Women seen from the Back

1928 · Graphite on ivory wove paper

55.1 × 34.3 cm (21 3/4 × 13 9/16 in.)

Art Institute of Chicago

Street in Paris

1928 · Watercolor and brush and black ink on cream wove paper

63.6 × 48.4 cm (25 1/16 × 19 1/16 in.)

Art Institute of Chicago

Self-Portrait with a Model

1928 · Oil on canvas

45 1/2 x 29 3/4" (115.6 x 75.6 cm)

Museum of Modern Art

The Poet Max Herrmann-Neisse

1927 · Oil on canvas

23 3/8 x 29 1/8" (59.4 x 74 cm)

Museum of Modern Art

Seated Girl (Sitzendes Mädchen)

1927 · Pencil on paper

24 5/8 x 18 3/4" (62.5 x 47.6 cm)

Museum of Modern Art

Rimbaud's Fantasies (recto), and Buildings and Streetlight (verso)

1926 · Watercolor and pen and black ink, with black ink spattering and traces of graphite (recto), and pen and black ink (verso), on cream wove paper

31.3 × 64.8 cm (12 3/8 × 25 9/16 in.)

Art Institute of Chicago

Self-Portrait with Dog in Front of the Easel (Selbstbildnis mit Hund vor der Staffelei) from the deluxe periodical in portfolio form Die Schaffenden, vol. 5, no. 2

1926 · Lithograph

composition (irreg.): 15 5/8 x 12 3/16" (39.7 x 30.9 cm); sheet: 16 1/16 x 12 3/16" (40.8 x 30.9 cm)

Museum of Modern Art

Café

1926 · Ink and pencil on paper

12 1/2 x 25 1/2" (31.8 x 64.8 cm)

Museum of Modern Art

Anna Peter

1926 · Pencil on paper

27 x 21 1/8" (68.6 x 53.7 cm)

Museum of Modern Art

Drawing for ‘The Mirror of the Bourgeoisie’

1925 · Ink on paper

support: 629 x 505 mm

Tate

The Rabblerouser

1925 · Watercolor, with brush and brown ink on off-white wove paper

73.8 × 53.4 cm (29 1/16 × 21 1/16 in.)

Art Institute of Chicago

Seated Nude

1925 · Watercolor with gouache on ivory wove paper

59.5 × 48 cm (23 7/16 × 18 15/16 in.)

Art Institute of Chicago

Max Herrmann-Neisse

1925 · Ink on paper

15 x 12 1/8" (38.3 x 31 cm)

Museum of Modern Art

Cirque Medrano, Clowns Poitu and Chocolat (Circus Medrano, Clowns Poitu et Chocolat)

1924 · Ink and pencil on paper

16 1/8 x 11 3/4" (41.1 x 30 cm)

Museum of Modern Art

At the Circus Medrano (Im Zirkus Medrano)

1924 · Ink on paper

16 3/8 x 13 3/8" (41.6 x 34 cm)

Museum of Modern Art

At the Cirque Medrano (Im Zirkus Medrano)

1924 · Ink on paper

14 3/4 x 12 1/2" (37.5 x 31.9 cm)

Museum of Modern Art

"They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Act II, scene 3), from Die Rauber

1922 · Lithograph on paper

70 × 53.5 cm (27 9/16 × 21 1/8 in.)

Art Institute of Chicago

"Let those swim who can - the heavy may sink!" (Act I, scene 1), from Die Rauber

1922 · Lithograph on paper

70 × 53.5 cm (27 9/16 × 21 1/8 in.)

Art Institute of Chicago

"Right is with the strongest." (Act I, scene 1), from Die Rauber

1922 · Lithograph on paper

70 × 53.5 cm (27 9/16 × 21 1/8 in.)

Art Institute of Chicago

"I will root up from my path whatever obstructs my progress towards becoming the master." (Act 1, scene 1), from Die Rauber

1922 · Lithograph on paper

70 × 53.5 cm (27 9/16 × 21 1/8 in.)

Art Institute of Chicago

"I have done my part... the plunder is your affair!" (Act II, scene 3), from Die Rauber

1922 · Lithograph on paper

70 × 53.5 cm (27 9/16 × 21 1/8 in.)

Art Institute of Chicago

"Even lions and tigers nourish their young. Ravens feast their brood on carrion." (Act I, scene 2), from Die Rauber

1922 · Lithograph on paper

70 × 53.5 cm (27 9/16 × 21 1/8 in.)

Art Institute of Chicago

"The blessing of heaven is visibly upon me." (Act II, scene 2), from Die Rauber

1922 · Lithograph on paper

70 × 53.5 cm (27 9/16 × 21 1/8 in.)

Art Institute of Chicago