Artworks · Frances Stark

Ian F. Svenonius’s “Censorship Now” for the 2017 Whitney Biennial, Spread 1 of 8 (Sincerely)

2017 · Acrylic, ink, and oil on canvas

79 × 104 in. (188 × 264.2 cm)

Whitney Museum of American Art

Ian F. Svenonius’s “Censorship Now” for the 2017 Whitney Biennial, Spread 3 of 8 (pp. 16–17) (the state, like a rampaging mob boss)

2017 · Acrylic, ink, and oil on canvas

79 × 104 in. (188 × 264.2 cm)

Whitney Museum of American Art

Dishonest but Appealing (for Parkett no. 93)

2013 · Multiple of book with safe

11 1/4 x 8 9/16 x 2 1/4" (28.5 x 21.8 x 5.7 cm)

Museum of Modern Art

Nothing is Enough

2012 · Single-channel digital video projection, black and white, sound; edition number five of five

14 min. loop

Art Institute of Chicago

Detumescence and/or its Opposite (from Torment of Follies)

2011 · Three components of vinyl and paint on wall

162.6 × 61.6 cm (64 × 24 1/4 in.)

Art Institute of Chicago

My Best Thing

2011 · Video (color, sound)

99:16 min.

Museum of Modern Art

Chorus Line

2008 · Cut-and-pasted printed and colored papers on paper

71 1/4 x 60" (181 x 152.4 cm)

Museum of Modern Art

Untitled (Quilt with Birds and Boxes)

2004 · Colored pencil, carbon paper transfer, pencil, ballpoint pen, and felt-tip pen on cut-and-taped printed and transparentized paper

60 x 33" (152.4 x 83.8 cm)

Museum of Modern Art

prelude: the prposed site of the grandview gardens

2002 · CD

case: 4 7/8 × 5 9/16 × 1/4" (12.4 × 14.1 × 0.6 cm)

Museum of Modern Art

The Love Song of J. Alfred Prufrock

1993 · Carbon transfer on five sheets of paper

23 x 34 3/4" (58.4 x 88.3 cm)

Museum of Modern Art