Artworks · Francesco Bartolozzi

Ticket for the Benefit of M. Gardini

1780 · Engraving on paper

Image: 11.2 × 9.5 cm (4 7/16 × 3 3/4 in.); Sheet: 12.3 × 10.6 cm (4 7/8 × 4 3/16 in.)

Art Institute of Chicago

Mary Queen of Scots

1779 · Engraving on ivory wove paper

Image: 38.3 × 28.8 cm (15 1/8 × 11 3/8 in.); Plate: 47.5 × 32.8 cm (18 3/4 × 12 15/16 in.); Sheet: 48.6 × 33.6 cm (19 3/16 × 13 1/4 in.)

Art Institute of Chicago

Brisé fan with depiction of allegorical figure of Music

1775 · Pierced, gilded, and painted ivory; painted paper; printed and painted silk ribbon; glass

confirmed: 10 1/2 × 17 3/4 × 1 1/4 in. (26.7 × 45.1 × 3.2 cm)

The Metropolitan Museum of Art

Poems for the Solemn Entrance to the Position of Procurator of S. Marco on Account of His Excellency Lodovico Manin (Componimenti Poetici per l'Ingresso Solenne alla Dignità di Proccuratore di S. Marco per Merito di Sua Eccellenza il Signor Lodovico Manin)

1764 · Book with engravings in black on ivory laid paper

37.5 × 26.5 × 1.5 cm (14 13/16 × 10 7/16 × 5/8 in.)

Art Institute of Chicago

Allegory of Time in Honor of a Painter (Claude Lorrain?)

1747 · Red chalk, with traces of black chalk and graphite, on ivory laid paper

40 × 27 cm (15 3/4 × 10 11/16 in.)

Art Institute of Chicago

Venus and Cupid

1747 · Engraving in brown ink on cream wove paper

Image: 16.2 × 21.1 cm (6 7/16 × 8 5/16 in.); Sheet, cut within platemark: 18.5 × 21.6 cm (7 5/16 × 8 9/16 in.)

Art Institute of Chicago

Allegorical Subject

1747 · Stipple engraving in color on paper

26.5 × 20 cm (10 7/16 × 7 7/8 in.)

Art Institute of Chicago

Assumption of the Virgin

1747 · Pen and brown ink, with brush and brown wash, heightened with white gouache, over traces of graphite, on cream laid paper

25.9 × 21.4 cm (10 1/4 × 8 7/16 in.)

Art Institute of Chicago

Funerary Monument

1747 · Pen and black ink, with brush and gray wash and blue gouache, over black chalk, on cream laid paper, laid down on ivory wove paper

33 × 25 cm (13 × 9 7/8 in.)

Art Institute of Chicago

Angel

1747 · Red chalk on tan laid paper

36.2 × 26.1 cm (14 5/16 × 10 5/16 in.)

Art Institute of Chicago

Sappho Listening to Love

1747 · Stipple engraving on ivory laid paper

Plate: 16.3 × 16.2 cm (6 7/16 × 6 7/16 in.); Sheet: 16.7 × 16.5 cm (6 5/8 × 6 1/2 in.)

Art Institute of Chicago

Louis Seize

1747 · Etching and engraving on paper

Image: 37.7 × 27.3 cm (14 7/8 × 10 3/4 in.); Sheet: 40.8 × 30.5 cm (16 1/8 × 12 1/16 in.)

Art Institute of Chicago

First Idea of Design

1747 · Etching with touches of drypoint heightened with brush and gray wash, on cream wove paper, tipped onto cream wove paper

9.9 × 12.2 cm (3 15/16 × 4 13/16 in.)

Art Institute of Chicago

R. J. Thornton

1747 · Engraving and stipple engraving on ivory wove paper

Image: 21.6 × 14.2 cm (8 9/16 × 5 5/8 in.); Sheet, cut within platemark: 25.7 × 19.7 cm (10 1/8 × 7 13/16 in.)

Art Institute of Chicago

Adam and Eve in Paradise

1747 · Etching and engraving on cream paper, laid down on cream card

Image: 32.1 × 36.8 cm (12 11/16 × 14 1/2 in.); Sheet: 35.8 × 38.5 cm (14 1/8 × 15 3/16 in.); Secondary support: 38.5 × 42.7 cm (15 3/16 × 16 13/16 in.)

Art Institute of Chicago

S. Pierre Regalda (S. Pietro d'Alcantara)

1746 · Etching and engraving; third state

Sheet: 11 in. × 7 3/8 in. (28 × 18.8 cm)

The Metropolitan Museum of Art

Portret van Gasparo Gozzi

1738 · etching on paper

width: 120 cm, height: 194 cm

Rijksmuseum

Portret van Natalis Thomas Maggi

1738 · stipple engraving on paper

height: 255 cm, width: 202 cm

Rijksmuseum

Meisje lezend in een boek, in een ovaal

1738 · paper, chalk

width: 240 cm, height: 250 cm

Rijksmuseum

Trade Card for W.E. Vaughan, Printseller & Restorer

1700 · Engraving

Sheet: 3 7/16 × 4 1/2 in. (8.8 × 11.5 cm)

The Metropolitan Museum of Art

Eros and Psyche

Chalk on paper

support: 335 x 337 mm

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