Artworks · Frank Lloyd Wright

Dana/Thomas House Restoration Plans and Documents

1981 · Manuscripts, typescript papers, printed papers, color photographs, color negatives, photocopies and architectural drawings.

6 boxes and flatfile materials: W.: 91.5 cm (36 in.)

Art Institute of Chicago

Panel (Design 706)

1959 · Cotton, plain weave; screen printed

67 × 94 cm (26 1/4 × 37 in.)

Art Institute of Chicago

Louis Penfield Residence Collection

1959 · Architectural reprographic prints.

Art Institute of Chicago

High-backed chair

1956 · Chair

Victoria and Albert Museum

Panel (Design 106)

1956 · Cotton, wool, and rayon, weft-float faced satin weave; screen printed

77.2 × 63.5 cm (30 3/8 × 25 in.)

Art Institute of Chicago

Two Panels (Design 105)

1956 · Linen, plain weave; screen printed

64.6 × 58.7 cm (25 3/8 × 23 1/8 in.)

Art Institute of Chicago

Schumacher's Taliesin Line of Decorative Fabrics and Wallpapers Designed by Frank Lloyd Wright

1955 · 45 leaves with 137 fabric swatches and 26 wallpaper swatches

Measurement of volume: 58.2 × 44.5 × 3.9 cm (22 7/8 × 17 1/2 × 1 1/2 in.); Average length of swatches: 30.2 × 5 × 9 cm (12 × 2 × 3 1/2 in.); Average width of swatches: 30.2 × 5 × 9 cm (12 × 2 × 3 1/2 in.)

Art Institute of Chicago

Panel (Design 502)

1955 · Linen, plain weave derived float weave

68.2 × 64.3 cm (26 7/8 × 25 1/4 in.)

Art Institute of Chicago

Panel (Design 501)

1955 · Cotton and rayon, two-color complementary warp plain weave self-patterned by warp floats

68.3 × 69.2 cm (26 7/8 × 27 1/4 in.); Repeat: 24.8 × 11.4 cm (9 3/4 × 4 1/2 in.)

Art Institute of Chicago

Panel (Design 503)

1955 · Cotton and rayon, warp-float faced satin weave

66.7 × 66 cm (26 1/4 × 26 in.)

Art Institute of Chicago

Panel (Design 504)

1955 · Wool and silk, two-color complementary weft plain weave self-patterned by main warp and ground weft floats

67.1 × 65.7 cm (27 3/8 × 25 7/8 in.); Repeat: 5.3 × 8.7 cm (2 1/8 × 3 1/2 in.)

Art Institute of Chicago

Panel (Design 705)

1955 · Rayon, plain weave; screen printed

122.3 × 62.8 cm (48 1/8 × 24 3/4 in.); Repeat: 26.5 × 15.2 cm (10 3/8 × 6 in.)

Art Institute of Chicago

Panel (Design 506)

1955 · Cotton and nylon, plain weave

68.2 × 70.9 cm (26 3/4 × 27 7/8 in.)

Art Institute of Chicago

Panel (Design 507)

1955 · Cotton and metal foil encased in synthetic film wrapped around a rayon core, plain weave

68.6 × 61.5 cm (27 × 24 1/8 in.)

Art Institute of Chicago

Taliesin textile (Design 104)

1955 · Printed silk taffeta

24 x 52 1/4" (61 x 132.7 cm)

Museum of Modern Art

Taliesin textile (Design 105)

1955 · Printed linen

45 1/2 x 22 1/2" (115.6 x 57.2 cm)

Museum of Modern Art

Taliesin textile (Design 103)

1955 · Printed linen

127 x 65" (322.6 x 165.1 cm)

Museum of Modern Art

Maquette for Screen, Harold C. Price Jr. House, Bartlesville, Oklahoma

1953 · Enamel on mahogany panel

image area: 26.3 × 51.3 cm (10 3/8 × 20 1/4 in.); total panel: 39.6 × 60.9 × 1 cm (15 9/16 × 23 15/16 × 3/8 in.)

Art Institute of Chicago

Screen

1952 · Painted plywood

137.1 × 320 × 1.9 cm (54 × 126 × 3/4 in.)

Art Institute of Chicago

Church Pew

1952 · Plywood and upholstery

70.5 × 106.7 × 61 cm (27 3/4 × 42 × 24 in.)

Art Institute of Chicago

H.C. Price Company Tower, Bartlesville, Oklahoma (Model, c. 1952)

1952 · Painted wood, copper, plastic, and brass

78 x 55 x 48" (198.1 x 139.7 x 121.9 cm)

Museum of Modern Art

Mr. and Mrs. Stuart Wells House, project, Long Lake, Minnesota, Plan of upper level

1946 · Ink and color crayon on tracing paper

23 1/2 x 30" (59.7 x 76.2 cm)

Museum of Modern Art

Mr. and Mrs. Stuart Wells House, project, Long Lake, Minnesota, Plan of lower level

1946 · Graphite and color crayon on tracing paper

24 1/2 x 34 1/2" (62.2 x 87.6 cm)

Museum of Modern Art

Mr. and Mrs. Stuart Wells House, project, Long Lake, Minnesota, Perspective

1946 · Graphite and color crayon on tracing paper

24 x 35 1/2" (61 x 90.2 cm)

Museum of Modern Art

Frank Lloyd Wright in Michigan Collection

1945 · Correspondence, printed papers, black and white photographic prints, and architectural reprographic prints.

1 box and oversize material: W.: 15.3 cm (6 in.)

Art Institute of Chicago

Mr. and Mrs. Herbert A. Jacobs House, Middleton, Wisconsin, Ground Floor Furniture Plan

1944 · Ink, colored ink, and colored pencil on tracing paper

56.7 × 76.8 cm (22 5/16 × 30 1/4 in.)

Art Institute of Chicago

Mr. and Mrs. Herbert A. Jacobs House, Middleton, Wisconsin, Perspective

1944 · Ink on paper with graphite guidelines

58.1 × 73.5 cm (22 7/8 × 28 15/16 in.)

Art Institute of Chicago

Solomon R. Guggenheim Museum, New York (Model)

1943 · Painted wood, plastic, glass beads, ink, and watercolor on paper

29 × 62 × 44" (73.7 × 157.5 × 111.8 cm)

Museum of Modern Art

Johnson Wax Research Tower, Racine, Wisconsin, Tension ring study model for the reception skylight

1943 · Steel

Diameter:: 9 × 38" (22.9 × 96.5 cm)

Museum of Modern Art

Arch Oboler Guest House (Eleanor's Retreat), project, Malibu, California, Perspective

1941 · Graphite and color pencil on tracing paper

20 3/4 x 31" (52.7 x 78.8 cm)

Museum of Modern Art

Arch Oboler Guest House (Eleanor's Retreat), project, Malibu, California, Plan and elevation

1941 · Graphite and colored pencil on tracing paper

20 7/8 x 30 7/8" (53 x 78.5 cm)

Museum of Modern Art

Arch Oboler Guest House (Eleanor's Retreat), project, Malibu, California, Perspective

1941 · Colored pencil, graphite, and color ink on tracing paper

16 15/16 x 19 1/4" (43.1 x 48.9 cm)

Museum of Modern Art

Arch Oboler Guest House (Eleanor's Retreat), project, Malibu, California, Plan and elevation

1941 · Graphite and colored pencil on tracing paper

30 3/4 x 20 1/8" (78.1 x 51.1 cm)

Museum of Modern Art

Mr. and Mrs. James Bryan Christie House, Bernardsville, New Jersey, Exterior perspective from southwest

1940 · Graphite and color pencil on tracing paper

18 x 35 1/2" (45.7 x 90.2 cm)

Museum of Modern Art

Mr. and Mrs. James Bryan Christie House, Bernardsville, NJ (Exterior perspective from east)

1940 · Pencil and colored pencil on tracing paper

18 x 35 1/2" (45.7 x 90.2 cm)

Museum of Modern Art

Office Chair

1938 · Steel, wood, foam cushion, and upholstery

35 x 24 x 18" (88.9 x 61 x 45.7 cm), seat h. 18 1/2" (47 cm)

Museum of Modern Art

Armchair

1937 · Steel and maple, with original upholstery (later laminated surface)

85.7 × 60.3 × 54.6 cm (34 3/4 × 23 3/4 × 21 1/2 in.)

Art Institute of Chicago

Desk

1937 · Steel and maple (later laminated surface)

96.5 × 212.7 × 138.8 cm (38 × 83 3/4 × 54 5/8 in.)

Art Institute of Chicago

Mr. and Mrs. Herbert A. Jacobs House, Madison, Wisconsin, Elevations

1937 · Pencil and colored pencil on tracing paper

74.5 × 90.6 cm (29 3/8 × 35 5/8 in.)

Art Institute of Chicago

Desk

1936 · Wood and painted metal

33 3/4 x 84 x 32" (85.7 x 213.4 x 81.3 cm)

Museum of Modern Art

Text panel for Broadacre City Project

1934 · Painted plywood

48 x 79 x 5/8" (121.9 x 200.7 x 1.6 cm)

Museum of Modern Art

Text panel for Broadacre City Project

1934 · Painted plywood

48 x 78 1/4 x 5/8" (121.9 x 198.8 x 1.6 cm)

Museum of Modern Art

Text panel for Broadacre City Project

1934 · Painted plywood

85 3/4 × 23 7/8 × 5/8" (217.8 × 60.6 × 1.6 cm)

Museum of Modern Art

Text panel for Broadacre City Project

1934 · Painted plywood

48 x 45 x 5/8" (121.9 x 114.3 x 1.6 cm)

Museum of Modern Art

Text panel for Broadacre City Project

1934 · Painted plywood

86 1/2 x 23 7/8 x 5/8" (219.7 x 60.6 x 1.6 cm)

Museum of Modern Art

Broadacre City Project (Model in four sections)

1934 · Painted wood, cardboard, and paper

9" x 12'8" × 12' (22.9 × 388.6 × 365.8 cm)

Museum of Modern Art

Text panel for Broadacre City Project

1934 · Painted plywood

48 x 91 1/2 x 5/8" (121.9 x 232.4 x 1.6 cm)

Museum of Modern Art

Fallingwater, Edgar J. Kaufmann House, Mill Run, Pennsylvania (Scale model, 3/8" = 1')

1934 · Acrylic, wood, metal, expanded polystyrene, and paint

40 1/2 x 71 1/2 x 47 5/8" (102.9 x 181.6 x 121 cm)

Museum of Modern Art