Artworks · Georg Baselitz

Untitled from Eagle (Adler)

1974 · One wood engraving from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings

composition (irreg.): 10 1/4 × 6 5/16" (26 × 16 cm); sheet: 27 9/16 × 19 11/16" (70 × 50 cm)

Museum of Modern Art

Untitled from Eagle (Adler)

1974 · One woodcut with paint additions from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings

composition (irreg.): 10 7/16 × 6 1/8" (26.5 × 15.5 cm); sheet: 27 9/16 × 19 11/16" (70 × 50 cm)

Museum of Modern Art

Untitled from Eagle (Adler)

1974 · One woodcut with paint additions from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings

composition (irreg.): 10 7/16 × 6 5/8" (26.5 × 16.8 cm); sheet: 27 9/16 × 19 11/16" (70 × 50 cm)

Museum of Modern Art

Untitled from Eagle (Adler)

1974 · One woodcut with paint additions from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings

composition: 10 7/16 × 6 9/16" (26.5 × 16.6 cm); sheet: 27 9/16 × 19 11/16" (70 × 50 cm)

Museum of Modern Art

Untitled from Eagle (Adler)

1974 · One etching and drypoint from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings

plate: 12 15/16 × 9 11/16" (32.8 × 24.6 cm); sheet: 27 9/16 × 19 11/16" (70 × 50 cm)

Museum of Modern Art

Untitled from Eagle (Adler)

1974 · One wood engraving from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings

composition (irreg.): 8 3/8 × 4 5/16" (21.2 × 11 cm); sheet: 27 9/16 × 19 11/16" (70 × 50 cm)

Museum of Modern Art

Untitled from Eagle (Adler)

1974 · One wood engraving from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings

composition (irreg.): 10 11/16 × 5 7/8" (27.2 × 15 cm); sheet: 27 9/16 × 19 11/16" (70 × 50 cm)

Museum of Modern Art

Trees (Bäume)

1974 · Etching, soft ground etching, aquatint and drypoint

plate: 11 5/8 x 9 3/4" (29.6 x 24.8 cm); sheet: 24 13/16 x 19 3/16" (63 x 48.7 cm)

Museum of Modern Art

Untitled from Eagle (Adler)

1974 · One etching, aquatint, and drypoint from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings

plate: 5 7/16 x 4" (13.8 x 10.2 cm); sheet: 27 9/16 × 19 11/16" (70 × 50 cm)

Museum of Modern Art

Eagle (Adler)

1974 · Portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings

composition (see child records): dimensions vary; sheet (each): 27 9/16 × 19 11/16" (70 × 50 cm)

Museum of Modern Art

Untitled from Eagle (Adler)

1974 · One etching from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings

plate: 13 × 9 11/16" (33 × 24.6 cm); sheet: 27 9/16 × 19 11/16" (70 × 50 cm)

Museum of Modern Art

Untitled from Eagle (Adler)

1974 · One etching and drypoint from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings

plate: 7 7/16 x 5 5/16" (18.9 x 13.5 cm); sheet: 27 9/16 × 19 11/16" (70 × 50 cm)

Museum of Modern Art

Masai

1972 · Ink and pencil on paper (recto); Pencil on paper (verso)

22 7/8 x 17 1/4" (58.1 x 43.8 cm)

Museum of Modern Art

Woodman (Waldarbeiter)

1969 · Charcoal and synthetic resin on linen

Framed: 254.6 × 204.5 cm (100 1/4 × 80 9/16 in.); 254.7 × 204.5 cm (100 1/4 × 80 1/2 in.)

Art Institute of Chicago

Dog-Split (Hund-geteilt)

1968 · Pencil and watercolor on paper

19 5/8 x 12 5/8" (49.8 x 32.1 cm)

Museum of Modern Art

Study for Woodcut

1967 · Graphite and chalk on paper

support: 611 x 430 mm

Tate

Untitled (with Dog and Axe)

1967 · Etching and drypoint on paper

image: 334 x 245 mm

Tate

Untitled (With Dog and Ax)

1967 · Drypoint in black on ivory wove paper

Plate: 33 × 24.1 cm (13 × 9 1/2 in.); Sheet: 67 × 51.1 cm (26 7/16 × 20 1/8 in.)

Art Institute of Chicago

Untitled (Kullervo's Feet)

1967 · Black and red Conté crayon, over graphite, with smudging and erasing on ivory laid paper

48.8 × 25.8 cm (19 1/4 × 10 3/16 in.)

Art Institute of Chicago

Woodmen

1967 · Charcoal and synthetic resin on canvas

8' 2" x 6' 6 3/4" (248.7 x 200 cm)

Museum of Modern Art

Paranoiamarsch

1967 · Drypoint

plate: 12 3/8 x 9 3/8" (31.5 x 23.8 cm); sheet: 26 x 19 7/8" (66 x 50.5 cm)

Museum of Modern Art

Untitled

1967 · Woodcut

composition: 14 1/8 x 11 13/16" (35.9 x 30cm); sheet: 16 1/16 x 12 15/16" (40.8 x 32.8 cm)

Museum of Modern Art

Large Head

1966 · Woodblock and monotype on paper

image: 438 x 405 mm

Tate

Untitled

1966 · Etching and drypoint in black on tan laid paper

Plate: 32.1 × 23.5 cm (12 11/16 × 9 5/16 in.); Sheet: 66.7 × 50.5 cm (26 5/16 × 19 15/16 in.)

Art Institute of Chicago

Untitled

1966 · Woodcut in ocher, brown, and black on ivory laid paper

Image: 27.9 × 27.9 cm (11 × 11 in.); Sheet: 40.6 × 33.7 cm (16 × 13 5/16 in.)

Art Institute of Chicago

Large Head

1966 · Woodcut printed from two blocks, with monotype inking on grayish wove paper, laid down on tan laid paper

Image/block: 47 × 40.2 cm (18 9/16 × 15 7/8 in.); Sheet: 48.2 × 41 cm (19 × 16 3/16 in.)

Art Institute of Chicago

Green-Red One (Grün-Roter)

1966 · Etching and drypoint

plate: 12 5/8 x 9 1/4" (32 x 23.5 cm); sheet: 25 9/16 x 19 11/16" (65 x 50 cm)

Museum of Modern Art

Untitled

1966 · Etching and drypoint

plate: 12 5/8 × 9 1/4" (32 × 23.5 cm); sheet: 16 15/16 × 12 3/4" (43 × 32.4 cm)

Museum of Modern Art

Two Soldiers (Zwei Soldaten)

1966 · Etching and drypoint

plate: 12 5/8 x 9 1/4" (32 x 23.5 cm); sheet: 25 9/16 x 19 11/16" (65 x 50 cm)

Museum of Modern Art

Rebel

1965 · Oil paint on canvas

support: 1627 x 1302 mm frame: 1650 x 1330 x 40 mm

Tate

Untitled

1965 · Etching on paper

image: 310 x 245 mm frame: 756 x 589 x 26 mm

Tate

The Herder (Der Hirte)

1965 · Etching, drypoint, and aquatint

plate: 12 1/2 × 9 5/16" (31.8 × 23.7 cm); sheet: 17 3/8 × 12 1/2" (44.2 × 31.8 cm)

Museum of Modern Art

Type / Green One at the Tree (Typ / Grüner am Baum)

1965 · Etching and drypoint

plate: 12 5/8 × 9 1/4" (32 × 23.5 cm); sheet: 16 15/16 × 12 5/8" (43 × 32 cm)

Museum of Modern Art

Untitled (Saxonian Landscape)

1964 · Gouache, watercolor, graphite, and black and orange crayon, with pen and black ink and brush and brown ink, on ivory laid paper

62.8 × 48.5 cm (24 3/4 × 19 1/8 in.)

Art Institute of Chicago

Idol

1964 · Etching

11 3/4 × 9 3/4" (29.8 × 24.8 cm)

Museum of Modern Art

Peitschenfrau

1964 · Ink on paper

24 3/4 x 19" (62.9 x 48.3 cm)

Museum of Modern Art

Untitled (Saxon Nose)

1963 · Watercolor and graphite, with white, black and colored crayons, and black ink on off-white laid paper

43.9 × 31.5 cm (17 5/16 × 12 7/16 in.)

Art Institute of Chicago

Untitled (Sex with Dumplings)

1963 · Watercolor on ivory laid paper

52.3 × 48.2 cm (20 5/8 × 19 in.)

Art Institute of Chicago

P.D. Zeichnung

1963 · Ink and gouache on two sheets of paper

33 1/2 x 24 1/4" (85 x 61.5 cm) overall

Museum of Modern Art

Big Night Down the Drain

1963 · Watercolor and pencil on paper

24 3/4 x 19" (62.9 x 48.3 cm)

Museum of Modern Art